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Art Blakey
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Born in 1919, Art Blakey began his musical career, as did many jazz musicians, in the church. The foster son of a devout Seventh Day Adventist Family, Art learned the piano as he learned the Bible, mastering both at an early age.
But as Art himself told it so many times, his career on the piano ended at the wrong end of a pistol when the owner of the Democratic Club—the Pittsburgh nightclub where he was gigging—ordered him off the piano and onto the drums.
Art, then in his early teens and a budding pianist, was usurped by an equally young, Erroll Garner who, as it turned out, was as skilled at the piano as Blakey later was at the drums. The upset turned into
a blessing for Art, launching a career that spanned six decades and nurtured the careers of countless other jazz musicians.
As a young drummer, Art came under the tutelage of legendary drummer and bandleader Chick Webb, serving as his valet. In 1937, Art returned to Pittsburgh, forming his own band, teaming up with Pianist Mary Lou Williams, under whose name the band performed.
From his Pittsburgh gig, Art made his way through the Jazz world. In 1939, he began a three-year gig touring with Fletcher Henderson. After a year in Boston with a steady gig at the Tic Toc club, he joined the great Billy Eckstine, gigging with the likes of Charlie Parker, Dizzy Gillespie, and Sarah Vaughn.
In 1948, Art told reporters he had visited Africa, where he learned polyrhythmic drumming and was introduced to Islam, taking the name Abdullah Ibn Buhaina. It was in the late ’40s that Art formed his first Jazz Messengers band, a 17-piece big band.
After a brief gig with Buddy DeFranco, in 1954 Art met up with pianist Horace Silver, altoist Lou Donaldson, trumpeter Clifford Brown, and bassist Curly Russell and recorded "live" at Birdland for Blue Note Records. The following year, Art and Horace Silver co-founded the quintet that became the Jazz Messengers. In 1956, Horace Silver left the band to form his own group leaving the name, the Jazz Messengers, to Art Blakey.
Art’s driving rhythms and his incessant two and four beat on the high hat cymbals were readily identifiable from the outset and remained a constant throughout 35 years of Jazz Messengers bands. What changed constantly was a seeming unending supply of talented sidemen, many of whom went on to become band leaders in their own right.
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Thelonious Monk: With John Coltrane 1957 Revisited
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by Chris May
Once again, the ezz-thetics label has taken some of the finest artefacts of mid-twentieth-century US jazz and sonically restored them, bringing an unprecedented level of clarity, precision and presence. It is no exaggeration to say that the Swiss-based label's work can be compared with the restoration of Michelangelo's frescoes on the ceiling of the Sistine Chapel during the 1980s, both in terms of the quality of the original material and the artistry with which the renovation has been executed. The ...
read moreWhy Hard Bop?
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by AAJ Staff
When trying to investigate jazz, all the classifications and categories can be a bit confusing. What do they mean when they say hard bop?" How is it different from other types of jazz? Although a definition of the music may not necessarily enhance your listening enjoyment a little historical perceptive may be helpful for the jazz collector. The term hard bop, like many classifications in the arts, was created by the critics. It describes the new stylistic development ...
read moreCharlie Parker: At Birdland 1950 Revisited
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by Chris May
When it comes to live recordings of Charlie Parker, Jazz At Massey Hall, from a concert in Toronto in May 1953, has been widely considered the slam-dunk number one ever since Charles Mingus released it on his Debut label in 1956. Forensicists might favour the 7-CD The Complete Dean Benedetti Recordings Of Charlie Parker (Mosaic, 1990), but for most people, Massey Hall takes pole position. There have, however, been challengers for the top spot. Prominent among them ...
read moreRichard Brent Turner
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by Lawrence Peryer
Richard Brent Turner is Professor in the Department of Religious Studies and the African American Studies Program at the University of Iowa. He is the author of Soundtrack to a Movement: African American Islam, Jazz, and Black Internationalism (NYU Press). Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. In the book, Dr. Turner argues that from the late 1940s and '50s though the 1970s, Islam rose in ...
