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James Brandon Lewis
Visionary composer and tenor saxophonist James Brandon Lewis’s bravest, yet most palpable artistic feat, Days Of FreeMan, opens with a poignant and profound introductory monologue from a maternal sage. She says, “The best thing of living is living who you are. You can’t be somebody else; you gotta be what God gave you to be and who you are. You look in the mirror and see yourself and say ‘I’m James Brandon Lewis.”’Next, bass and drums congeal around the sapphire melodic motif of “Brother 1976,” recalling one of those jazzy jewel-like hooks from a 1990s Native Tongue hip-hop jam. The effect is like 1990s hip-hop’s fascination with jazz being spit back by a prodigious jazz innovator. Welcome to Days Of FreeMan.
James Brandon Lewis is one of the modern titans of the tenor. He’s received accolades from mainstream cultural tastemakers such as Ebony Magazine who hailed him as one of “7 Young Players to Watch,” and earned the respect of a diverse cross section of esteemed artists. James has shared stages with such icons as Benny Golson, Geri Allen, Wallace Roney, Grammy® Award-winning singer Dorinda Clark Cole, and the late “Queen of Gospel Music,” Albertina Walker. In bold contrast, James has also worked with such intrepid artists as Weather Report bassist Alphonso Johnson, William Parker, Gerald Cleaver, Charles Gayle, Ed Shuller, Kirk Knuffke, Jason Hwang , Marilyn Crispell, Ken Filiano, Cooper Moore, Darius Jones, Eri Yamamoto, Federico Ughi, Kenny Wessel, Marvin “Bugalu” Smith, and Sabir Mateen. In addition, he has collaborated with the dance company CircuitDebris under the direction of Mersiha Mesihovic. James attended Howard University and holds an MFA from California Institute of the Arts.
Currently, James resides in New York City where he actively gigs as a sideman and leads his own ensembles. In NYC, he is a co-founder of “Heroes Are Gang Leaders” with poet Thomas Sayers Ellis—a collective of poets and musicians—and he is a member of the collective “Dark Matter,” a conceptual musical collaboration exploring that which is invisible but is detected by it’s gravitational effects. Outside NYC, James is an active national and international touring artist with a highly respected profile. Some career highlights are playing such esteemed festivals as Winter Jazz Festival /Sony Okeh records Showcase with William Parker and Gerald Cleaver; The Eric Dolphy Festival with an ensemble featuring Grachan Moncur III, Richard Davis, Andrew Cyrille, Angelica Sanchez , Ted Daniel , and Alfred Patterson; and Princeton University as part of Fred Ho’s “Journey to the West,” an interdisciplinary dance and music project.
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James Brandon Lewis: For Mahalia With Love (Expanded Edition)
![Read "For Mahalia With Love (Expanded Edition)" reviewed by Stefano Merighi](jpg/9e9d498f3af140101e36569fd34aeb5f.jpg)
by Stefano Merighi
La musica di James Brandon Lewis è potente, assertiva, trascinante. Ma rivela talvolta, sotto lo strato di forza, una sottile e affascinante vulnerabilità emotiva, che rende ancora più ricco il suo discorso compositivo e solistico. Come nel caso di questo scintillante omaggio al mondo espressivo di Mahalia Jackson, che si realizza attraverso memorie familiari, quelle della nonna che ha trasmesso a James questa passione tuttora bruciante. Lewis è una delle voci più convincenti del jazz contemporaneo che non ...
read moreDave Douglas: Gifts
![Read "Gifts" reviewed by Glenn Astarita](jpg/7398cad0c5e949f3ef6f4c22cc30125a.jpg)
by Glenn Astarita
Dave Douglas' Gifts emerges not merely as a collection of tracks but as an opulent gala in honor of the eternal essence of music, welcoming audiences across the spectrum of generations to partake in its celebration. This project is akin to a masterfully blended concoction of shared human emotions and experiences, articulated through the universal dialect of melodies that defy time constraints. It is a sonic tour de force, intricately weaving together the threads of history, the present and what ...
