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Marc Ribot
All the while, the increasingly in-demand guitarist continues to explore the ever-changing terrain of New York's New Music scene, working with musicians such as Arto Lindsay, Don Byron, Anthony Coleman, T-Bone Burnett, the Jazz Passengers, Evan Lurie, the Sun Ra Arkestra, Chocolate Genius, Bill Frisell, Medeski Martin & Wood, and John Zorn in any number of incarnations.
Ribot also composed and recorded his own brand of Downtown soul music with his bands, Rootless Cosmopolitans and Shrek. In 1996 he recorded DON'T BLAME ME, which found a solo Ribot reinventing a number of American standards, which was hailed by The Village Voice as "a record filled with savory and unlikely amusements." In 1998 Atlantic Records released the critically acclaimed Marc Ribot Y Los Cubanos Postizos, featuring Ribot's beautifully slanted interpretations of material by the great Cuban songwriter Arsenio Rodriguez.
Recent musical scores by Marc Ribot include Yoshiko Chuma's ALTOGETHER DIFFERENT dance piece, a documentary film by Greg Feldman titled JOE SCHMOE, a feature film by director Joe Brewster titled THE KILLING ZONE, and IN AS MUCH AS LIFE IS BORROWED, a dance piece by famed Belgian choreographer, Wim Vanderkeybus.
Composer Stewart Wallace recently completed an electric guitar concerto with orchestra written for Marc. The piece was premiered by the National Symphony Orchestra in Washington DC in July of 2004.
Marc continues to write and perform and collaborate. He's currently working on a new, sonically dense, rock band called the Marc Ribot Mystery Trio. He's also producing a record of material by the great Haitian composer/guitar player, Frantz Casseus, and recording with a new project called Spiritual Unity based on the works of Albert Ayler, as well as recording with artists Elvis Costello, and T-Bone Burnett.
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MetJazz 2024
![Read "MetJazz 2024" reviewed by Neri Pollastri](https://s3.amazonaws.com/allaboutjazz/photos/a_small/fba4c140415885d4e22baa564f3f307c.jpg)
by Neri Pollastri
MetJazz 2024 Prato Teatro Metastasio, Teatro Fabbricone, Scuola di Musica Verdi 26.2--25.3.2024 Ventinovesima edizione del festival MetJazz, che anche quest'anno, sotto la direzione artistica di Stefano Zenni, per un mese ha disseminato di eventi la città di Prato, con gli spettacoli principali --tutti in doppio concerto--collocati come sempre il lunedì e gli appuntamenti off in giorni diversi. L'apertura, il 26 febbraio, era nella sede principale, il Teatro Metastasio, e il doppio concerto vedeva ...
read moreSons d'Hiver 2024
![Read "Sons d'Hiver 2024" reviewed by Luciano Rossetti](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/15282c796ae11889c01e04b8fada5a19.jpg)
by Luciano Rossetti
A collection of photos from a part of the Sons d'Hiver 2024 in Paris from January 23 to 27, 2024 featuring Marc Ribot, James Brandon Lewis, Newen Tahiel, Jorge Pardo, Joelle Leandre, Marilyn Mazur, Yuko Oshima, and Otomo Yoshihide. ...
read moreGuitar Heroes alla Casa del Jazz
![Read "Guitar Heroes alla Casa del Jazz" reviewed by Mario Calvitti](https://s3.amazonaws.com/allaboutjazz/photos/a_small/3008d7fbc9aa88e8f30efd8d4d350468.jpg)
by Mario Calvitti
Guitar Heroes Casa del Jazz Roma 10-13.7.2023 Sotto il nome collettivo di Guitar Heroes" si sono tenuti alla Casa del Jazz di Roma tre concerti consecutivi aventi come protagonisti altrettanti grandi chitarristi per i quali l'appellativo scelto non risulta esagerato, trattandosi di Bill Frisell, Marc Ribot e Julian Lage. Se i primi due, quasi coetanei, possono considerarsi dei veterani della scena jazzistica e hanno contribuito con il proprio apporto personale (soprattutto il primo) alla ridefinizione ...
read moreAvram Fefer Quartet: Juba Lee
![Read "Juba Lee" reviewed by Mark Corroto](https://s3.amazonaws.com/allaboutjazz/coverart/large/c0ed18d7e9cc5fac2f760c9accf1be3f.jpg)
by Mark Corroto
Avram Fefer comes out swinging on Juba Lee, the second release from his quartet,. It must have certainly been fated, as the opener Showtime" hits hard with its muscular sound. Fefer's tenor saxophone blows out any existing cobwebs before handing off to guitarist Marc Ribot. The music continues the rich sound heard on the quartet's critically acclaimed previous release Testament (Clean Feed, 2019). Fefer built this sound first in trio with bassist Eric Revis, and drummer Chad Taylor heard the ...
