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Steve Kuhn
Over a career of a half-century and counting, Steve Kuhn has earned renown as one of the most lyrical and affecting pianists in jazz, with an unfailingly beautiful touch and a sophisticated sense of swing. “Steve is an original stylist,” points out Dan Morgenstern, director of the Institute of Jazz Studies at Rutgers. “He’s one of the finest pianists out there today.” Jazziz magazine described Kuhn’s distinctive sound: “Few other pianists, regardless of genre, can tease such an evocative range of timbres from their instrument. Kuhn’s lower register is as dark and rich as Belgian chocolate, and his upper register has the light, translucent quality of ice-cold champagne.”
The highlights of Kuhn’s extensive discography include a justly acclaimed series of recordings for the art-house ECM label, his ever-fruitful relationship with founder-producer Manfred Eicher stretching back to the early ‘70s. Kuhn’s latest recording for ECM is Wisteria, released May 1, 2012; the album features the pianist playing his favorite Hamburg Steinway model D alongside two longtime partners: electric bassist Steve Swallow and drummer Joey Baron. Although Kuhn has collaborated with Swallow for more than 50 years and with Baron for more than 20, the three never played as a trio together until the sessions for Wisteria at Avatar Studios in Manhattan. The album’s wistful title number, written by Art Farmer, references the early-‘60s period when Kuhn and Swallow were in the trumpeter’s band together (although it happens to be an early Farmer tune that they never got to play with him). The pianist and bassist know each other’s playing intimately (“he’s the brother I never had,” Kuhn says), and the two share a love for melody – which Wisteria has in abundance. The album includes the lovely Brazilian “Romance” by Dori Caymmi and Carla Bley’s songful “Permanent Wave,” as well as such harder-driving winners as Kuhn’s tune-rich, bop-inflected “A Likely Story.”
As a composer, Kuhn’s songbook is one of quality rather than quantity. He has revisited many pieces repeatedly over the years, revealing their depth anew with each fresh interpretation, like gems held up to different light. Wisteria features several Kuhn compositions encored from his shimmering 2004 orchestral collection Promises Kept, with the new versions of “Promises Kept,” “Adagio,” “Morning Dew” and “Pastorale” still yearning emotively even as they swing with subtle vigor. “I took it as a challenge to reinterpret these songs after Promises Kept, so we put some tempo on them and elaborated things with extra tags and so on,” Kuhn says. “But the music felt like it played itself. There was nothing to prove to each other or anyone else – we just played the music as it felt right to us, with a lot of interplay and affection. What was captured reflects where we are in our lives, really.”
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Steve Kuhn: To and From the Heart
![Read "To and From the Heart" reviewed by Maurizio Zerbo](https://s3.amazonaws.com/allaboutjazz/coverart/large/51d1861a590008556391ed266c6d08b9.jpg)
by Maurizio Zerbo
Insieme a due standard jazz e pop, cinque composizioni originali costituiscono il repertorio proposto da uno dei più autorevoli e versatili esponenti del pianismo jazz contemporaneo. Il trio di Steve Kuhn si impone con questo CD degno di rilievo per il rigore e l'enciclopedismo stilistico dei musicisti, che abbinano magistero tecnica e cuore palpitante. È tutto da assaporare il sobrio e raffinato solismo del leader, che viene magnificamente assecondato dalle sottili dinamiche dei due empatici compagni di viaggio. ...
read moreRock the Casbah of Love
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by Patrick Burnette
Before the boys get to two releases hot off the presses, they spend some time with a Steve Kuhn release recorded soon after he parted ways with Art Farmer and started dating Monica Zetterlund. Then it's on to a fairly out" recording by a veteran reed player and a less world-music-than-it-sounds release from a bass clarinetist with a Coltrane fixation. The episode wraps things up with an in-depth look at Paul Anka's transformation of rock standards into mid-sixties ...
read moreSteve Kuhn Trio: To and From the Heart
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by Peter J. Hoetjes
Now an octogenarian, Steve Kuhn's career has in 2018 spanned nearly sixty years, never having a long lull of time without recording new music. It becomes something of a marvel then that after all this time, the pianist still finds something new to say; he is still able to surprise listeners with songs they don't expect and improvisations they don't anticipate. He continues with the same trio he used on his previous release, At This Time... (Sunnyside, 2016) ...
