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Paal Nilssen-Love
Paal was born in Molde, Norway, December 24. 1974, and raised at a jazz club in Stavanger, run by his parents. It was natural to choose his fathers drums as his instrument and jazz as his work. From 1990 on he took actively part in the jazz milieu in Stavanger and joined bands with established musicians such as trumpeter Didrik Ingvaldsen and saxophonist Frode Gjerstad. In many ways, these collaborations were essential as they pointed out the directions for Paal's later musical development and career. During his studies at the Jazz dept at the University in Trondheim, where the first self initiated bands were established, things developed really fast--and Paal was nationally acknowledged at the age of 20.
The forming of the quartet Element in 1993 in many ways represented the start of a new phase in Paal's musical life. Element musically became a platform for several other groups with bassist Flaten and pianist Wiik, and lead to collaborations with Iain Ballamy and Chris Potter, amongst others. Paal moved to Oslo in 1996, where he joined and/or took part in the forming of bands like Vindaloo, SAN, Håkon Kornstad Tio, The Quintet and Frode Gjerstad Trio. He later on got more into self initiated projects and collaborations with Swedish musicians, such as pianist Sten Sandell and saxophonist Mats Gustafsson.
Paal played his first solo concert in 1999, and since then the solo concept has been an important part of his work: "Everyone should try doing some solo work, just to feel who you really are and what gets you going." His solo album "Sticks and stones" was put out in 2001 on SOFA Rec.
Being active in several bands at the same time has always been Paal's deliberate working method. He is constantly conscious about the projects he is in, as his participation in each and one of them is fully dedicated. Playing is not about getting from start to goal, but rather being in an everlasting process, a continuous movement where each new piece of music performed is a prolongation of the latest. Hence, keeping focused and concentrating all energy around what's happening there and then is of greatest importance--as is the freedom in the music, the ability of being free within the expression.
All bands, although various styles and musical versatility in general, represent important pieces that make up a total, and all bands are formed or joined with a clear vision. Today Paal's portfolio includes Atomic, School Days, The Thing, Frode Gjerstad Trio, Sten Sandell Trio, Scorch Trio, Territory Band, FME, and various duo projects such as with reedmen Ken Vandermark, John Butcher, Mats Gustafsson, organist Nils Henrik Asheim and noise wizard Lasse Marhaug. And not to forget the recently joined Peter Brötzmann Chicago Tentet.
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Brötzmann / Nilssen-Love: Chicken Shit Bingo
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by Mark Corroto
We lost Peter Brotzmann in the summer of 2023. The saxophonist and champion of free jazz passed at the age of 82. There may be no more live appearances from the great man, but there will be posthumous releases. Hopefully, all will be as spirited and compelling as Chicken Shit Bingo, a duo with Norwegian drummer Paal Nilssen-Love. The pair had worked together in groups as large as Brötzmann's Chicago Tentet, in trio and quartet settings. However, it is the ...
read moreBallister: Smash and Grab
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by Mark Corroto
A listener might have a premonition when they drop the needle on the hot pink vinyl version or push the play button on the CD or digital download of Smash And Grab by the trio Ballister. They understand, or have knowledge by way of the trio's ten previous releases, that a storm awaits them. The trio of saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love conjure a tempest of sound that simply refuses to become background music.
read moreSteve Swell: Dances With Questions
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by John Sharpe
American trombonist Steve Swell plays to the strengths of his talented cast of improvisers on the sprawling multifaceted Dances With Questions, a three-CD box set which documents his three day residency at the 2019 Krakow Jazz Autumn. The center piece is the 70-minute title cut for a dozen musicians, but the album also includes two discs of small group encounters captured in the city's legendary Alchemia club during the previous evenings. Swell, a veteran of the New York ...
read moreRempis Percussion Quartet: Harvesters
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by Mark Corroto
A couple quotes from the 1980s' film The Blues Brothers starring John Belushi and Dan Aykroyd seem appropriate for Harvesters, the double album by The Rempis Percussion Quartet. Elwood Blues: It's 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it's dark... and we're wearing sunglasses." Jake Blues: Hit It...we're on a mission from God... we're getting the band back together." In all actuality, the Chicago residents, saxophonist Dave Rempis and ...
read moreDave Rempis: Chrysopoeia
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by John Sharpe
Recorded at Krakow's legendary Alchemia just two days before Znachki Stilyag (Aerophonic Records, 2020), on the same European tour, the power trio Ballister comprising saxophonist Dave Rempis, cellist Fred Lonberg-Holm and drummer Paal Nilssen-Love, demonstrates an astonishing level of consistency in terms of both energy and excellence. Chrysopoeia constitutes the triumvirate's tenth release over some dozen years of existence, one which confirms that time and familiarity yield multiple benefits. While two pieces well in excess of the 20-minute ...
read moreBallister: Chrysopoeia
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by Mark Corroto
It is difficult to imagine a Ballister recording having its origins in any setting other than a live performance. The trio of saxophonist Dave Rempis, cellist Fred Lonberg-Holm, and drummer Paal Nilssen-Love fuels each performance with the audience's energy on all their recordings, including Chrysopoeia, their tenth. Not that the trio could not produce their music in a studio setting, it is just the intensity of their free jazz performances would not contain the fevered eruptions available to the music ...
read moreGustafsson / McPhee / Håker Flaten / Nilssen-Love: The Thing She Knows...
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by Chris May
The Hat Hut and ezz-thetics family of labels is in 2021 just three years shy of its fiftieth anniversary. This is a remarkable, perhaps unique, achievement for an independent company which has concerned itself exclusively with the avant-garde end of jazz and conservatoire music from the get go, and has done so with the highest (for which read costly) production standards. Perhaps mindful of the coming anniversary, the labels' founder, Werner X. Uehlinger, has since 2019 been reissuing ...
read morePeter Brotzmann and Paal Nilssen-Love - Woodcuts (Smalltown Superjazz)
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Master of a Small House
Among the many drummers to join Brotzmann on the bandstand, Paal Nilssen-Love remains one of the most compatible and galvanizing. His mix of muscle and agility continually serves the German well whether it be in a large assemblage like the Chicago Tentet or mano y mano encounter like this set, the second such set documented by the Scandinavian Smalltown Superjazz imprint. The earlier date, parceled as part of the Maijazz Festival in Norway in the spring of 2006, centered on ...
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