read moreGordon Grdina: Night's Quietest Hour
![Read "Night's Quietest Hour" reviewed by Mark Corroto](https://s3.amazonaws.com/allaboutjazz/coverart/large/4d5c7d89f0d7ffa23d02c816a3de847b.jpg)
by Mark Corroto
Gordon Grdina might be proof of the saying you can't keep a good man down." With Night's Quietest Hour he turns his attention once again to traditional Iraqi and Arabic folk music. This release by his small big band Haram follows Her Eyes illuminate (Songlines, 2012) and includes a guest appearance by Marc Ribot. Much like Ribot's forays into Cuban music with his Los Cubanos Postizos and Frantz Casseus' Haitian compositions, Grdina aspires for musical authenticity without being patronizing. And, ...
read moreMarc Ribot's Ceramic Dog Live At BIMHUIS Amsterdam
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by BIMHUIS
Marc Ribot has torn the roof off the Bimhuis several times already with his energetic trio Ceramic Dog. Anything goes, from angular songs to exuberant rock riffs to a whimsical version of jazz classic like Take Five." Multi-instrumentalist Shahzad Ismaily can switch from distorted bass guitar to cheerful organ, and drummer Ches Smith can alternate between tight backbeats and electronic experiments. Marc Ribot: guitar, vocals; Shahzad Ismaily: bass, percussion, vocals; Ches Smith: drums, percussions, electronics, vocals.
read moreMarc Ribot, Dos Santos and other great new (and not so new) releases
![Read "Marc Ribot, Dos Santos and other great new (and not so new) releases" reviewed by Ludovico Granvassu](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/15282c796ae11889c01e04b8fada5a19.jpg)
by Ludovico Granvassu
This episode features new releases and fresh sounds, from postmodern big bands to protest songs to lyrical meditations that will melt your heart. Happy listening! Photo credit: Barbara Rigon Playlist Ben Allison Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Dos Santos Sole Party" from Logos (International Anthem) 0:17 Dos Santos (You Are) My Revolution" from Logos (International Anthem) 3:50 Host talks 8:07 Pyeng Threadgill Head Full of Hair, Heart ...
read more11th Annual Red Hook Jazz Festival To Be Held Sunday, September 16 From 2-6 PM — Marc Ribot And The Jazzbeens To Headline
![11th Annual Red Hook Jazz Festival To Be Held Sunday, September 16 From 2-6 PM — Marc Ribot And The Jazzbeens To Headline](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/15282c796ae11889c01e04b8fada5a19.jpg)
Source:
James Keepnews
“The Red Hook Jazz Festival exists contentedly on the margins, like its namesake neighborhood and much of the music on its bill…The mood in the audience was neighborly, with a higher ratio of small children to youngish adults than I’ve seen at any musical event not expressly pitched as a kids’ show.” —Nate Chinen, New York Times “The lineup seems to get better every year at the Red Hook Jazz Festival, held on two successive Sundays at the Urban Meadow. ...
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Red Ink Beneath Streaming’s “New Dawn” [Marc Ribot]
![Red Ink Beneath Streaming’s “New Dawn” [Marc Ribot]](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/15282c796ae11889c01e04b8fada5a19.jpg)
Source:
HypeBot
Legendary guitarist Marc Ribot explores the impact of ECM Records move to Spotify as part of broader shift for the label, the effect it will have on artists, and what the next best course of action is. By Marc Ribot from The Trichordist Guest Post from the legendary guitarist Marc Ribot. One point that Mr. Ribot makes we would like to further emphasize at the outset: without DMCA reform there is no “market” for Copyright Royalty Judges to set rates ...
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Ghostship Fire: Mourn The Dead, Fight Like Hell For The Living
![Ghostship Fire: Mourn The Dead, Fight Like Hell For The Living](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/15282c796ae11889c01e04b8fada5a19.jpg)
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HypeBot
In this recent article, Marc Ribot explores how the tragedy at jny: Oakland's GhostShip lofts is indicative of a broader issue concerning the marginalization of working artists. Guest post by Marc Ribot on The Trichordist Marc Ribot is an American Musician and a member of NYC artists rights group MusiciansACTION musiciansaction.org. The initial horror evoked by Oakland’s GhostShip fire is now turning into self questioning and anger at those who placed the victims in harms way. Yes, there will be individuals—landlords, inspectors, ...
