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Julie London
Julie London told Life Magazine in 1957 that she had "only a thimbleful of a voice, and I have to use it close to the microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate." Her vocal style has been described as being sultry, sexy, "come-hither", intimate, breathy, warm, smoky, haunting, husky, sullen, sad, suggestive and seductive.
The majority of her album covers were graced by sultry, yet sophisticated pictures of Julie - the cover of her first album, Julie is Her Name, being, at the time, thought of as so sexy that it was described as "...generating enough voltage to light up a theater marquee". The album Calendar Girl is graced with 12 "cheesecake" photos of Miss London - one for each month of the year, with an additional large photo for the "thirteenth" month on the inside of the foldout cover.
Julie London was born Julie Peck on September 26, 1926 in Santa Rosa, California, to Jack and Josephine Peck, a song and dance team in vaudeville and radio. In 1929, the family moved to San Bernardino, where Julie's parents had a radio show, on which she occasionally appeared. In 1941, they moved to Los Angeles, where Julie left school and went to work as an elevator operator in a department store. She began singing during this time with the Matty Malnech Orchestra. In Los Angeles, she met Jack Webb, then in the Marine Corps, and Sue Carol, an actor/agent and wife of Alan Ladd. Carol obtained a screen test for Julie, which started her on a movie career. Julie's roles during the first few years were bit parts. She soon reached star status by playing leading roles in such movies as A Question of Adultery, Task Force, and The Fat Man.
In 1947 she married Webb, who was just breaking into dramatic acting on radio. With marriage, she temporarily gave up her movie career to become a full-time wife and mother, and they had two daughters, Stacy and Lisa. Jack Webb was also a jazz fan and cornet player. He was best known for his role as Seargeant Friday in Dragnet on both radio and television, also began Mark VII Productions, producing, writing and directing many television programs.
In November, 1953, London and Webb divorced. With the breakup of her marriage, Julie entered a brief period during which, she said, she had a lack of self confidence. In 1954 this changed when she met Bobby Troup, a jazz musician and songwriter, best known for his hit by Nat “King” Cole, “Route 66”. Under his guidance she began a serious singing career in 1955. Her first singing engagement was the 881 Club in Los Angeles. In 1955 she cut her first album, Julie is Her Name. Included on this LP was her most successful hit: Cry Me a River. Over three million copies of the album and single were sold. The single remained on Billboard charts for 13 weeks, and the LP for 20. Julie was voted one of the top female vocalists of 1955, 1956, and 1957. On New Year's Eve, 1959, she and Bobby Troup married.
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Go Slow: The Life of Julie London
by Richard J Salvucci
Go Slow. The Life of Julie London Michael Owen 296 Pages ISBN: 9781613738573 Chicago Review Press 2017 Vinyl Viagra" Mainly I'm a lyric reader." Mickey Mouse...she can even make that sexy." I'm not a singer. If all her movie footage over the years were put together, there still wouldn't be enough to add up to one presentable part."
read moreGo Slow: The Life Of Julie London
by Michael Owen
The following is an excerpt is from Chapter 12: For the Night People" of Go Slow: The Life of Julie London by Michael Owen (Chicago Review Press, 2017). All Rights Reserved. In 1965, after three years of largely recording pop tunes under Liberty Records' hit-making producer Snuff Garrett, Julie London was eager to return to the types of songs--and the style of singing--which had brought her fame and success a decade earlier with her debut album, Julie ...
read moreJulie London: About The Blues
by Jim Santella
All sixteen tracks on this album have been issued previously on the Liberty label; however, the first twelve appeared on one album, while the others appeared on other vinyl releases. Julie London interpreted the blues in her own sweet way, and this collection brings them together. What makes About The Blues so special, however, is the impact Bobby Troup had on the music. Each arrangement, while focusing on her smooth contralto delivery, partners London with a well-balanced orchestra that swings ...
read moreJulie London Turns Winter to Summer
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JazzWax by Marc Myers
JazzWax readers know I traditionally feature Julie London on Christmas Day, but today I wanted to take a beat to let you know what a great singer she is any time of year. To me, London is a consummate jazz singer—from her tone to her phrasing. Like Anita O'Day, London had an understated hipness built into her delivery along with a dry airiness that all but eliminated any trace of vibrato. I also love that she never quite fit in, ...
