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Johnny Griffin
Since Johnny Griffin's precocious professional debut with Lionel Hampton in 1945, his best work has been guided by spontaneity. One of the fastest and least inhibited of tenor men, Griffin loves the challenges and excitement of the jam session. Back in 1963, despite the solid reputation he had established as a member of Art Blakey’s Jazz Messengers and Thelonious Monk’s group (and as co-leader of a band with Eddie “Lockjaw” Davis), Griffin felt forced to flee to Europe.
During the Sixties, Griffin was one of an elite corps of resident American jazzmen in Europe, a group that included Kenny Clarke, Arthur Taylor, Horace Parlan, Kenny Drew, and, of course, Dexter Gordon (“Dexter’s family to me,” he smiles). He had no trouble finding work there. He played in radio and television studio bands, was installed for long engagements in clubs such as the Blue Note in Paris, played in countless jazz festivals, and continued his recording career unabated. He did everything but return to the United States. And he missed it: “Europeans love jazz very much, but American audiences respond to the music in a really special way.”
Johnny Griffin’s triumphant homecoming in 1978, coming on the heels of Dexter’s, ended 15 years of exclusively expatriate life in Europe. The occasion was one of jazz’s happiest, most heartwarming events in memory. Griffin found himself playing to an entirely new generation of fans, while his older fans discovered the tenor saxophonist to be playing better than ever.
Johnny Griffin was born April 24, 1928 in Chicago. In his own words: “All I ever wanted to be was a jazz musician. My father had played a little cornet and my mother played piano and sang a little. We had a lot of 78 rpm records in the house. In the beginning I listened to Ben Webster and Johnny Hodges, Don Byas and Lester Young. Then one day my cousins were having a party and somebody put on a 78 of Jay McShann, with Walter Brown singing “Hootie Blues.” And then there was an alto solo that knocked me dead. Like, crash, what is that?! Is that Pres?’ No, it was an alto. It was Charlie Parker. I wore that solo out on that record.”
“I started playing clarinet when I was 13 and saxophone when I was 14. Before that I had studied piano and steel guitar. I took classes in all the clarinets, oboe, and English horn. The bass clarinet was almost as tall as me.”
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Wes Montgomery: The Complete Full House Recordings
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by Mark Sullivan
Wes Montgomery's original Full House album (Riverside, 1962) comprised six tracks; the 1987 CD edition had nine tracks, with alternate takes plus the addition of Born to be Blue"; the 2007 reissue was expanded to eleven tracks. This complete edition has fourteen tracks, including all of the previously released alternate takes as well as the completely unedited master take of the title tune, with Montgomery's original guitar solo restored. That restoration is the big news for completists but, for everyone ...
read moreThelonious Monk Quartet: Live Five Spot 1958 Revisited
![Read "Live Five Spot 1958 Revisited" reviewed by Chris May](https://s3.amazonaws.com/allaboutjazz/coverart/large/4af9786eb1508fe21bdd15b8875900bd.jpg)
by Chris May
What are the first two names that come to mind on reading the phrase 'Thelonious Monk's saxophonist'? Chances are they will be John Coltrane or Charlie Rouse. The runner-up could be Sonny Rollins and somewhere further down the field might be Johnny Griffin. Griffin deserves to move up the list. The hard blowing, express velocity, R&B-schooled tenor player starting gigging with Monk in 1948. In 1955, he was the Monk quartet's saxophonist during a one-week residency in ...
read moreArt Blakey's Jazz Messengers: Art Blakey's Jazz Messengers With Thelonious Monk (Deluxe Edition)
![Read "Art Blakey's Jazz Messengers With Thelonious Monk (Deluxe Edition)" reviewed by Chris May](https://s3.amazonaws.com/allaboutjazz/coverart/large/92239bd952b0c40492ffa66ea86f43f8.jpg)
by Chris May
Rhino's new series of reissues of historic albums from the late 1950s/early 1960s hit the ground running in 2020 with John Coltrane's Giant Steps (Atlantic, 1960). Spring 2022 has already seen Charles Mingus' Trio (Jubilee, 1957) and Coltrane's My Favorite Things (Atlantic, 1961). Hot on their heels comes Art Blakey's Jazz Messengers With Thelonious Monk (Alantic, 1958). Each reissue is a double disc. Disc one contains the original album. Disc two comprises outtakes, some previously ...
read moreWes Montgomery: The NDR Hamburg Studio Recordings
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by Chris May
Recorded in spring 1965, during Wes Montgomery's sole European tour, The NDR Hamburg Studio Recordings presents the guitarist as part of an all-star international octet assembled for a one-off appearance on German television station NDR. The programme was part of a series presenting musicians who did not regularly work together in informal rehearsal" performances. Montgomery's tour, on which he appeared with both his own quartet and local rhythm sections, has been well documented on official and unofficial recordings. But this ...
read moreThe Chicago Sound (1956 - 1961)
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by Russell Perry
Because it acted as a safe harbor for the New Orleans diaspora of the teens and twenties, Chicago played a key role in early jazz. By the 1950s, much of jazz was understood in the dialog between cool jazz and hard bop, aka West Coast and East Coast, with Los Angeles and New York playing inordinately important roles. But the Chicago scene was as vital as ever. In this hour, we will return to the City with Broad Shoulders" and ...
read moreJohnny Griffin: At Onkel Pö's Carnegie Hall
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by Stefano Merighi
Quando queste tracce vengono registrate ad Amburgo, nel 1975, il jazz è forse nel suo momento più critico, abbandonato da ampie fette di pubblico, sedotto o dalla più muscolare fusion o dal rock progressivo. A dispetto della nascita di decine di nuove formazioni e dell'incremento delle produzioni discografiche, specie negli Usa si era perso quel senso della comunità jazzistica che ne aveva garantito l'umanesimo. Sopravviveva nell'ambito della free music, con un pubblico però esiguo. In termini generalisti, si andava verso ...