read moreArt Blakey's Jazz Messengers: Art Blakey's Jazz Messengers With Thelonious Monk (Deluxe Edition)
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by Chris May
Rhino's new series of reissues of historic albums from the late 1950s/early 1960s hit the ground running in 2020 with John Coltrane's Giant Steps (Atlantic, 1960). Spring 2022 has already seen Charles Mingus' Trio (Jubilee, 1957) and Coltrane's My Favorite Things (Atlantic, 1961). Hot on their heels comes Art Blakey's Jazz Messengers With Thelonious Monk (Alantic, 1958). Each reissue is a double disc. Disc one contains the original album. Disc two comprises outtakes, some previously ...
read moreArt Blakey & The Jazz Messengers: First Flight to Tokyo: The Lost 1961 Recordings
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by Mike Jurkovic
Perhaps Art Blakey's greatest gift was that he was able toand also enabled youto transport through time to when invention was new and not reheated, rebranded, or far worse, rejected out of hand. Just take his opening solo on the Charlie Parker-penned opener Now's the Time" from the absolutely ribald and raucous First Flight To Tokyo: The Lost 1961 Recordings and get a riotous earful for yourself. Blakey bops, pops, and booms and you're there in the room in Tokyo, ...
read moreArt Blakey & The Jazz Messengers: First Flight to Tokyo: The Lost 1961 Recordings
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by Chris May
There is a saying in the opera world which, though innocuous on the face of it, damns a work before the overture has begun let alone after the fat lady sings. The saying, beloved of breathless publicists deaf to its implication, is that such and such an opera is rarely performed." The reason it is rarely performed, of course, is because nine times out of ten it is a dud. When it comes to jazz albums the parallel ...
read moreBackgrounder: Art Blakey! Jazz Messengers!, 1961
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JazzWax by Marc Myers
One of my favorite albums by Art Blakey & the Jazz Messengers has a baffling title. For some reason, Impulse Records decided the title should be Art Blakey Jazz Messengers The confusing result is that some refer to the album as Impulse!!! or Art Blakey & the Jazz Messengers!!! while those in Japan know the album as Alamode. Whatever title you choose, the album is an explosion of energy and beauty. Recorded in June 1961, the Messengers lineup consisted of ...
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Jazz 625: Art Blakey & the Jazz Messengers
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JazzWax by Marc Myers
On March 7, 1965, Art Blakey & the Jazz Messengers appeared on the BBC-TVs Jazz 625, hosted by Humphrey Lyttelton. The video of the performance was recently colorized, which gives the musicians enormous dimension and visual personality. The music was always great. The color just makes the presentation a little greater. The Jazz Messengers on this date consisted of Art Blakey (d), Lee Morgan (tp), John Gilmore (ts), John Hicks (p) and Victor Sproles (b). Here's Art Blakey & the ...
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A Tribute To Art Blakey & The Jazz Messengers With Messenger Alums Bill Pierce & John Ramsay on November 13
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Mary Curtin Productions
A Tribute to Art Blakey and The Jazz Messengers. Featuring “messenger” alums Bill Pierce (saxophone) and John Ramsay (drums); accompanied by Greg Hopkins (trumpet), Dan Fox (trombone), Consuelo Candelaria (piano), and Greg Ryan (bass). Arlington High School Jazz Band, led by Tino D'Agostino, opens. Sunday, November 13, 6:30 pm. For advance concert tickets ($25, $15 students/seniors), click here. For further information visit us, email us or call 617-909-7776. Location Robbins Memorial Town Hall 730 Massachusetts Avenue Arlington, MA ...
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Jazz Musician of the Day: Art Blakey
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Michael Ricci
All About Jazz is celebrating Art Blakey's birthday today!
