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George Burton

For more than a decade, the young pianist, composer and bandleader George Burton has been on the radar of everyone who keeps up with innovations in jazz. Praised as “formidable” by NPR, and “charismatic” by The New York Times, Burton's dazzling virtuosity and breathtakingly eclectic approach to music reflect his experience in every aspect of the jazz spectrum: beginning with rigorous classical training, branching into his equally rigorous experience in the heady nightlife of the Philadelphia jazz scene, and earning him a place on the world stage with some of the most significant practitioners of bop, post-bop and beyond—from James Carter to Meshell Ndegeocello to the Sun Ra Arkestra—and has landed him on some of the most prestigious of stages with his own groups as a leader, including the Newport Jazz Festival in 2017.

Burton's own work is in a category by itself: he brings not only stunning technique, but music that is complex, uniting all the dimensions of his experience, filtered through the sensibility of a Romantic composer. His compositions are incomparably beautiful—make that scary-beautiful—and powerful—as in mesmerizingly powerful—and haunting—as in "where has this been all my life" haunting.

There is a dynamic quality to hearing George play in that just when you think you've spotted an influence or are ready to compare him to one of the greats, he takes a turn, blending modern and classical in a way that is both playful and transcendent. The vitality in Burton’s music is apparent in his effortless switch in tempo, each note carefully thought out, lingering, distinct and alive. He finds balance where others would waver, bringing the fullest expression of himself to the music he creates.

"The pianist finds truth in a world of phoniness." —WBGO The Checkout, 2017

Burton shines on his debut album, "THE TRUTH OF WHAT I AM > (is greater than) THE NARCISSIST," its title both a remark on today’s “me” driven culture and a nod to Charles Mingus who once said, “In my music, I’m trying to play the truth of what I am. The reason it’s difficult is because I’m changing all the time.” It is a statement highlighting the power of art to transcend the self.

Chosen by NPR Music's Jazz Critics' Poll as a Top Debut of 2016 and by Nextbop for their Top Ten Albums of 2016, "The Truth Of What I Am..." pushes the boundaries of genre and reveals what many reviewers have noted—Burton's ability to bring out the best in his band. Fully embodying the title, Burton takes listeners on a musical journey through various emotions, at once carefree, playful, despondent and volatile, a spirit trying to make sense of itself. Like all great art, the album shines a light on what we all are: layered, complex and ever-changing.

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Album Review

Acceleration Due To Gravity: Jonesville

Read "Jonesville" reviewed by Pierre Giroux


Bassist, composer and arranger Moppa Elliott's uniquely-titled nonet Acceleration Due To Gravity presents Jonesville a gravity- defying jazz odyssey. It pays a captivating homage to influential bassist Sam Jones by weaving a sonic tapestry which transcends the boundaries of conventional jazz. In this brief seven-track, twenty-one-minute outing, four compositions are by Elliott, with the remainder being Sam Jones' originals. The members of the octet who participated in this unusual musical excursion are trumpeter Bobby Spellman, trombonist Dave Taylor, alto saxophonist ...

6
Album Review

Moppa Elliott's Acceleration Due To Gravity: Jonesville

Read "Jonesville" reviewed by Mike Jurkovic


Whatever 'script renegade bassist/composer Moppa Elliot takes on a daily basis, he should be made to share with the rest of the world. Whatever that tonic, whatever that pill, whatever that gumbo scented elixir is, let us have it now. Elliot may not want to open up his private stash to the public, but he sure knows how to let it fly in the music he and his nonet--Acceleration Due to Gravity--put forth on the rightly raucous and ...

4
Album Review

Dezron Douglas: Atalaya

Read "Atalaya" reviewed by Chris May


Atalaya is Dezron Douglas' first full-length album leading a band in over four years. The bassist's recent sightings have whet the appetite rather than deliver the main course. Black Lion (Self Produced, 2018), made with a sextet, attracted good notices, but was an EP. His appearance on drummer Makaya McCraven's Universal Beings (International Anthem, 2018) was confined to one side of that double album. Force Majeure (International Anthem, 2020) was a collection of livestream duets made with his partner, harpist ...

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"George Burton is nonetheless a different beast in concert than he is on record. This critic has rarely, in 11 years and hundreds of concerts, seen a musician who fed off the energy of the room as voraciously as Burton."- Washington Post

"Burton’s jazz is multidimensional. It incorporates influences from hip-hop and R&B, electronic music and indie rock into a surprisingly cohesive sound shaped by his mastery of vibe — a soulfulness that underlies all of his tunes, whether the surface feels more like hard bop, avant-garde explosiveness, or blissed-out atmospherics"- Philadelphia Inquirer

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Recordings: As Leader | As Sideperson

Jonesville

Hot Cups
2024

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Atalaya

International Anthem Recording Company
2022

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From: Jonesville
By George Burton

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