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Ray Brown
Ray Brown was born in Pittsburgh, Pennsylvania, and had piano lessons from the age of eight. After noticing how many pianists attended his high school, he thought of taking up the trombone, but was unable to afford one. With a vacancy in the high school jazz orchestra, he took up the double bass.
A major early influence on Brown's bass playing was the bassist in the Duke Ellington band, Jimmy Blanton. As a young man Ray Brown became steadily more well known in the Pittsburgh jazz scene, with his first experiences playing in bands with the Jimmy Hinsley Sextet and the Snookum Russel band. After graduating from high school, hearing stories about the burgeoning jazz scene on 52nd Street, in New York City, he bought a one way ticket to New York.
Arriving in New York at the age of twenty, he met up with Hank Jones, with whom he had previously worked, and was introduced to Dizzy Gillespie, who was looking for a bass player. Gillespie hired Brown on the spot and he soon played with such established musicians as Art Tatum and Charlie Parker.
From 1946 to 1951 he played in Gillespie's band. Brown, along with the vibraphonist Milt Jackson, drummer Kenny Clarke, and the pianist John Lewis formed the rhythm section of the Gillespie band, and their work together eventually led to the creation of the Modern Jazz Quartet.
Around this time Brown was also appearing in Jazz at the Philharmonic concerts, organised by Norman Granz. It was at these concerts that he met the jazz singer Ella Fitzgerald, whom he married in 1947. Together they adopted a child born to Fitzgerald's half-sister Francis, whom they christened Ray Brown, Jr. Fitzgerald and Brown divorced in 1952.
It was at a Jazz at the Philharmonic concert in 1949 that Brown first worked with the jazz pianist Oscar Peterson, in whose trio Brown would play from 1951 to 1966. After leaving the Trio he became a manager and promoter as well as a performer.
In 1966, he settled in Los Angeles where he was in high demand working for various television show orchestras. He also accompanied some of the leading artists of the day, including Frank Sinatra, Billy Eckstine, Tony Bennett, Sarah Vaughan, and Nancy Wilson. He also managed his former musical partners, the Modern Jazz Quartet, as well as a young Quincy Jones, produced some shows for the Hollywood Bowl, wrote jazz double bass instruction books, and developed a jazz cello.
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Oscar Peterson: Con Alma
by Chris May
To borrow Duke Ellington's description of Louis Armstrong, Oscar Peterson was born poor, died rich and never hurt anyone along the way. He also brought joy to untold numbers of people. But, truth to tell, his style was the twentieth-century equivalent of modern day AI-produced generative music. Sit Peterson down at a piano, progamme him (as in give him a tune to play), and press Go: a torrent of technique poured out. Trouble is, Peterson's pianism was ...
read moreThe Oscar Peterson Trio: Con Alma: The Oscar Peterson Trio Live in Lugano, 1964
by Mike Jurkovic
Was there ever a more generous player than Oscar Peterson? A man who, by simply doing the thing he most loved and thrilled to do, which was make people feel better way down deep in their bones, sat at his piano and made the world grateful? Rekindled that spark--of imagination, of potential, of better--just by running his hands along the eighty-eights and instigating his soul mates, bassist Ray Brown and drummer Ed Thigpen to do the same. That ...
read moreSonny Rollins: Go West! The Contemporary Records Albums
by Richard J Salvucci
Apparently, the median age of a jazz listener is in his or her mid to late 40s. So, perhaps, the representative listener was born in the mid-1970s. Sonny Rollins first recorded in 1949. The recordings reviewed here were made in the late 1950s, well before many contemporary listeners were born. While there have been ample reissues of Rollins' work, most coincided with the still-active phase of his career. Much of his work has appeared since Skylark" on The Next Album ...
