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Jazz Articles about Kenny Dorham
Joe Henderson: The Complete Joe Henderson Blue Note Studio Sessions
by Scott Gudell
If an artist stamps his jazz passport with any one of these labels--Blue Note, Verve, Milestone--it's pretty much a guarantee that you've arrived in style. Tenor saxophonist Joe Henderson has traveled with all three and more. The 2021 reissue from the prestigious Mosaic Records focuses on Henderson's 1960s tenure with Blue Note offers a new opportunity to experience an abundance of rich and creative jazz from the decade. Big band and bop were duking it out in the ...
read moreCharlie Parker: Be Bop Live
by Mark Corroto
The name of the record label is ezz-thetics, which was also a composition by George Russell and an album of the same name (which featured Eric Dolphy) released by Riverside Records in 1961. Maybe a better moniker for the label is “Lest We Forget." Not that we could ever abandon Charlie Parker, but today when streaming services replace CDs and LPs, which also replaced 78s and live radio broadcasts (the streaming service of its day), Parker has the possibility of ...
read moreCharlie Parker Quintets: Be Bop Live
by Stefano Merighi
Benvenuti a uno dei convegni di bellezza più eccitanti che il jazz abbia mai prodotto. Royal Roost, New York City, dicembre 1948-febbraio 1949, due mesi in cui Charlie “Bird" Parker teneva il cartellone nel club della Quarantasettesima, sconvolgendo il pubblico con alcune tra le sue esibizioni più brillanti. Il bop era già linguaggio assimilato ormai, ma l'eccezionalità di quelle serate confermava Parker come punta di diamante di tutta la cultura africana-americana, al di là delle correnti jazzistiche.Questo doppio ...
read moreHard Bop Trumpet - Kenny Dorham, Dizzy Reece, Blue Mitchell (1962 - 1964)
by Russell Perry
This is the final hour of a four-part sequence featuring important tenor players and trumpeters who propelled hard bop into the 1960s. In this hour, we will continue with the Trumpet Players, Part 2, featuring lesser-known players—unsung veteran Kenny Dorham who recorded with both Dizzy and Bird in the 1940s, London-based Jamaican trumpet player Dizzy Reece, and Blue Mitchell who got his start with Cannonball Adderley and had a long tenure in the Horace Silver Quintet in the early 1960s. ...
read moreMusic Matters: SRX Vinyl
by Greg Simmons
Music Matters, the vinyl reissue house known for it's long string of high-quality all-analog pressings of classic Blue Note records, has released a dozen additional titles just a year or so after completing what was supposed to have been their final offerings. The new records include some that Music Matters had released in earlier series, as well as new titles. All of them are being pressed on a new vinyl formula that purports quieter surfaces and improved resolution. The material, ...
read moreKenny Dorham: The Complete ‘Round About Midnight at the Café Bohemia – Blue Note 1524
by Marc Davis
I think I have a new favorite hard bop record. For many years, I considered Art Blakey and the Jazz Messengers the perfect hard bop band--the Beatles of the bop set. I still do. I don't know how Blakey managed to find the very best up-and-coming jazz musicians in America, year after year, but somehow he did. And somehow the various bands he put together, no matter who was in them, produced superlative 5-star records, year after year. ...
read moreKenny Dorham: Una Mas
by Greg Simmons
Trumpeter Kenny Dorham's Una Mas was one of 1963's best records. The thought of hearing it reissued on ultra-high quality vinyl by the good folks at Music Matters should make jazz heads swoon. With its melding of hard-bop, bossa nova, and the blues, Una Mas is a prime example of the memorable vamps that Blue Note favored at the time, finding ultimate success later that year with Lee Morgan's The Sidewinder. Dorham was a prolific recording artist for ...
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