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Sonny Rollins
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It’s no state secret that Sonny Rollins has never been fond of the recording studio. Never mind that he’s recorded his full share of gems there—not only early, celebrated albums such as Saxophone Colossus and Way Out West, but also digital-era efforts such as Old Flames and This Is What I Do. The man often embraced as the greatest living improviser requires too much creative freedom to start playing, as he puts it, “when the red light comes on.” And his perfectionism makes it difficult, sometimes painfully so, to go through multiple takes in search of what he thinks is the least flawed one.
But in Rollins’s preferred element—on stage, in front of an adoring crowd, free to follow his every impulse and dazzle with his inventions—he is fully at home. And that’s not just because in those situations this iconic tenor saxophonist is unencumbered by time restraints and issues in the control booth. The best thing about performing for him, by far, is seeing how happy his playing makes all the excited people who turn out to see him. The next best thing is making some of those performances—ones “that present parts of me I want to have presented”—available on record to his fans. With the expert help of longtime associate Richard Corsello, his engineer at Fantasy during the 1980s, that’s what Rollins has been doing with his remarkable Road Shows series, an ongoing collection of concert highlights being released on his own Doxy Records label. Road Shows, vol. 1, which came out in 2008, was largely drawn from superfan Carl Smith’s tapes, spanning nearly 30 years. It climaxed with a 2007 performance of “Some Enchanted Evening” by a trio for the ages featuring Roy Haynes and Christian McBride. All of the music on the second volume, released in 2011, was recorded in 2010, including highlights from Rollins’s 80th birthday concert, featuring his first-ever encounter with Ornette Coleman. Road Shows, vol. 3—which is being distributed under the terms of a new agreement by Sony Music Masterworks through its revived jazz imprint, OKeh Records—was recorded between 2001 and 2012 in Saitama, Japan; Toulouse, Marseille, and Marciac, France; and St. Louis, Missouri. It features a familiar core band including pianist Stephen Scott, trombonist Clifton Anderson, and Rollins's bassist of a half-century, Bob Cranshaw, with Bobby Broom and Peter Bernstein alternating on guitar; Kobie Watkins, Perry Wilson, Steve Jordan, or Victor Lewis on drums; and Kimati Dinizulu or Sammy Figueroa on percussion.
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Thelonious Monk: Brilliant Corners
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by Richard J Salvucci
Writing about being lost for words" is not the ideal way of starting a review, but it may be the plain truth. Perhaps Thelonious Monk is an acquired taste. Perhaps not. Whatever the case, this particular release of Brilliant Corners is just that--brilliant.The whole package is superb and really defines Craft Recordings Small Batch" vinyl series. The technical literature accompanying the recording says Each edition is cut from its original analog tapes by Bernie Grundman and pressed on ...
read moreSonny Rollins: Go West! The Contemporary Records Albums
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by Richard J Salvucci
Apparently, the median age of a jazz listener is in his or her mid to late 40s. So, perhaps, the representative listener was born in the mid-1970s. Sonny Rollins first recorded in 1949. The recordings reviewed here were made in the late 1950s, well before many contemporary listeners were born. While there have been ample reissues of Rollins' work, most coincided with the still-active phase of his career. Much of his work has appeared since Skylark" on The Next Album ...
read moreDecades of Worldwide Promotion By the Man in the Room
![Read "Decades of Worldwide Promotion By the Man in the Room" reviewed by Arthur R George](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/c3d67b48d49cfe8063470a8ad7ea10b0.jpg)
by Arthur R George
A Life In Music Wulf Müller 384 Pages ISBN: # 9798353190752 Amazon Direct Publishing2022 Working in Europe and facilitating jazz internationally, Wulf Müller reveals himself in his autobiography A Life in Music (Amazon Direct Publishing, 2022) as a man who for 40 years was in the rooms where it happened. That was true even by long distance phone call, as with Sonny Rollins who held Müller on the line while the saxophonist ...
read moreSaxophone Colossus: The Life And Music Of Sonny Rollins
![Read "Saxophone Colossus: The Life And Music Of Sonny Rollins" reviewed by Aidan Levy](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/c3d67b48d49cfe8063470a8ad7ea10b0.jpg)
by Aidan Levy
The following is an excerpt from Chapter 23 The Bridge" from Aidan Levy's Saxophone Colossus: The Life And Music Of Sonny Rollins (Hachette Books, 2023). On September 7, 1960, Sonny turned thirty. The next day, he recorded his thoughts on the milestone in his journal. Birthday now past but tendencies toward disruption still exist," he wrote. It seems he violated his strict diet and succumbed to the urge for a cigarette. By the very documenting of these ...
