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June Christy

She was singing with local bands when she was just 13, and later with society bands around Chicago, the big city 150 miles from Springfield, using the name Sharon Leslie. None of her family knew anything about music, so she had to persuade them to let her sing with the local home town band. The band was led by Bill Oetzel, and as Shirley Luster she sang with it for four years. Next she joined Boyd Raeburn's first great band at Chicago's new Band Box Theatre. A bout of scarlet fever meant leaving after just four months. On recovering she found work hard to come by due to the effect of a 20% amusement tax on the music business. Nevertheless a short stint followed with Benny Strong's band, and there was some club work. By 1945, demoralised by the continuing panic in the business she was ready to call it quits and return home. Then she heard that Anita O'day was leaving the Stan Kenton band. The actual details of how she met and was auditioned vary according to the source but the fact remains that she was hired on March 22nd 1945 by Kenton. June was to say later "I don't think Stan ever cared for singers really, but at that time he felt he needed one fast"

During May '45 she recorded 'Tampico' with the band. As she recalled later "that session did a lot for me. I gained a lot of confidence, and luckily, the record was an enormous hit, things went well after that. It was Kenton's first million-seller. With such an auspicious start and newly christened June Christy, a rewarding future stretched ahead. Before the year was out, on Dec 26 1945 she had cut the second million-seller - "Shoo Fly Pie and Apple Pan Dowdy" In 1946 June married one of Kenton's star players - tenor saxist - BOB COOPER

The Kenton-Christy combination was a most happy and successful one which continued until Kenton had a temporary disbandment in Dec 1948. She returned on many occasions after that to appear and record with the band. During her years with Kenton she had every kind of music to sing and accomplished every piece with skill even though she could not read music. Arranger and composer Pete Rugolo (who joined the band in 1943) could have saved a lot of work over the years for June simply memorised her parts once she had learned them from an initial run-through by Rugolo at the piano. Her inability to sight-read has never proved an obstacle, so quick and accurate was she at picking up the vocal lines.

By the time Kenton broke up his band June was more than ready to branch out as a solo artiste; in fact she had already made a few titles for Capitol under her own name from 1947. With the expert accompanist Jimmy Lyon on piano she also worked the exclusive Supper Clubs; the petite figure, strawberry blonde hair, sunny disposition and enormous repertoire of quality songs all combined to make her one of the most welcome artistes at American night clubs. When Kenton asked her to go back for special tours or concerts, it was always on the basis that she would return to her solo career on completion of the contract.

It was a disc jockey in Chicago who first began calling her "misty". Other disc jockeys heard him and, sensing the aptness of the word, followed suit and called her misty too. June heard the term, liked it, and relayed it to the people at Capitol, who also liked it.

The word is an apt one from many points of view, as well as pretty, for June has indeed a misty, springtime quality about her that manifests itself in the way she sings, the way she talks, and the way she looks. As a jazz singer June is something of a paradox, for she has a scrubbed young-girl look instead of the smouldering, torch quality that characterises a great many jazz singers.

So highly regarded was June's work with Kenton that Capitol invited her to become one of their solo artistes, and in the post-Kenton days album followed album, the majority of the early ones with Pete Rugolo, Kenton's chief arranger. Rugolo had entirely different ideas to bring to June's role within the Kenton band. "When I joined the band, I'd start writing these offbeat kind of arrangements behind her, usually on moody ballads, and she liked it. Rugolo continues "I made her change keys all the time and did all kinds of crazy intros and endings. When I listen to the stuff now I think, "My God, the poor thing, how did she ever sing over some of the stuff I wrote for her".

When Kenton disbanded at the end of 1948, both Rugolo and June to a lesser extent remained connected to Capitol. Pete worked as A&R man whilst June, who had made her first single under her own name in 1947 only occasionally continued to make singles as a solo act. From '49 till '52 she seems to have worked only sporadically, devoting more time to her family. She topped the Down Beat poll four times as Best Female Singer with a Big Band but only did three recording sessions during this period, none of which produced big hits.

Beginning in '52 she began recording on her own in earnest, for several years exclusively with Rugolo. "My Heart Belongs to Only You" charted as a genuine hit and convinced Capitol that they had something worth-while. June & Rugolo convinced Capitol to let them build an album around the song 'Something Cool' and it became one of the most successful early vocal albums. Pete explains "the albums really did the trick for June, Capitol realising her talent and ability". On Dec 29 1954, (1 track), and on May 9 1955 (3 tracks) were recorded to make the 10" album into the 12" version. Later in 1960 the album was re-recorded in stereo using almost the same line-up of musicians as the original. On their 9 albums June & Pete introduced dozens of new standards to the jazz repertoire, songs that would later be recorded by Ella Fitzgerald etc.

Towards the end of the sixties Miss Christy went into semi-retirement, emerging just occasionally to do dates in the Los Angeles area. In 1977 she made her most recent LP "Impromptu"; and in 1985 she was a most welcome guest at the Cannes,Nice,Monte Carlo Jazz Festival.