read moreOscar Peterson Trio with Herb Ellis and Ray Brown: Vancouver 1958
by Pierre Giroux
This iteration of the Oscar Peterson Trio, with guitarist Herb Ellis and bassist Ray Brown, had been together for five years at the time of this recording, but it was reaching its expiration date. Following appearances at The Vancouver Jazz Festival on August 4 and 8, 1958, there was only one further instance of the trio recording together that year, and that was for KABC-TV Stars of Jazz on August 18,1958 after which Herb Ellis left the band. The principals ...
read moreThe Easy Way
by Richard J Salvucci
It is fair to wonder how Jimmy Giuffre would be remembered had he not gone off on to the wilder shores of atonality, collective improvisation, and free jazz with Paul Bley and Steve Swallow in the early 1960s. It is easy to forget that Giuffre was regarded as a rising star, both as a multi-instrumentalist (he played tenor and baritone sax; clarinet was apparently a double for him) and a composer, in the 1950s. Yes, mentioned in the same breath ...
read moreOn Jazz: A Personal Journey
by Richard J Salvucci
On Jazz:A Personal Journey Alyn Shipton300 Pages ISBN: 978-1-108-83423-0 Cambridge University Press 2022 Alyn Shipton is a distinguished jazz journalist, bassist, BBC radio presenter and biographer who may be best known for his A New History of Jazz (Continuum, 2001). In some ways, the present volume is a companion piece, because if you are inclined to wonder how anyone could have ever learned enough to write a 900 page volume, you may ...
read moreOscar Peterson: Exclusively For My Friends
by Bruce Lindsay
An 8-CD set of recordings from the great Oscar Peterson, beautifully recorded, sumptuously packaged and accompanied by a 60-page booklet full of informative writing: Exclusively For My Friends is a treat for ears and eyes. All of the recordings on this set were made between 1963 and 1971. The sessions took place in the home of producer and MPS Records owner Hans Georg Brunner-Schwer in Germany's Black Forest--Peterson and Brunner-Schwer were friends and the pianist often visited the label owner's ...
read moreBackgrounder: Ray Brown Trio - 'Don't Get Sassy'
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JazzWax by Marc Myers
On April 21 and 22, 1994, the Ray Brown Trio went in to studio A at Signet Sound in West Hollywood to record an album called Don't Get Sassy for Robert Woods and Jack Renner's Telarc label. The trio was comprised of Benny Green on piano, Ray Brown on bass and Jeff Hamilton on drums, and there appears to have been an audience on hand in the studio. This trio had been playing and recording together since 1991, when they ...
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Music Education Monday: Still all about that bass (with Ray Brown and Milt Hinton)
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St. Louis Jazz Notes by Dean Minderman
As yr. humble editor is not one to leave any good material unused, or any bad pun or pop culture reference unmade - at least of couple times - today's Music Education Monday" post is a sequel to last December's All About That Bass", featuring a few more bass-related links and video clips that turned up during the info-gathering for that post. Keeping in mind that the general criteria here is music instructional materials available for free on the internet," ...
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Ray Brown + the All-Star Big Band
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JazzWax by Marc Myers
Ernie Wilkins was busy in 1962. Wilkins, of course, was always busy, but '62 was a crescendo year for the big-band arranger. He worked largely for the Verve and Riverside labels that year, writing charts for Harry James, Mark Murphy, Illinois Jacquet, Oscar Peterson, Milt Jackson, Cannonball Adderley, Count Basie and Sam Jones. Then the bubble burst toward the end of '62. His drug problem spiraled out of control and sent him into rehab until 1969, when he began working ...
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Video: Ray Brown, Germany 2000
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JazzWax by Marc Myers
In the following rare video of the Ulf Wakenius Project in 2000 at the annual Jazz Baltica Festival in Salzau, Germany, the Swedish guitarist Ulf Wakenius was joined by Michael Brecker (tenor sax), Ray Brown (bass), Niels Lan Doky (piano) and Terri Lyne Carrington (drums). If the name Ulf Wakenius doesn't ring a bell, he was a member of the Oscar Peterson Quartet and Ray Brown Trio in the late '90s. A special thanks to my man Jimi Mentis in ...