read moreSaxophone Colossus: The Life And Music Of Sonny Rollins
![Read "Saxophone Colossus: The Life And Music Of Sonny Rollins" reviewed by Ian Patterson](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/c3d67b48d49cfe8063470a8ad7ea10b0.jpg)
by Ian Patterson
Saxophone Colossus: The Life And Music Of Sonny Rollins Aidan Levy 784 Pages ISBN: 978-0306902796 Hachette Books 2023 A colossal book for a colossal musician. Aidan Levy's biography of Sonny Rollins runs to over 700 pages, not including the no less remarkable notes, available as a separate 416-page download. That the original manuscript was trimmed down from twice the length indicates just how ambitious and comprehensive this portrait is, and how astutely the ...
read moreFeel Good Music Show
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by David Brown
It's New Year's Eve here on the Jazz Continuum. Weather you're getting gussied up to go out, or laying low for the evening, we're here to present an evening of Feel-Good Music to keep you company. Playlist Thelonious Monk Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 00:30 Terry Pollard Scrapple From The Apple" from A Detroit Jazz Legend (Fresh Sound Records) 02:15 Yusef Lateef Eastern Market" from Yusef Lateef's Detroit (Collectables) 07:26 Gunter Baby Sommer ...
read morePianoless Trios: Sonny Rollins to Ballister
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by David Brown
Sonny Rollins is famous for the pianoless trio. He said the lack of chordal instruments gave him more freedom for soloing. Tonight, a smorgasbord of trios sans pianos. Offering lots of space for soloists and collective interplay. Note: Due to a loose board plug, songs two and three play in mono. The issue was resolved during the Ballister track. Adventures in live broadcasting. Playlist Sonny Rollins A Night in Tunisa" from A Night at the Village Vanguard (Manhattan ...
read moreDazzling Live Sides By Sonny Rollins Receive First Authorized Release On Resonance's Record Store Day Offering 'Freedom Weaver: The 1959 European Tour Recordings'
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Source:
Terri Hinte Publicity
Resonance Records, the award-winning home of archival jazz treasures, will proudly present a new, fully authorized live collection by tenor master Sonny Rollins, Freedom Weaver: The 1959 European Tour Recordings, as a limited edition four-LP set on Record Store Day, April 20. Never before issued as a legitimate release, these much-bootlegged sides—which feature Rollins, at the height of his early powers, with bassist Henry Grimes and drummers Pete La Roca, Kenny Clarke, and Joe Harris—will subsequently reach stores as a ...
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Backgrounder: Sonny Rollins Plus 4
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JazzWax by Marc Myers
The sound of the Clifford Brown-Max Roach Quintet on their studio recordings for EmArcy starting in 1954 was unmistakable. Trumpeter Brown's pointed and lyrical blowing combined with Roach's restless drums and the deliberate sound of Harold Land's tenor saxophone poured the foundation for a new daring and elegant form of hard bop. By 1956, tenor saxophonist Sonny Rollins had replaced Land. He did so after turning down Miles Davis's offer to join his quintet (John Coltrane would take the job). ...
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Jazz Musician of the Day: Sonny Rollins
![Jazz Musician of the Day: Sonny Rollins](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/c3d67b48d49cfe8063470a8ad7ea10b0.jpg)
Source:
Michael Ricci
All About Jazz is celebrating Sonny Rollins' birthday today!
It’s no state secret that Sonny Rollins has never been fond of the recording studio. Never mind that he’s recorded his full share of gems there—not only early, celebrated albums such as Saxophone Colossus and Way Out West, but also digital-era efforts such as Old Flames and This Is What I Do. The man often embraced as the greatest living improviser requires too much creative freedom to start playing, as he ...
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Backgrounder: Sonny Rollins Plays for Bird, 1957
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JazzWax by Marc Myers
Sonny Rollins idolized Charlie Parker, as did all saxophonists in the late 1940s. But for Sonny, Parker was more of a mentor, someone to impress and seek his approval. Sonny achieved that in 1953, when he recorded with Parker and Miles Davis for Prestige. At the time, Parker was under contract to Norman Granz's Norgran label, so he recorded on tenor saxophone instead of alto and was listed as Charlie Chan on the session and recording. Parker would die two ...