Born in 1919, Art Blakey began his musical career, as did many jazz musicians, in the church. The foster son of a devout Seventh Day Adventist Family, Art learned the piano as he learned the Bible, mastering both at an early age. But as Art himself told it so many times, his career on the piano ended at the wrong end of a pistol when the owner of the Democratic Club—the ...
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Documentary: Art Blakey
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JazzWax by Marc Myers
Dick Fontaine remains one of the world's finest music documentarians. The British filmmaker also has had a knack for identifying major trends early and capturing them in their nascent form. Among his subjects have been the Beatles (filmed four days after Ringo joined the band at Liverpool's Cavern club in 1962), Ornette Coleman (1966), Sonny Rollins (1968) and hip-hop (1984). In all, he has made more than 40 films and his subjects have included James Baldwin, Norman Mailer, Jean Shrimpton, ...
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Art Blakey: Flight to Tokyo
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JazzWax by Marc Myers
In January 1961, Art Blakey and the Jazz Messengers were on their first tour of Japan. That year, the Messengers consisted of a tough bunch of signature players—Lee Morgan (tp), Wayne Shorter (ts), Bobby Timmons (p), Jymie Merritt (b) and Blakey (d). This particular line-up of Messengers had been together since early 1960, when they recorded The Big Beat for Blue Note. The fact that Blakey was able to assemble and unify so much jazz firepower was a testament to ...
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Jazz Musician of the Day: Art Blakey
![Jazz Musician of the Day: Art Blakey](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/3e7e2b462338b149530c0edf2e2112cc.jpg)
Source:
Michael Ricci
All About Jazz is celebrating Art Blakey's birthday today!
Born in 1919, Art Blakey began his musical career, as did many jazz musicians, in the church. The foster son of a devout Seventh Day Adventist Family, Art learned the piano as he learned the Bible, mastering both at an early age. But as Art himself told it so many times, his career on the piano ended at the wrong end of a pistol when the owner of the Democratic Club—the ...
read more
JoAnne Brackeen + Art Blakey
![JoAnne Brackeen + Art Blakey](https://s3.amazonaws.com/allaboutjazz/coverart/large/33ab3ea6126009f31a35e5e4eb9d52aa.jpg)
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JazzWax by Marc Myers
JoAnne Brackeen is a jazz pianist with thunderous talent. She's an original who soars as a soloist, in duets, in trios, quartets and beyond. Her hands hit the keyboard with enormous power and her churning style mixes abstraction, bop and hard bop, turning standards inside out and setting her own originals on fire. I love her playing. It's daring, fierce and doesn't take prisoners. She's all in and always finds her way out. Born in Ventura, Calif. in 1938, Brackeen ...
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Jazz Musician of the Day: Art Blakey
![Jazz Musician of the Day: Art Blakey](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/3e7e2b462338b149530c0edf2e2112cc.jpg)
Source:
Michael Ricci
All About Jazz is celebrating Art Blakey's birthday today!
Born in 1919, Art Blakey began his musical career, as did many jazz musicians, in the church. The foster son of a devout Seventh Day Adventist Family, Art learned the piano as he learned the Bible, mastering both at an early age. But as Art himself told it so many times, his career on the piano ended at the wrong end of a pistol when the owner of the Democratic Club—the ...
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Art Blakey: Just Coolin'
![Art Blakey: Just Coolin'](https://s3.amazonaws.com/allaboutjazz/coverart/large/5efe542d17f7310a5c2cf5976b35af39.jpg)
Source:
JazzWax by Marc Myers
Listening back to the tape he recorded at Rudy Van Gelder's studio in Hackensack, N.J., on March 8, 1959, Blue Note producer Alfred Lion liked what he heard. Art Blakey and the Jazz Messengers were on fire. The music was tight and ferocious, with the horns—trumpeter Lee Morgan and tenor saxophonist Hank Mobley—improvising on point. The rhythm section—pianist Bobby Timmons, bassist Jymie Merritt and Blakey on drums—were stirring the pot behind them. If there was a flaw, it was Mobley ...
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