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Ukraine Tour Coincides With The SRI Jazz Release Of The Best Of Ray Brown Jr.
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Shelly Liebowitz
Following a smashing success from his Ukrainian Tour, SRI Jazz Releases the long awaited “The Best of Ray Brown Jr.” Ray Brown Jr’s recent tour in the Ukraine, a smashing success for the artist, which included starring in Jazz Festivals, concerts and television interviews, coincides with the SRI Jazz release of ”The Best of Ray Brown Jr”. The tour was originally only scheduled to be comprised of a few shows but due to the response of his fans there, Ray ...
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Jazz This Week: Ray Brown Tribute, Galactic, Jimmy Webb, Latin and East Indian Rhythms Meet Jazz, and More
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St. Louis Jazz Notes by Dean Minderman
The jazz and creative music calendar this week in St. Louis offers a variety of stylistic approaches, from a tribute to a beloved mainstream bassist to shows mixing jazz with funk, Latin and East Indian sounds, electronica, and more. Fans of bop and swing naturally will gravitate toward the Ray Brown Tribute that begins tonight and continues through Saturday at Jazz at the Bistro. Headed by Brown's protege, bassist Christian McBride, and featuring pianist Benny Green and drummer Gregory Hutchinson, ...
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STLJN Saturday Video Showcase: Paying Tribute to Ray Brown
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St. Louis Jazz Notes by Dean Minderman
This week, let's take a look at some videos previewing the tribute to bassist Ray Brown that will play at Jazz at the Bistro starting next Wednesday, March 16 through Saturday, March 19. The band is led by bassist Christian McBride, who was a protege of Brown's, and includes pianist Benny Green and drummer Greg Hutchinson, who both worked with Brown as up-and-coming musicians during the 1990s. Unfortunately, there don't seem to be ...
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Ray Brown Defined the Modern Jazz Rhythm Section
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All About Jazz
Grammy Award-winning double-bassist Ray Brown was a leader in defining the modern jazz rhythm section -- in addition to being a first-rate soloist.
His unique dynamic and innate sense of swing graced performances by Dizzy Gillespie, Ella Fitzgerald, Duke Ellington, Oscar Peterson and countless others.
Raymond Matthews Brown was born October 13, 1926, in Pittsburgh, PA -- birthplace to many jazz greats. His musical education began with piano lessons, but when he discovered how many pianists there were in his ...
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Ray Brown, Jr. Sets All-Star Charity Tribute
Source:
All About Jazz
Shelly Liebowitz, President of SRI Jazz Records, has announced that Ray Brown, Jr. will headline a special concert during New Orleans’ Jazz and Heritage Festival week, on Saturday, April 25, at historic Generations Hall, a city landmark since 1821. Entitled “Friends and Family Celebrate Ella’s Birthday,” the event will take place on Ella Fitzgerald’s (Brown, Jr.’s mother) 92nd birthday. The show is being presented in association with respected non-profit organization, Active Music. It will raise money for Global Green’s “Rebuild ...
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Wrhu Bob Collins NY "Jazz Cafe" Interviews Ray Brown Jr on His Latest Release, "Friends and Family"
Source:
All About Jazz
Veteran Jazz DJ Bob Collins, host of WRHU Jazz Cafe," recently conducted a warm and engaging interview with Ray Brown Jr. on his latest album, Friends and Family. Collins' insight into this interview explores Brown's early beginnings, his relationship to his mother, Ella Fitzgerald, and his experience in recording the all-star album featuring Jane Monheit, Melba Moore, Terry Gibbs, Dionne Warwick, David Fathead" Newman, Paul Williams, Maria Muldaur, Dr. John, Dr. Lonnie Smith, Freda Payne, Sophie B. Hawkins, David Somerville, ...
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