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Craig Handy
Born in Oakland, CA, as a music-hungry youngster, Craig Handy experimented on guitar, trombone, and piano before settling on his first true love, the saxophone. At the age of 11 while listening to the radio, Handy fell under the spell of the transcendent saxophone playing of jazz legend Dexter Gordon. Berkeley High School’s (CA) reputable Jazz Program soon beckoned, and Handy joined the ranks of graduating stellar saxophone talent including David Murray, Peter Apfelbaum, and Joshua Redman, to name a few. He attended North Texas State University and won the coveted Charlie Parker Scholarship which enabled his early college experience as a psychology major and frontrunner in the school’s exceptional One O’ Clock Jazz Ensemble.
His distinctive sound and authentic instrumental prowess were redoubtable traits immediately noticed by artists of stature, especially those committed to nurturing new talent on the bandstand and road. Handy moved to New York in 1986 and began several associations with formidable artists including master drummers Art Blakey and Roy Haynes, South African melodist Abdullah Ibrahim, and the Mingus Dynasty Band. During a Mingus Dynasty engagement, one audience member – none other than an impressed Bill Cosby – approached Handy and eventually invited him to be the featured soloist in his sitcom’s music theme for 1989-90’s “The Cosby Show”. This was followed by a contract to score, produce, and perform music slated for “The Cosby Mysteries” 1994-95 season.
Eager to begin leading his own bands, by his late 20s Handy was already considered a technical master and prodigious post-bop talent. He also relished musical range by performing with veteran vocalist bandleaders such as the iconic Betty Carter and later the irrepressible Dee Dee Bridgewater. He played with Haitian and Salsa bands during this time as well. In 1992 he decided to lead his first of two advanced hard bop recordings on Arabesque Records, Split Second Timing, which featured Handy on both tenor and alto saxophones; pianist Ed Simon; bassist Ray Drummond; drummer Ralph Peterson, Jr.; and guest trombonist Robin Eubanks. Two years later he followed with Introducing Three For All + One, a highly praised trio recording with bassist Charles Fambrough and drummer Ralph Peterson, Jr.
Handy was also a convincing and telegenic actor in Robert Altman’s 1994 film Kansas City, portraying saxophonist Coleman Hawkins. In 1995, he continued playing with the new critically acclaimed band “Chartbusters”, featuring alto saxophonist Donald Harrison, organist Dr. Lonnie Smith, and drummer Idris Muhammad (a harbinger of things to come this fall, if not the past five years) and recorded two releases on the NYC and Prestige labels. Handy toured with Herbie Hancock throughout 1996 to mid-1999, and he led two more recording projects on the Sirroco label – 1999’s Reflections in Change and 2000’s Flow. By this time he had amassed performing and recording credits with Cedar Walton, Elvin Jones, Joe Henderson, George Adams, Freddie Hubbard, and Wynton Marsalis.
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Bill O'Connell: Live In Montauk
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by Richard J Salvucci
A rhythm section which includes Santi Debriano and Billy Hart is nothing if not part of a potential dream band. In Craig Handy, one finds a post-bop saxophonist who played with virtually everyone worth hearing over the last third of the twentieth century. For a variety of reasons pianist Bill O'Connell may be a little less well known outside the jny:New York City metropolitan area, but his signal contributions to Latin jazz with Dave Valentin, Jerry Gonzalez and Mongo Santamaria ...
read moreBill O'Connell: Live In Montauk
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by Jack Bowers
After years of gigging in the New York City area, while honing his credentials as a first-call contemporary jazz pianist, Bill O'Connell and his family moved to Montauk, the easternmost point on Long Island, where he expressed his appreciation of the area's many wonders by recording this impressive album at the celebrated Gosman's Dock, during the annual Hamptons Jazz Festival in August 2021. It is essentially a quartet date with trumpeter Randy Brecker sitting in on two numbers, ...
read moreJoe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola
![Read "Joe Chambers: Moving Pictures Orchestra: Live at Dizzy's Club Coca-Cola" reviewed by John Kelman](https://s3.amazonaws.com/allaboutjazz/coverart/large/11d503567f3a7667bbd5b67db2959982.jpg)
by John Kelman
It's one thing to have an established `place in the jazz pantheon, another to continue redefining that position, long after others might be content to rest on their laurels. Joe Chambers' work behind the drum kit with artists including Andrew Hill, Bobby Hutcherson, Wayne Shorter, Freddie Hubbard, Charles Mingus, and McCoy Tyner has already ensured a prominent place in jazz history. His output as a leader may be small, but he's delivered two outstanding Savant recordings in 2006's The Outlaw ...