read moreSteve Kuhn: At This Time…
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by Maurizio Zerbo
L'arte pianistica diSteve Kuhn richiederebbe maggiori attenzioni da critica e pubblico, sia per la maestria tecnica, che per l'originalità e la coerenza progettuale. Lo dimostra la più recente produzione discografica con il suo trio, che torna in sala di registrazione dopo il CD per l'ECM del 2012. Per tradurre in emozioni il proprio ampio bagaglio espressivo, il leader ha chiamato al proprio fianco due fuoriclasse del proprio strumento. Il disco in esame conferma come l'affinità e l'empatia ...
read moreSteve Kuhn: At This Time...
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by Budd Kopman
The wonderful and deeply satisfying At This Time... brings together pianist Steve Kuhn leading a trio comprised of electric bassist Steve Swallow and the ubiquitous (and always smiling drummer) Joey Baron. The immediate impulse for the recording was an extended set by this trio at Birdland, in New York City in 2015. Swallow and Kuhn go back forty years to Kuhn's ECM debut, Trance, with Kuhn knowing Baron for more than twenty years. This trio also recorded Kuhn's ...
read moreSteve Kuhn Trio at Dazzle
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by Geoff Anderson
Steve Kuhn Trio Dazzle Denver, CO April 4, 2016 Against the backdrop of a bombastic presidential election campaign with calls for nuclear proliferation and carpet bombing it's refreshing to hear nuance. The Steve Kuhn Trio understands nuance. And more. But it's the nuance that makes listening to this trio so satisfying. They swing, they play standards, they do all the things a top-flight jazz piano trio should do, but on top of that they display ...
read moreSave the Date - Agosto 2015
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by Luca Canini
Agosto, festival miei non vi conosco. Mentre al di là delle Alpi è tempo di gustosissime abbuffate (Willisau, Saalfelden, Mulhouse, Lisbona: fatevi un giro sui siti dei giganti europei), in Italia impazzano le sagre balneari e gli eventi vacanzieri. Poco da salvare. E francamente fa una certa tristezza leggere i programmi di rassegne che hanno fatto la storia ridotti a un ammasso di brutture senza capo né coda. Stendiamo un pietoso velo e prima di passare ai ...
read moreStunning Originals Featured On Pianist Michika Fukumori's "Piano Images" - Solo Project Produced By Steve Kuhn
![Stunning Originals Featured On Pianist Michika Fukumori's "Piano Images" - Solo Project Produced By Steve Kuhn](https://s3.amazonaws.com/allaboutjazz/coverart/large/c00c94a55d9fca08840ede706d899a04.jpg)
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Mouthpiece Music
Michika Fukumori, a native of Japan, has been living in jny: New York City since 2000. A soulful pianist, she was drawn to the U.S to study jazz and become involved in the New York jazz scene. Piano Images (Summit Records, June 22, 2018) is her third CD release since coming to States. The CD is a solo project, featuring Fukumori on piano playing mostly stunning original compositions as well as several of her favorite jazz standards. Fukumori has played ...
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Enter the "Steve Kuhn - Wisteria" Giveaway at All About Jazz!
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All About Jazz
All About Jazz members are invited to enter the ECM Records Steve Kuhn - Wisteria giveaway contest starting today. We'll select FIVE winners at the conclusion of the contest on August 6th. Click here to enter the contest
(Following Steve Kuhn at AAJ automatically enters you in the contest.)
Good luck! Your Friends at ECM Records About Wisteria Wisdom and wistfulness are intertwined in Wisteria, whose title track, written by Art Farmer, takes us back to the early ...
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Steve Kuhn with Strings - Promises Kept (2004)
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Something Else!
By Mark Saleski I can probably count on the fingers of one hand the number of jazz with strings" records that 'work' for me. This is a somewhat mysterious phenomenon as jazz and improvised music is food to me. As necessary as oxygen. Along those lines, a good string quartet is a thing not only of beauty ... it is beauty. But then you go and mix these things together and, well, they don't wanna mix. Here I'm thinking of ...
