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Noam Lemish
Noam Lemish has never felt inclined to pick a lane. Maybe his hyphenated identity as an Israeli-American- Canadian has helped inspire his multiplicity and general disinclination to follow stylistic guidelines. Whatever the reason, over the course of two decades of intensive musical study and creation he’s always sought to expand the scope of his exploration, often blurring or ignoring deeply etched boundaries between genres, peoples, and traditions. He’s a jazz artist and a classical composer of chamber works, an improviser and an accompanist, an intrepid cross-cultural investigator and an interpreter of contemporary composition. He contains multitudes.
Based for the past decade in Toronto, where he’s on faculty at York University’s Department of Music as Assistant Professor of Jazz Instruction and Pedagogy, Lemish is best known for leading or co-leading several celebrated ensembles. The critically hailed 2018 album Pardes features the quartet he co-leads with guitarist and oud expert Amos Hoffman, a player on the forefront of the brilliant wave of Israeli musicians who swept over the New York scene in the 1990s. The project documents their singular repertoire, a gorgeous collection of arrangements based on songs that reflect the diverse nature of Israeli society. Some are drawn from liturgical or folk tunes from Middle Eastern and Central Asian Jewish traditions, “for example, centuries-old songs that are common in Yemenite or Moroccan Jewish communities,” Lemish says.
Others are popular songs that have circulated in Israel since the 1950s, what Lemish describes as “an invented folk song tradition that some Israeli jazz artists use as source material like American standards.” They don’t serve as a lingua franca in the same way as say, “Autumn Leaves,” where any jazz musician can call one on the bandstand and expect her peers to know the piece. Rather, “artists will draw on specific songs and arrange them,” Lemish says.
While the quartet with Hoffman draws on the music Lemish heard growing up in Israel, the Israeli-Iranian Musical Initiative is a defiant project that brings together Canadian artists hailing from two nations that have been locked in hostility for decades. Founded by Iranian composer Parisa Sabet and Israeli composer Dan Deutsch, and with Lemish serving as co-artistic director, the ensemble’s sumptuous sound stems from an innovative blend of Western and Persian instruments. Among the music presented by the group was a program featuring songs beloved in Iran written by the Jewish-Iranian composer Morteza Neydavoud, who hails from a community with roots dating back 3,000 years to the Achaemenid Persian empire.
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Noam Lemish: Twelve
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by Jack Bowers
The number Twelve has several explicit meanings on Israeli-born composer/pianist Noam Lemish's eighth album as leader of his own ensemble, which is twelve members strong (well, thirteen on the first two numbers, on which Laura Swankey adds wordless vocals, and twenty-five if one counts the thirteen-member chorus on Track 3). Returning to the basic premise, Lemish composed his first piece of music at age twelve, and it has been twelve years since he relocated from San Francisco to Toronto, Canada. ...
read moreNoam Lemish: Erlebnisse
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by Troy Dostert
Long a part of the Toronto jazz scene, pianist Noam Lemish hasn't at all been limited to that genre. He has made plenty of jazz recordings, some of the best of which include drummer George Marsh: their self-produced duo album Nightfall (2013) is an especially winning slice of post-bop jazz. But Lemish may be at his best when he's disregarding stylistic confines. Israeli folk forms and classical motifs are some of the resources that make appearances in his work, giving ...
read moreNoam Lemish: Erlebnisse
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by Dan McClenaghan
Pianist Noam Lemish carries multiple talents in his jam-packed bag of tricks: jazz artist, classical composer, improviser, accompanist. The Toronto- based artist-educator is probably best known for his leader/co-leader work in several different ensembles, including his jazz quartet and a twelve piece chamber jazz orchestra and jazz choir. With 2021's Erlebnisse he pares things down and goes it alone (Covid may have been a factor) at the piano, creating sixteen in-the-moment improvisations that dig into deeply felt experiences" (the English ...
read moreNoam Lemish / George Marsh: Nightfall
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by Eyal Hareuveni
Nightfall is the second recording of Israeli, Toronto-based, pianist Noam Lemish and veteran Bay Area drummer and educator George Marsh (after Yes And, 2008). The set of original compositions and improvisations feature the breadth of their musical universes. Lemish studied classical music and jazz in Israel, and continued his studies under the tutelage of composer W.A. Mathieu in Sonoma, California. He then went on to teach music in the Himalayan Kingdom of Bhutan before settling in Toronto. Marshs' resume includes ...
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This is a masterpiece of solo piano. David Reed – Kingston Whig Standard (2021)
Listening to this extraordinary CD – one would be well-advised to do so, repeatedly, as an uninterrupted whole (preferably with a glass of red wine in hand) – Lemish takes us along on his soul-baring, improvisational journey, which is nothing short of stunning (and which may even feel a touch voyeuristic for the listener, given the deeply felt depths that he plumbs). Infused with elements of jazz, classical and Middle Eastern music, Jewish folk and Israeli popular song, Lemish’s extemporizations are at times poignant, propulsive, yearning, melancholic, contemplative and quixotic. And they are masterful. Sharna Searle – The WholeNote (2022)
Music
Steals on Steeles
From: TwelveBy Noam Lemish
Erlebnis 5
From: ErlebnisseBy Noam Lemish