read moreBill O'Connell: A Change Is Gonna Come
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by Jack Bowers
Pianist Bill O'Connell, who has been at the top of his game for more than four decades with no signs of slowing down, says each of his albums is a snapshot of how he is feeling at a particular time in his life. A Change Is Gonna Come expresses O'Connell's frame of mind after enduring more than two years of the Coronavirus pandemic. By and large, the mood is optimistic, underscoring his belief that the worst of the pandemic could ...
read moreConrad Herwig: The Latin Side of Horace Silver
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by Jack Bowers
New York-based trombonist Conrad Herwig began exploring the Latin side" of various jazz musicians in 1996, with The Latin Side of John Coltrane, which earned him the first of four Latin Grammy Award nominations. Since then, Herwig has done the same for Miles Davis, Wayne Shorter, Herbie Hancock, Joe Henderson and, now, pianist Horace Silver. The formula is trim and solid; choose several of an artist's more notable compositions and recast them in a rhythmic Latin framework. For The Latin ...
read moreRalph Peterson & the Messenger Legacy: Onward & Upward
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by Paul Rauch
Generally speaking, legacy bands are created to preserve the music of an artist. They feature innovative interpretations of an artist's compositions or past performances to share with future generations of listeners. In the case of drummer Ralph Peterson, his ambitious efforts to honor the continuum of his mentor Art Blakey are forward thinking, about a collective gathering of resources that stress creative thought and individuality. Just as the true legacy of the Jazz Messengers portends, contributors are charged with replenishing ...
read moreCraig Handy Quartet at Sunset Jazz Club
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by Patricia Myers
Craig Handy Quartet Hommage a Dexter Gordon Sunset Jazz Club Paris, France July 8, 2016 Tributes to noted jazz musicians are frequent throughout Europe, especially in Paris. Each hommage" centers on the hits and compositions of a star, performed by a musician with a high skill-level for the instrument identified with the honored one. For this two-night booking, it was a salute by New York tenor saxophonist Craig Handy to Dexter ...
read moreBill O'Connell New Release 'Live In Montauk' (Savant Records) Featuring Randy Brecker, Billy Hart, Craig Handy And Santi Debriano! Release Date: June 23rd
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Scott Thompson Public Relations
Montauk—the easternmost point of Long Island—has enjoyed a reputation as an idyllic land of the lotus and poppy but now is fully woven in to the Hamptons summer scene. The charms and views associated with that coastal existence served as a backdrop for the creation of this recording. Notable for a number of reasons—as the first live band date in a lengthy discography, and a first on-record meeting with drumming icon Billy Hart—this Bill O’Connell session stands out. Recorded live ...
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Craig Handy Quartet Perform at Rue 57 (NYC) Tuesday November 9
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Source:
Charles Carlini Presents
"What distinguishes Handy's work is that, unlike dozen of his contemporaries he wastes no notes. He reveals in every solo an elegantly intelligent structure. And Handy always finds lyricism in the eye of a hurricane." Thomas Conrad Saxophonist Craig Handy returns by popular demand to Rue 57, 60 West 57th Street, on Tuesday, November 9 for a special evening of music with a quartet featuring organist Kyle Kholer, guitarist Matt Chertkoff and drummer Mclenty Hunter. You'll find the band downstairs ...
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Saxophonist Craig Handy Interviewed at AAJ
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Source:
All About Jazz
Saxophonist Craig Handy is a musician's musician. Those in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviser--expansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set out for the edge, walk it, but never fall off. While he derives portions of his vocabulary from the'Trane/Shorter axis, there is a shrewd ...
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"...hard bop icon"
—Scott Fugate, Jazz Times
"[Dee Dee] Bridgewater... was clearly having a great time. That was fully evident by the end of "You've Changed," which had featured her hot call-and-response session with brilliant saxophonist Craig Handy. Handy ended the song with a lick that left drummer Greg Hutchinson literally slack-jawed. And it got Bridgewater really fired up. She bowed toward Handy and began growling and howling like a dog....Handy...also played some stratospheric flute."
—Tad Dickens, Roanoke Times
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Do Nothing till You Hear From Me
From: Live In MontaukBy Craig Handy