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Lars Tormod Jenset
Espen Eriksen Trio with Andy Sheppard: As Good As It Gets
by John Eyles
The Espen Eriksen Trio--Eriksen on piano, Lars Tormod Jenset on bass, and Andreas Bye on drums-- was formed in 2007 and their debut album, You Had Me at Goodbye, was released in 2010 on Rune Grammofon where they have remained ever since. In 2016 British saxophonist Andy Sheppard was invited to guest with the trio when they played in London. Sheppard has since commented, I knew from the first time I heard the trio play that I would fit right ...
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by Chris May
Norway's Espen Eriksen Trio is the first Scandinavian piano trio to enjoy a measure of sustained international success since Sweden's Esbjörn Svensson Trio's high-profile run was cut short by Svensson's death in 2008. While some listeners thought that EST's style was becoming over-codifed during its final years, EET still sounds box fresh thirteen years and many thousands of road miles since its debut album, You Had Me At Goodbye (Rune Grammofon, 2010). What is also remarkable is ...
read moreEspen Eriksen Trio featuring Andy Sheppard: In The Mountains
by John Eyles
Formed in 2007, with personnel which has remained unchanged since, the Espen Eriksen Trio released its first Rune Grammofon album, You Had Me At Goodbye, in 2010. Since then, they have regularly released albums on the label, the most recent being End of Summer (2020). Prior to the current release, their only album which did not feature the trio alone was Perfectly Unhappy (2018) on which they were joined by the renowned British saxophonist Andy Sheppard. In the Mountains is ...
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by Gareth Thompson
Espen Eriksen uncorks a surprise at the end of this remarkable live album. For the closing cut, his trio takes on Krzysztof Komeda's theme tune for the 1968 urban horror flick Rosemary's Baby. To begin with, gothic piano hammerings and eerie bass scrapings replace Komeda's spooked female la-la" vocals. Yet by the end, Eriksen's keyboard genius sweeps us into a realm of muted melancholy, pitched somewhere between dread and contemplation. It becomes a piece that seems to articulate the very ...
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by Gareth Thompson
Any album recorded during the lockdown of 2020 will doubtless be scrutinised for cryptic references. As such, End Of Summer as a title might hint at something deeper (or darker) than mere seasonal flux. But amidst so much global turmoil, the Espen Eriksen Trio has held its nerve and created another poignant opus. Tranquility at the centre of chaos. As a Nordic pianist with a keen awareness of folk ballads and lullabies, Eriksen brings an innocent guile to ...
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