read moreJames Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction
![Read "James Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction" reviewed by Dave Kaufman](jpg/ec3e4a19988b0090792e233e4c55473c-3.jpg)
by Dave Kaufman
The contemporary jazz world is currently witnessing an artistic renaissance, characterized by an upsurge in creativity and innovation. This movement is fueled in part by rising stars such as Joel Ross, Immanuel Wilkins, and Isaiah Collier, as well as seasoned veterans like Charles Lloyd, David Murray, William Parker, Joe Lovano, and Bill Frisell, whose creative passion remains vibrant and fires undiminished decades into their career. However, much of the surge in innovation has been driven by artists who are entering ...
read moreChes Smith: Laugh Ash
![Read "Laugh Ash" reviewed by Glenn Astarita](jpg/d422d0c82ddd84b2ba74e2a1ad874351.jpg)
by Glenn Astarita
Ches Smith's Laugh Ash is not your garden-variety jazz concoction. Instead, it is a genre-defying, shape-twisting auditory escapade that does not just push the envelope--it sends it soaring into the stratosphere. It is both bewildering and bedazzling. These compositions stand as a towering testament to Smith's impressive acumen as a drummer, percussionist, and composer, a veritable Houdini of the music world who escapes the shackles of convention to chart a mesmerizing course through uncharted musical terrains.Right from the ...
read moreJames Brandon Lewis, Federico Ughi, Matthew Shipp & Fall Raye
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by Maurice Hogue
There are a lot of superlatives for the playing of saxophonist James Brandon Lewis floating about these days, and they're all well-deserved. JBL continues to make great music. His new Transfiguration with his quartet of Aruan Ortiz, Brad Jones & Chad Taylor--out on the Intakt label from Switzerland---keeps the momentum rolling. Mark this one down for another best-of. Drummer Federico Ughi is a principal owner at 577 Records, and his new Infinite Cosmos Is Calling You, You, You Volume 1 ...
read moreMendoza - Hoff - Revels: Echolocation
![Read "Echolocation" reviewed by Glenn Astarita](jpg/e2f3afabdf5b34204f23b24cae927020.jpg)
by Glenn Astarita
In the ever-evolving landscape of contemporary jazz, Echolocation emerges as a bold exploration of sonic frontiers. Crafted through the collaborative virtuosity of Ava Mendoza on guitar and Devin Hoff on bass, this project embarks on a musical journey which delves deep into the avant-garde jazz realm, blending experimental rock, electric jazz, and the limitless creativity of neo-psychedelia. The album commences with Dyscalculia," a track which weaves the raw energy of metal with the intricate layers of free jazz, ...
read moreJames Brandon Lewis: For Mahalia With Love (Expanded Edition)
![Read "For Mahalia With Love (Expanded Edition)" reviewed by Chris May](jpg/9e9d498f3af140101e36569fd34aeb5f.jpg)
by Chris May
Not since Oded Tzur's Isabela (ECM, 2022) has a comparably exalted tenor saxophone-led album come along, not until For Mahalia, With Love. Vaultingly great jazz and deep solace for the soul, For Mahalia, With Love was released in late 2023. An annual cycle for albums of this quality is actually a sufficiency, for there is enough in both these, and those that preceded them, to last a listener a lifetime. File next to John Coltrane's Crescent (Impulse!, 1964) and Albert ...
read moreJames Brandon Lewis & Chad Taylor Launch 2018 Season In Beacon, NY
![James Brandon Lewis & Chad Taylor Launch 2018 Season In Beacon, NY](jpg/dbb9f7a39afe643eda937f096700ed1f.jpg)
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James Keepnews
“James Brandon Lewis, a jazz saxophonist in his 30s, raw-toned but measured, doesn't sound steeped in current jazz-academy values and isn't really coming from a free-improvising perspective. There's an independence about him.” —The New York Times “With an insatiable appetite for music on the fringe, drummer Chad Taylor has been an active participant in the creative music environments of both Chicago and New York. Not confined to any particular style, Taylor threads an array of astounding patterns and cadences.” —All ...
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