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Pianist Steve Kuhn and Saxophonist Daniel Bennett Play Double Bill at the Triad (NYC) on May 27th
![Pianist Steve Kuhn and Saxophonist Daniel Bennett Play Double Bill at the Triad (NYC) on May 27th](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/68ad0815a544aae824c893326804ca01.jpg)
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Daniel Bennett
On Friday, May 27th, New York's acclaimed Triad Theatre (158 West 72nd Street) presents a special jazz concert, featuring a solo performance by pianist Steve Kuhn and a performance by Saxophonist Daniel Bennett and his band. Steve Kuhn will perform selections from his critically acclaimed album, Mostly Coltrane" on the ECM label. The Daniel Bennett Group will perform selections from their newest album, Peace and Stability Among Bears." Advance discounted tickets are available for purchase at brownpapertickets.com. Tickets are available ...
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Steve Kuhn: Non-Fiction (ECM 1124)
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Between Sound and Space - An ECM Records Resource
Steve Kuhn Non-Fiction
Steve Kuhn piano, percussion Steve Slagle soprano and alto saxophones, flute, percussion Harvie Swartz bass Bob Moses drums Recorded April 1978 at Tonstudio Bauer, Ludwigsburg Produced by Manfred Eicher
Steve Kuhn is the all-purpose element: his presence heightens any musical concoction. Like no jazz pianist I know, he is aware of the negative spaces between his notes and shapes those spaces to suit ...
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A Onetime Sideman, Now Front and Center
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Michael Ricci
AFTER 50 years as a darling of the cognoscenti, the pianist Steve Kuhn is expanding his reach among the jazz public. Mr. Kuhn — a sideman for luminaries like John Coltrane and a leader of pioneering trios — is gaining notice for a new CD on the ECM label, “Mostly Coltrane,” and a striking run of performances in Manhattan. Last month, he played for a packed house at Birdland, leading a quartet in support of the CD’s release. This month, ...
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Pianist Steve Kuhn Speaks Out About Japan at AAJ
![Pianist Steve Kuhn Speaks Out About Japan at AAJ](https://s3.amazonaws.com/allaboutjazz/old/images/small/skuhn2007.jpg)
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ECM Records
Steve Kuhn's most recent CD, Mostly Coltrane (ECM, 2009), pays tribute to John Coltrane, having been the first pianist in the legendary saxophonist's quartet. He also has played as a sideman with Kenny Dorham, Art Farmer, Stan Getz and many others. Mostly Kuhn has led his own groups, largely trios with bassists including Buster Williams, Eddie Gomez and David Finck and drummers such as Al Foster and Billy Drummond.
Kuhn has a long association with ECM Records, which also released ...
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ECM Records Releases Pianist Steve Kuhn's "Mostly Coltrane"
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DL Media
Pianist Steve Kuhn Pays Tribute to John Coltrane with Mostly Coltrane ECM Records is proud to announce pianist Steve Kuhn's most recent release, Mostly Coltrane. The album, which was released on July 7, pays tribute to legendary saxophonist John Coltrane and features David Finck on double-bass, Joey Baron on drums, with special guest Joe Lovano on tenor saxophone and tarogato. Kuhn and his collaborators re-channel the energies of the era in an album of astonishing invention and wild beauty, in ...
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Revisiting an Old Boss Named John Coltrane
![Revisiting an Old Boss Named John Coltrane](https://s3.amazonaws.com/allaboutjazz/old/images/small/skuhn2007.jpg)
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Michael Ricci
The pianist Steve Kuhn can play John Coltrane’s music meaningfully without sounding as if he lives by it. That shows self-possession, for a couple of reasons. Coltrane was the most influential jazz musician in the late 1950s and 1960s, when Mr. Kuhn got started. And Mr. Kuhn, now 71, also has something many of his peers don’t: a small but significant association with Coltrane on the bandstand. He played with the first version of Coltrane’s quartet, in the spring of ...
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