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Pat Smythe
Discovered Early Jazz Fusion From Pat Smythe Plus Other New Releases
by Bob Osborne
On this show we focus on a previously unreleased album from Pat Smythe recorded in France in 1973. In addition we have recent and forthcoming releases from Ernesto Cervini, The Messthetics And James Brandon Lewis, Pat Bianchi, Yosef Gutman Levitt, Smelloship, Albare, George Cartwright, Echoes of Zoo, Chad Fowler, Muriel Grossman, Roby Glod Christian Ramond & Klaus Kugel, and an excerpt from a recent live recording from David Torn Tom Rainey Tim Berne and Trevor Dunn. Playlist Show ...
read moreJoe Harriott: Free Form & Abstract Revisited
by Stefano Merighi
La serie “revisited" della ezz-thetics, prodotta da Werner Uehlinger, ha raggiunto ormai un cospicuo numero di CD, tale da costituire un effettivo e riassuntivo corpo sonoro, a disposizione per ri-sistematizzare la storia del jazz d'avanguardia degli anni Sessanta del secolo scorso. Certe edizioni però sono più importanti di altre, nel senso che meritavano sul serio una ristampa (molti titoli invece continuano ad esseere facilmente reperibili nelle edizioni originali...). È il caso di queste due opere del sassofonista Joe ...
read moreJoe Harriott: Swings High
by Chris May
Like many players who are primarily thought of as “experimental" and/or “free form"—and virtually all of the best of them--the Jamaican-born, later London-based alto saxophonist Joe Harriott was also a master of straight four/four jazz and Great American Songbook balladry. Yet in 2022, Harriott (1928-1973) is almost exclusively remembered either for his adventures in Indo-jazz fusion with the violinist John Mayer and, separately, guitarist Amancio D'Silva, or his own harmolodic-esque, but not Ornette Coleman-beholden, albums such as Free Form (Jazzland, ...
read moreJoe Harriott: Free Form & Abstract Revisited
by Mark Corroto
Call it partisanship or maybe musical chauvinism, but North American audiences have traditionally had little appreciation for jazz musicians from the United Kingdom or, for that matter, Europe. Rewind back to 1961, and explain why Americans were not hip to the Joe Harriott Quintet? His two releases, Free Form, released in 1961, and Abstract, in 1963, if released by an American artist would have been held in the same regard as the music of Sonny Rollins or Ornette Coleman. That ...
read moreJoe Harriott Quintet: Free Form & Abstract Revisited
by Chris May
A tiny island, Jamaica has punched far above its weight musically. Dub and reggae are the primary manifestations, but the island has also produced a disproportionately large number of notable jazz musicians, many of whom left during the late 1940s and 1950s to relocate to Britain, Jamaica's so-called mother country during the colonial era. Alto saxophonist Joe Harriott moved to London in 1951. Other early arrivals included flautist Harold McNair, tenor saxophonist Wilton Gaynair, trumpeters Dizzy Reece and Eddie Thornton, ...
read moreJoe Harriott: Chronology: Live 1968 - 69
by Chris May
One of not-for-profit archive label Jazz In Britain's first releases in early 2020--then only on vinyl, but in summer 2021 reissued on CD—the Jamaican-born alto saxophonist and composer Joe Harriott's Chronology Live 1968—69 is also of interest for the spotlight it throws on another player who moved from his homeland to London in the 1950s, the Canadian-born trumpeter and flugelhornist Kenny Wheeler. The duo are found on all seven tracks, the first five of them quintet recordings from 1968, the ...
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Pat Smythe
Instrument: Piano
Born: May 2, 1923
Died: May 6, 1983
