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Dan Rosenboom
Dan Rosenboom (b. May 7, 1982) is an internationally recognized trumpet player, composer, and producer. He is known as a prolific member of the Los Angeles creative music scene, having released more than 25 albums of original music as a solo artist and bandleader and has supported over 60 artists across over 100 releases on his label, Orenda Records. Rosenboom is a proud member of the Hollywood Studio Symphony and has recorded for over 200 major film and television soundtracks with such notable composers as John Williams, Danny Elfman, James Newton Howard, Alan Silvestri, Alexandre Desplat, and many more. He has also performed with such elite ensembles as the LA Philharmonic, the LA Chamber Orchestra, and the LA Opera. His own music eschews genre distinctions and draws from such disparate influences as Black American Music, metal and experimental rock, contemporary classical music, folk music from the Balkans, and a broad range of progressive music from the avant-garde. He studied at the Eastman School of Music, CalArts, and UCLA, where he earned advanced degrees in music. The Los Angeles Times has called Dan Rosenboom “a musician dedicated to exploration and expression, regardless of anyone’s imagined boundaries,” and “a phenomenon.”
As a composer, Rosenboom has been recognized with grants and awards from the American Composers Forum, ASCAP, the Meet the Composer Foundation, and the Yvar Mikhashoff Trust for New Music. As a bandleader, he has brought his music to such renowned stages as the Monterey Jazz Festival, Angel City Jazz Festival, Jazzfestival Saalfelden and Jazz em Agosto. Rosenboom has solidified his place as a pillar in LA’s creative music community through his work with multiple generations of LA icons and rising talents, through his label Orenda Records, with his Balkan-inspired instrumental rock band PLOTZ! and improv group DR. MiNT, and across nearly two decades of noteworthy interdisciplinary performances at most of Los Angeles’s premiere venues.
Rosenboom’s iconoclastic protest band Burning Ghosts has drawn international attention for their rousing blend of experimental jazz, punk, and metal as response to modern socio-political ills. To date they have released four albums, including one on John Zorn’s legendary Tzadik label, and have toured in the US and Europe. In a review of their self-titled debut, Something Else Reviews dubbed them “the Rage Against the Machine of jazz.”
Rosenboom is an advocate for progressive music education. He currently teaches at UCLA and California Institute of the Arts, and his trumpet pedagogy book, The Boom Method: Universal Fundamentals for Trumpet and Other Instruments, Vol.
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Joe Santa Maria: Echo Deep
![Read "Echo Deep" reviewed by Alberto Bazzurro](https://s3.amazonaws.com/allaboutjazz/coverart/large/e3fe3e199426cf6237e0f6516bb476d1.jpg)
by Alberto Bazzurro
Un solido jazz per middle band (peraltro di tiro spesso molto big), con infiltrazioni easy, è quanto ci arriva da questo album, molto compatto e sostanzialmente corale, del polistrumentista e compositore texano Joe Santa Maria, che ha diviso la sua attività musicale, ormai piuttosto corposa, fra Houston, Boston, New York e Los Angeles. Nella musica che si ascolta in questa quarantina scarsa di minuti, come accennato, prevale largamente la mano dell'autore rispetto a quello che potrebbe essere ...
read moreJoe Santa Maria: Echo Deep
![Read "Echo Deep" reviewed by Glenn Astarita](https://s3.amazonaws.com/allaboutjazz/coverart/large/e3fe3e199426cf6237e0f6516bb476d1.jpg)
by Glenn Astarita
In the liner notes, L.A.-based multi-woodwind specialist Joe Santa Maria, known for his contributions to Vinnie Golia ensembles, Django Django, and Kim Richmond and others, reveals that this project took nearly a decade to complete, shaped by his extensive travels and dedicated studies. Notably, he emphasizes the cyclical, trance-like essence embedded within these compositions. The prolonged wait proves worthwhile as Santa Maria's fusion of worldly influences, rooted in his jazz expertise, culminates in an outstanding album poised to grace numerous ...