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Julie London's Holiday Album, 2022
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JazzWax by Marc Myers
Once again, it's time for Julie London's Christmas album that never was. I started this tradition eight years ago because, for whatever reason, the singer never recorded an album of holiday favorites, just one side of a Liberty 45 in 1957. Why she'd release a single side but not a full-blown LP remains puzzling, to say the least. So in 2014, I assembled all of her seasonal tracks for a faux streaming release of my own. As JazzWax readers know, ...
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Recent Listening: Lyn Stanley Revisits Julie London
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Rifftides by Doug Ramsey
Los Angeles singer Lyn Stanley frequently appears in L.A. with a big band of Swing Era veterans. However, in the recording we are sampling today, her accompanists are six of Southern California’s busiest veteran players of modern jazz. Called for this album, the Jazz Mavericks, they are guitarist John Chiodoni, pianists Otmaro Ruiz and Mike Lang, bassist Chuck Berghofer and drummer Aaron Serfaty, with Luis Conte on additional percussion. The album follows Stanley’s earlier tribute to singer Julie London on ...
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Doc: The Nocturnal Julie London
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JazzWax by Marc Myers
Recently over a weekend, I posted a few video clips of Julie London singing and appearing on the TV game show What's My Line? Many of you unfamiliar with London wrote to me fully understanding why I would write that she's my favorite female vocalist of the 1950s and '60s. As I noted, London's voice is the hippest, the coolest and the most detached and nocturnal. Forget her cinema looks. More important was her artistic integrity, her humility and her rejection ...
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Julie London: A Good Cry
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JazzWax by Marc Myers
Julie London sang Cry Me A River several times on TV over the years after she made the song her own in 1956. Written by Arthur Hamilton in 1953 for Ella Fitzgerald to sing in the film Pete Kelly's Blues (1955), the song was dropped in 1954 during production. Cry Me a River was then offered to singer Peggy King, but Mitch Miller, Columbia's head of A&R at the time, didn't like the word plebeian" in the lyric and nixed ...
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Julie London's Holiday Album
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JazzWax by Marc Myers
As most readers know, Julie London is one of my favorite female vocalists. She had a captivating, cool singing style. Her satiny delivery was nocturnal and relaxed, and she took on tough songs and aced them with a proud, detached strength and maturity. You may recall that last year, I wondered why London only released one holiday single—I'd Like You for Christmas (1957). Was keeping the Yule at arm's length London's call (too square?) or Liberty's (not a good space ...
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Julie London's Holiday Album
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JazzWax by Marc Myers
It will always be a mystery to me why singer Julie London did not record a Christmas album. Someone at Liberty, her label, must have suggested it, but clearly London passed. Perhaps it was a personal thing. Or maybe she felt that a holiday album would be too square and run counter to her cool, nocturnal image. Whatever the reason, London recorded only one holiday side—I'd Like You for Christmas—and that's it. So what I've decided to do here is ...
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Documentary: Julie London
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JazzWax by Marc Myers
Singer Julie London was the first video vocalist. I don't mean that she was the first to appear in film. Plenty of others came before her. But she was the first to fully understand how to use the camera to enhance her delivery and capture hearts. And unlike Marilyn Monroe, her contemporary, she did this without ever over-playing the minx card. London had a dry, cool and urbane tone—singing a song as though she had just fled the clutches of ...
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The Julie London Show
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JazzWax by Marc Myers
You're in for a treat. Since my post two days ago on singer-songwriter and pianist Bobby Troup, I've been bombarded by emails from readerssome who are long-time fans of Troup and others who are new to him. All of those email writers also said they were fans of singer Julie London, who was married to Troup. By any measure, London was special. In someways, her recordings don't really do her justice. As the following video clip demonstrates, London really had to be ...
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RKO Records Artist Laura Shaffer CD "The Julie London Songbook" Now Available on I Tunes
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Tom Ficara
RKO Records, the iconic music home to jazz artists such as Herbie Fields, Westchester Jazz Ensemble, Herb Jeffries, Ted Lewis, Rudy Vallee, Orrin Tucker, and Muggsy Spanier, has just released The Julie London Songbook." The album is performed by long time Las Vegas jazz singer Laura Shaffer in her debut album. It is currently available from I Tunes and 28 other music download services. A 24 carat gold limited number CD will follow in June and a collector vinyl version ...
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