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Live From New York: The State of Jazz in 2015
![Live From New York: The State of Jazz in 2015](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/15282c796ae11889c01e04b8fada5a19.jpg)
Source:
Michael Ricci
Dispatches from the 11th annual Winter Jazzfest, where more than 100 groups performed over three days Hindin: The rightful home of the country’s premier jazz festival is New York City—more than tony Newport or even New Orleans, whose “Jazz & Heritage Festival” is nursing an identity crisis (this year’s headliner: Elton John)—and Winter Jazzfest is it. It’s hard to plug a jazz festival without blushing a little. In his manifesto, “On Why Jazz Isn’t Cool Anymore,” Nicholas Payton declared, “People ...
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The Lucien Dubuis Trio and Marc Ribot - Ultime Cosmos (2009)
![The Lucien Dubuis Trio and Marc Ribot - Ultime Cosmos (2009)](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/23ddbf1390fcb9766802576ea678a.jpg)
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Something Else!
Ultime Cosmos was not serious. At least, not serious in that We're Wearing Nice Suits, We're Going To Play Jazz kind of way. Heck, this wasn't even jazz, not in spirit anyway. A quick read of the instrumental lineup would definitely make a person think 'jazz'contrabass clarinet, guitar, bass, drumsbut the record had more of a rock/funk spirit. I can imagine Stanley Crouch turning up his nose. That's a good thing. Though Dubuis did switch over to alto here and ...
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The Lucien Dubuis Trio with Marc Ribot - Ultime Cosmos (2010)
![The Lucien Dubuis Trio with Marc Ribot - Ultime Cosmos (2010)](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/23ddbf1390fcb9766802576ea678a.jpg)
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Something Else!
By Mark Saleski Sometimes, the music chooses me ... or at least falls into my lap at just the right time. Things are crazy. But in the middle of it all, I discover the Lucien Dubuis Trio and Marc Ribot. Yeah sure, you know that I will follow Marc Ribot anywhere. The man is fearless on the guitar, has huge ears, and is willing to hurl himself in just about any direction to complete an artistic statement. Geez, that sounds ...
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Marc Ribot Taps Into Lyricism for His Solo Guitar Soundtrack to Nonexistent Movies
![Marc Ribot Taps Into Lyricism for His Solo Guitar Soundtrack to Nonexistent Movies](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/15282c796ae11889c01e04b8fada5a19.jpg)
Source:
All About Jazz @ Spinner
There are few musicians that have worked in a wider and more creative catalog of material than Marc Ribot. As a sideman, the guitarist has backed singers including Tom Waits, Alison Krauss and Robert Plant, Richard Hell, Elvis Costello and Norah Jones, not to mention John Zorn and vast array of avant-garde jazz musicians. His own material tends to be wildly eclectic: He's probably the only person who will ever record an Albert Ayler tribute for solo guitar for Atlantic ...
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Marc Ribot - Silent Movies (Pi Recordings, 2010)
![Marc Ribot - Silent Movies (Pi Recordings, 2010)](https://s3.amazonaws.com/allaboutjazz/photos/2010/helpinghands100x100.jpg)
Source:
Music and More by Tim Niland
Guitarist and composer Marc Ribot is an eclectic soul equally at home playing punk rock, free jazz or more melodic fare. This intriguing album presents Ribot in a solo context with some subtle overdubbing or sound manipulation added to give the music an atmospheric feel. He writes in the liner notes that this project was inspired by films, both real and imagined, and he hoped to explore the nether regions between language, images and sound. What results is a dreamy ...
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Marc Ribot Interview - Indie Music as Labor
![Marc Ribot Interview - Indie Music as Labor](https://s3.amazonaws.com/allaboutjazz/photos/logo/bd38a72ed12128b10ddc05c6087dacb8.jpg)
Source:
All About Jazz
Brecht Forum Indie Music as Labor". Monday, November 2009, 7:30 pm Stanley Aronowitz, David Harvey, Sheebani Patel, Marc Ribot, Matana Roberts & Others TBA. This interview is part of the book/dvd project under your skin" which includes Interviews with David Murray, Ornette Coleman, Chuck D - Public Enemy, Taj Mahal, Yusef Lateef, Stanley Clarke, Melvin Gibbs, Liu Fang, Malika Zarra, Zap Mama, Les ...
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Dave Devine
guitarMatt Clark
guitarMarco Oppedisano
guitar, electricTerry Edwards
saxophoneNishad Pandey
guitarFletcher McKenzie
guitar, electricPrawit Siriwat
guitarGeorge Christian Vilela Pereira
guitar, acousticGioele Pagliaccia
drumsGorm Askjær
guitarMatteo Mosolo
bass, acousticLeif Jordansson
guitarLuciana
authorGaute Storsve
guitarJukka-Pekka Kervinen
trumpetHébert
guitar, electricPhotos
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Longa Nahawad
From: Night's Quietest HourBy Marc Ribot