read moreDan Rosenboom, Randy Weston, Paul Butterfield and More
![Read "Dan Rosenboom, Randy Weston, Paul Butterfield and More" reviewed by Jerome Wilson](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/b15be24c39d6d6ca4964c429a8606c43.jpg)
by Jerome Wilson
This show features lively and subdued modern jazz from a wide variety of musicians including Dan Rosenboom, Randy Weston, Cathy Segal-Garcia, and Paul Butterfield. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Ben Rosenblum Nebula Project Catamaran" from A Thousand Pebbles (One Trick Dog) 00:52 Edward Vesala Camel Walk" from Lumi (ECM) 8:57 Host Speaks 13:54 Randy Weston Portrait of Billie ...
read moreDan Rosenboom: Polarity
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by Jerome Wilson
On this album, trumpeter Dan Rosenboom and his quartet engage in a free-wheeling session which comes off as a modern update of Wayne Shorter releases such as The All-Seeing Eye (Blue Note, 1966). He engages in playful genre-crossing and experimentation here which incorporate the sensibilities of hip-hop and ambient music as well as modern jazz. The album's key track is the marathon opener, The Age of Snakes" in which Rosenboom's trumpet and Gavin Templeton's alto saxophone lazily float ...
read moreDan Rosenboom: Polarity
![Read "Polarity" reviewed by Pat Youngspiel](https://s3.amazonaws.com/allaboutjazz/coverart/large/3379d52fde81541cc4ccffed3fba24b8.jpg)
by Pat Youngspiel
Recently, Los Angeles-based trumpeter Dan Rosenboom has been experimenting with somewhat freer and edgier realms of improvisation, giving doomy metal influences a go on Trio Subliminal 2 (Orenda Records, 2022), and indulging high-energy trio interplay with plenty of delay effects and other sonic manipulation on Refraction (Orenda Records, 2021). Not to mention the opulent The Complete Boom Sessions (Orenda Records, 2022), which captured over 400-minutes, live to tape, recorded over five gigs at one of Los Angeles' premiere hubs for ...
read moreDan Rosenboom: Points of an Infinite Line
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by Friedrich Kunzmann
Released in the environment of his own label's absolute creative control, trumpeter Dan Rosenboom's newest outing sees a chordless quartet venturing beyond the borders of swing, exploring heavy grooves and free-wheeling improvisation to the point where jazz, hip hop and the rough edges of many other genres meld together to a single style that simultaneously defies the same categorizes of which it is made. Rosenboom's L.A.-based cohorts, drummer Anthony Fung, saxophonist Gavin Templeton and double bassist Billy Mohler, are instrumental ...
read moreJon Armstrong Sextet: Reabsorb
![Read "Reabsorb" reviewed by Mark Corroto](https://s3.amazonaws.com/allaboutjazz/coverart/large/72dc9d0ad44ca361902b87d929a8842a.jpg)
by Mark Corroto
Saxophonist Jon Armstrong reminds us that life and death are two sides of the same coin. Although seemingly disparate, like two sides of an LP, they cannot be separated. His sextet recording Reabsorb models this contrasting device by presenting two contrasting compositions, one on each side of an LP (also available as a CD and download). The music, inspired by an Erin Armstrong poem, presents both sides, which at first encounter come off as binary elements. Loud and soft. Busy ...
read more"Rosenboom is a phenomenon." — Mark Swed, Los Angeles Times
"A musician dedicated to exploration and expression, regardless of anyone’s imagined boundaries." — Chris Barton, Los Angeles Times
"A singularly creative voice whose unique aesthetic encompasses an array of idiosyncratic influences...a lyrical virtuoso with a commanding tone, whose expansive trumpet technique is saliently paralleled in his diverse writing." — Troy Collins, All About Jazz
"One of the most original, exciting, adventurous [artists] in L.A
Primary Instrument
Trumpet
Location
Los Angeles
Willing to teach
Beginner to advanced
Clinic/Workshop Information
A clinic with Daniel Rosenboom can take many shapes. If working with performing groups, Daniel is an outstanding coach for group interaction, both in terms of written music and improvisation. If working with large ensembles, Daniel's extensive background in orchestras, big bands, and various chamber ensemble settings gives him a wealth of insight into the shaping of large ensemble music. In working with individual players, Daniel's approach focuses on an effortless approach to technique in order to free the inner voice of a musician
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Music
Leaving Moscow
From: Fire KeeperBy Dan Rosenboom
Tadodaho
From: Unsayable Absence: Live at the...By Dan Rosenboom