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Jazz Articles about Dizzy Gillespie
Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus, Max Roach: Hot House: The Complete Jazz at Massey Hall Recordings
by Richard J Salvucci
This is the stuff of legend, one for the ages. It all started here; the greatest jazz concert of all time. How many times has the Massey Hall Concert (Toronto, 1953) been described that way? For the average All About Jazz reader, Massey Hall happened before he or she was born. Besides, there were other famous jazz concerts such as The Carnival of Swing (Randall's Island, NY, 1938), Benny Goodman's 1938 Carnegie Hall Concert (that remained unreleased until 1958), Gene ...
read moreGillespie in the Fifties
by Patrick Burnette
Most jazz fans know Dizzy Gillespie's crucial role in the creation of bebop and every good collection should have at least a few tracks from his glory days of the forties. The man wrote “Night in Tunisia" for heaven's sake! But what happened later on, after his partner Bird was gone and the listening public had moved on from ooh-bop-sh-bam madness? In this episode we look at five recordings from the following decade and ponder why a genius-level player like ...
read moreDizzy Gillespie & Charlie Parker: Live Revisited
by Chris May
The first six tracks on this album, which were recorded at New York City's Town Hall on June 22, 1945, are amongst the most exciting in the jazz compendium. Not only because of their intrinsic artistic merit but also because they mark one of the first, if not the first, occasion the vanguard of the bop revolution emerged from the basements of 52nd Street, equipped with a fully formed manifestation of the new music, on to a stage bigger than ...
read moreHot vs. Cool: A Battle of Jazz + New Releases
by David Brown
A battle of bands this week, as we spin Leonard Feather's 1952 recording Hot vs. Cool: A Battle of Jazz. This double 7" EP featuring a bop group led by Dizzy Gillespie and a trad jazz band led by Jimmy McPartland facing off on the stage of Birdland. Then, new releases from Eve Risser, Marta Warelis, Eri Yamamoto, Panorama Jazz Band, Camille Bertault, Tim Bern/Matt Mitchell and more. Plus, a set of love songs with Sun Ra, Anita O'Day and ...
read moreCharlie Parker: Be Bop Live
by Mark Corroto
The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming services replace CDs and LPs, which also replaced 78s and live radio broadcasts (the streaming service of its day), Parker has the possibility of ...
read moreCharlie Parker Quintets: Be Bop Live
by Stefano Merighi
Benvenuti a uno dei convegni di bellezza più eccitanti che il jazz abbia mai prodotto. Royal Roost, New York City, dicembre 1948-febbraio 1949, due mesi in cui Charlie “Bird" Parker teneva il cartellone nel club della Quarantasettesima, sconvolgendo il pubblico con alcune tra le sue esibizioni più brillanti. Il bop era già linguaggio assimilato ormai, ma l'eccezionalità di quelle serate confermava Parker come punta di diamante di tutta la cultura africana-americana, al di là delle correnti jazzistiche.Questo doppio ...
read moreCharlie Parker: Birth Of Bebop - Celebrating Bird At 100
by Mark Corroto
Let's face it, there is absolutely nothing new to say about the music of Charlie Parker, unless (insert joke here) you happen to be Phil Schaap. Lao Tzu's quote “The flame that burns twice as bright burns half as long" is fitting. John Coltrane was 40 when he died in 1967, Eric Dolphy 36 in 1964, and Clifford Brown died at 25 in 1956. Parker was dead at the age of thirty-five in 1955. His legend has grown larger with ...
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