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Sonny Rollins: Bret Primack and Aidan Levy
![Sonny Rollins: Bret Primack and Aidan Levy](https://s3.amazonaws.com/allaboutjazz/photos/logo/1024pxMarcMyers.jpg)
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JazzWax by Marc Myers
In December, Aidan Levy published Saxophone Colossus: The Life and Music of Sonny Rollins (Hachette), a 784-page biography of the tenor saxophonist. Recently, Bret Primack, who interviewed Sonny on camera at length over the years, interviewed Levy on a range of Sonny-related topics: Here's Bret and Aidan on Coleman Hawkins... Here's Bret and Aidan on Don Byas's influence on Sonny... Here's Bret and Aidan on the relationship between Sonny and Thelonious Monk... And here's the rest of the interview... Bonus: ...
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Jazz Musician of the Day: Sonny Rollins
![Jazz Musician of the Day: Sonny Rollins](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/c3d67b48d49cfe8063470a8ad7ea10b0.jpg)
Source:
Michael Ricci
All About Jazz is celebrating Sonny Rollins' birthday today!
It’s no state secret that Sonny Rollins has never been fond of the recording studio. Never mind that he’s recorded his full share of gems there—not only early, celebrated albums such as Saxophone Colossus and Way Out West, but also digital-era efforts such as Old Flames and This Is What I Do. The man often embraced as the greatest living improviser requires too much creative freedom to start playing, as he ...
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Video: Sonny Rollins in Paris 1965
![Video: Sonny Rollins in Paris 1965](https://s3.amazonaws.com/allaboutjazz/photos/logo/1024pxMarcMyers.jpg)
Source:
JazzWax by Marc Myers
In late 1965, Sonny Rollins was on tour in Europe and Scandinavia. At the Paris Jazz Festival on Thursday, November 4, he was on stage, backed by French bassist Gilbert Rovere and American expatriate drummer Art Taylor. Also appearing at the festival were Ornette Coleman, Bill Evans with Lee Konitz, Art Blakey's New Jazz Men, Dakota Staton, the Teddy Wilson Trio and the Gerry Mulligan All-Stars. A special thanks to Carl Woideck for sending along a link to this terrific ...
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Jazz Musician of the Day: Sonny Rollins
![Jazz Musician of the Day: Sonny Rollins](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/c3d67b48d49cfe8063470a8ad7ea10b0.jpg)
Source:
Michael Ricci
All About Jazz is celebrating Sonny Rollins' birthday today!
It’s no state secret that Sonny Rollins has never been fond of the recording studio. Never mind that he’s recorded his full share of gems there—not only early, celebrated albums such as Saxophone Colossus and Way Out West, but also digital-era efforts such as Old Flames and This Is What I Do. The man often embraced as the greatest living improviser requires too much creative freedom to start playing, as he ...
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Sonny Rollins: In Holland, 1967
![Sonny Rollins: In Holland, 1967](https://s3.amazonaws.com/allaboutjazz/coverart/large/b4884357a7f031740b1314ff8615140c.jpg)
Source:
JazzWax by Marc Myers
In 1967, Sonny Rollins was restless. Everything in the U.S. was changing fast. As an artist, Sonny was changing, too. Just as he had was reaching the apex of his playing prowess, jazz seemed to be sliding as a valued art form at home. To find truth, Sonny toured extensively in Europe, particularly Scandinavia and the Netherlands. There, he found emotionally open fans who understood his history and fully accepted his art and heritage. Back in the U.S., what seemed ...
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Jazz Musician of the Day: Sonny Rollins
![Jazz Musician of the Day: Sonny Rollins](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/c3d67b48d49cfe8063470a8ad7ea10b0.jpg)
Source:
Michael Ricci
All About Jazz is celebrating Sonny Rollins' birthday today!
It’s no state secret that Sonny Rollins has never been fond of the recording studio. Never mind that he’s recorded his full share of gems there—not only early, celebrated albums such as Saxophone Colossus and Way Out West, but also digital-era efforts such as Old Flames and This Is What I Do. The man often embraced as the greatest living improviser requires too much creative freedom to start playing, as he ...
read more