read moreJohnny Griffin: The Congregation – 1957
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by Marc Davis
Well, this is a disappointment. Johnny Griffin is widely regarded as one of the fastest sax players in jazz history. His reputation began with his very first album, Blue Note's Introducing Johnny Griffin in 1956. He solidified his rep the next year with a frantic three-sax attack on A Blowin' Session with John Coltrane and Hank Mobley. So maybe it's not a huge surprise that Griffin wanted to try something different a few months later, in ...
read moreIN + OUT RECORDS announces new releases from Johnny Griffin, the Sun Ra Arkestra under the direction of Marshall Allen, and Ratko Zjaca with John Patitucci, Steve Gadd and Randy Brecker
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Source:
Michael Ricci
IN + OUT RECORDS, one of Europe's most enterprising and acclaimed independent jazz labels, with a reputation as a producer of recordings of the highest musical and technical quality established through its twenty-plus years of releasing cutting edge music created by both American and European artists, announces its second release of new recordings to be distributed exclusively in the United States by the Allegro Media Group. Following up on its initial Allegro distributed release of recordings by Billy Cobham, Odean ...
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Johnny Griffin Memorial Tribute
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Rifftides by Doug Ramsey
Readers in and around New York City may be interested in this announcement sent by Michael Weiss.
CELEBRATING JOHNNY GRIFFIN: A TRIBUTE IN WORDS AND MUSIC
Reminiscences from fellow musicians, family and friends.
Johnny Griffin's compositions performed by Johnny's longtime rhythm section (Michael Weiss, John Webber and Kenny Washington) with Eric Alexander. Additional performances by Jimmy Heath, Cedar Walton, Ray Drummond and Ben Riley.
SEPTEMBER 14, 2008, 7 p.m.
St. Peter's Church
619 Lexington Avenue at 54th Street ...
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CD: Johnny Griffin and Eddie "Lockjaw" Davis
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Source:
Rifftides by Doug Ramsey
Johnny Griffin & Lockjaw Davis, Live in Copenhagen (Storyville). The hard-charging tenor saxophonists worked in tandem for twenty-six years. This 1984 club date at the Montmarte club two years before Davis's death is typical of the unremitting swing and visceral excitement of their live appearances. The rhythm section is pianist Harry Pickens, bassist Curtis Lundy and drummer Kenny Washington, in his mid-twenties and formidable. Griffin's blues Call It Whatcha Wanna" is a highlight in a set that is itself a ...
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Michael Weiss Remembers Johnny Griffin
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Source:
Rifftides by Doug Ramsey
Long before he won the Thelonious Monk Institute Composers Competition in 2000, Michael Weiss established himself as a pianist. Fresh out of Dallas in his early twenties, he was soon working with Jon Hendricks, Junior Cook, Charles McPherson and Lou Donaldson, among others. He went on to play with Art Farmer, Clifford Jordan, Frank Wess, the Vanguard Jazz Orchestra and the Mingus Epitaph Orchestra. As a leader, he had groups that included Cook, McPherson, Tom Harrell, Lew Tabackin and a ...
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The Little Giant Steps On: Johnny Griffin, 1928-2008
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Source:
All About Jazz
News came this Friday morning via several sources that tenor saxophonist and hardbop great Johnny Griffin has passed away from a heart attack at the age of 80. Ben Ratliff has an obituary online for the New York Times, and Doug Ramsey has posted a tribute that includes a link to a retrospective he wrote earlier this year over at Rifftides. Griffin, nicknamed the Little Giant" because he was five feet five but produced a contrasting sound of immense strength ...
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Johnny Griffin RIP
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Source:
All About Jazz
Johnny Griffin, a tenor saxophonist whose technical command set standards for his instrument and who refused to compromise his art, died today at his home in the village of Mauprevoir in France. From Ben Ratliff's obituary of Griffin in today's New York Times:
His height -- around five feet five -- earned him the nickname The Little Giant"; his speed in bebop improvising marked him as The Fastest Gun in the West"; a group he led with Eddie ...
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Saxophonist Johnny Griffin Dies at 80
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Source:
Michael Ricci
Johnny Griffin, a jazz tenor-saxophonist from Chicago whose speed, control, and harmonic acuity made him one of the most talented musicians of his generation, and who abandoned his hopes for an American career when he moved to Europe in 1963, died Friday at his home in Availles-Limouzine, a village in France. He was 80 and had lived in Availles-Limouzine for 24 years. His death was announced to Agence France-Presse by his wife, who did not give a cause. He played ...
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Johnny Griffin Dies a 80
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Source:
All About Jazz
Johnny Griffin, Jazzman Who Played With Coltrane, Monk, Dies By Mark Schoifet July 25 (Bloomberg) -- Johnny Griffin, the jazz musician who was once billed as the world's fastest saxophonist" and played alongside Thelonious Monk, Lionel Hampton and John Coltrane, has died. He was 80. Griffin died today at his home in the village of Mauprevior, in southwest France, said his agent, Helene Manfredi. The cause wasn't disclosed. He had been scheduled to perform tonight. Nicknamed the Little Giant," Griffin ...
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Johnny Griffin is 80
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Source:
All About Jazz
Tenor saxophonist Johnny Griffin recently entered his eighty-first year, still living and playing at full--or nearly full--speed. Martin Gayford today observed Griffin's longevity and vigor in a piece in the British newspaper the Telegraph. Here's an excerpt:
He was described by Richard Cook in his Jazz Encyclopaedia as the fastest tenorman of them all". He has slowed down a little, but not that much. I got so excited when I played and I still do," he has said. ...
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