After many years of illness, June died in June, the 21st of that month 1990, at age of 64. "In life she was physically demure, but her presence was always felt wherever she went". Show less

Stan Kenton and His Orchestra: Concert Kenton

Read "Concert Kenton" reviewed by Jack Bowers

by Jack Bowers
November 15, 2020

There's no question that Stan Kenton led one of the more successful and popular orchestras of the storied Big Band Era, winning various yearly polls while drawing large crowds to his jazz concerts and dance performances from coast to coast. But Kenton always wanted something more: to enlighten as well as entertain. Music, he felt, should be cerebral as well as visceral. And so he formed the Neophonic Orchestra to play the sort of forward-looking jazz he felt many listeners ...

Radio & Podcasts

That Special Time of Year

by Mary Foster Conklin
December 15, 2018

This broadcast gets into the swing of the season, which includes holiday releases by Duchess and Laura Dickinson plus a new recording by pianist Kelly Green, with birthday shout outs to Gloria Lynne, Etta Jones, Arthur Schwartz, Johnny Mandel, June Christy and Hoagy Carmichael, among others. Playlist Geri Allen “In Appreciation" from Geri Allen & Timeline Live (Motema) 00:00 Gloria Lynne “All Day Long" from Miss Gloria Lynne (Essential Media Group) 06:46 Phyllis Blanford “Blue Woman" from Edgewalker ...

262

Album Review

June Christy: June Christy-Big Band Specials

by Ron Meyers
February 1, 2001

I've had this on LP ever since 1962 when it first came out. Unfortunately my copy is now full of clicks, pops and surface noise. Particuarly annoying on a vocal album. Imagine my surprise when I spotted this new release on CD. Aside from the fact that Christy is in fine voice, the big attraction for me is the arrangments and big band backing her. Arrangements are by Bill Holman, Shorty Rogers and Bob Cooper and the band, which fits ...

283

Album Review

Peggy Lee: The Complete Peggy Lee & June Christy Capitol Transcription Sessions

Read "The Complete Peggy Lee & June Christy Capitol Transcription Sessions" reviewed by Dave Nathan

by Dave Nathan
July 1, 2000

Mosaic Records, for more than 15 years the purveyors of fine limited edition albums, has issued a 5-CD set of transcriptions made by June Christy and Peggy Lee for Capitol. From the 30's to the early 50's, radio stations needed additional music to put together programs featuring specific artists, mostly big bands and vocalists. Record companies were reluctant to provide copies of their commercial releases feeling that if the public could hear them on the radio, they wouldn't go out ...

Birthday

Jazz Musician of the Day: June Christy

Source: Michael Ricci
November 20, 2022

All About Jazz is celebrating June Christy's birthday today!

June was born as Shirley Luster on November 20, 1925 at the Memorial Hospital in Springfield, Illinois and was raised from the age of three in Decatur, Illinois; and from the beginning always wanted to sing. She was singing with local bands when she was just 13, and later with society bands around Chicago, the big city 150 miles from Springfield, using the name Sharon Leslie. None of her family knew ...
read more

Birthday

Jazz Musician of the Day: June Christy

Source: Michael Ricci
November 20, 2021

All About Jazz is celebrating June Christy's birthday today!

Recording

June Christy: Fair and Warmer!

Source: JazzWax by Marc Myers
January 5, 2021

Each year, right after the holidays, I love listening to June Christy's 1950s vocal recordings for Capitol. It's the hip dryness of her voice, the beaming sunshine of her singing style and cool phrasing that knock me out. It's all very California. Couple this with Pete Rugolo's eclectic arrangements and the Hollywood tigers assembled for the recording sessions and you have the perfect music to get your head back into a work groove. Yesterday, I spent the day listening to ...
read more

Birthday

Jazz Musician of the Day: June Christy

Source: Michael Ricci
November 20, 2020

All About Jazz is celebrating June Christy's birthday today!

Birthday

Jazz Musician of the Day: June Christy

Source: Michael Ricci
November 20, 2019

All About Jazz is celebrating June Christy's birthday today!

Birthday

Jazz Musician of the Day: June Christy

Source: Michael Ricci
November 20, 2018

All About Jazz is celebrating June Christy's birthday today!

Video / DVD

June Christy: Eight Audio Clips

Source: JazzWax by Marc Myers
October 19, 2018

No singer better captures the sound of the Los Angeles area than June Christy. Back in the early 1980s, over a summer, I recall driving down to Newport Beach. The air was muggy, the neon signs were blurry in the haze, and a breeze was coming in off the Pacific. I was in a convertible at dusk heading off to meet a friend for sushi. As I drove, I had a mix of Christy on cassette. There was something about ...
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Birthday

Jazz Musician of the Day: June Christy

Source: Michael Ricci
November 20, 2017

All About Jazz is celebrating June Christy's birthday today!

Birthday

Jazz Musician of the Day: June Christy

Source: Michael Ricci
November 20, 2016

All About Jazz is celebrating June Christy's birthday today!

Video / DVD

June Christy: Bossa Nova, 1963

Source: JazzWax by Marc Myers
April 1, 2016

If you search June Christy's discography for Bossa Nova, you'll see that the song was never released on an album, just as Capitol single. For years, the song has escaped Christy fans. The music was written by Christy's husband, Bob Cooper, and the words were by Rogers Turrentine, a television writer. Last summer, Turrentine uploaded the single and wrote this at YouTube: “In 1962, Bill Miller of Capitol Records contacted Bob Cooper and me to write a single for June ...
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Recordings: As Leader | As Sideperson

June Christy

June Christy

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