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Steve Treseler

Steve Treseler is an award-winning Seattle-based saxophonist, composer, and innovative leader in teaching improvised music. Hailed by Earshot as a “firebrand of the tenor saxophone,” DownBeat calls his music “beautifully crafted...whether free, through-composed, or somewhere in between.” Steve performs and leads improvisation workshops throughout North America and Europe, performing at Birdland, Blue Note Hawaii, and live on NPR’s Jazz Night in America.

Treseler’s bold and collaborative approach to improvised music began to take shape during his early adolescence in Edmonds, WA immersed in the hypnotic rhythm of Seattle’s grunge scene. He started playing clarinet in a public school band program, adding tenor saxophone in middle school. Throughout his high school years, Steve was obsessed with the spontaneity and virtuosity of classic jazz recordings. He began composing original music and performed at festivals up and down the West Coast with a youth trad jazz band. Treseler’s musical voice crystallized during his studies at New England Conservatory in Boston, where he was exposed to group improvisational techniques and the mentorship of jazz legends Jerry Bergonzi, Bob Brookmeyer, and George Garzone.

Today, Treseler is embedded in the jazz and creative music scene in the Pacific Northwest, performing with the Jim Knapp Orchestra, Johnaye Kendrick, Jay Thomas, and as a leader in his own notable groups. Treseler’s projects as a leader include collaborations with the lauded trumpeter Ingrid Jensen: Center Song, which reached #53 on the JazzWeek Radio Charts, and Invisible Sounds: For Kenny Wheeler on Whirlwind Recordings, which was named one of DownBeat's best albums of 2019 and praised by the New York Times as “lyrical and songlike, whether moving at a quick clip or drifting as slowly as cloud cover. . .a standout album.” His sixth album, The Grind with In Motion Quartet, will be released in early 2025.

Embracing eclectic sounds beyond jazz, Treseler collaborates with songwriters Damien Jurado and Lacey Bown, layering woodwind textures to their poignant storytelling. He explores experimental sonic worlds with Scrambler Soundpainting Ensemble, a multidisciplinary artist collective, and Radiant Fields, a solo project for saxophone and electronic effects.

As a teaching artist, Treseler is the founder of Infinite Improvisation, offering community-centered workshops and retreats that draw from improv theater games, conducted improvisation, and the aural tradition of jazz. Seattle JazzED calls his workshops, “revolutionary. . . Steve is an expert at teaching improvisation in a fun, encouraging way.” Steve has led workshops and artist residencies throughout the U.S. and Europe, including at Berklee College of Music, Hawaii’s Pacific Music Institute, Lionel Hampton Jazz Festival, and in the Austrian Alps with Più Piano. Steve is the author of two instructional books, the #1 Amazon Bestseller Creativity Triggers for Musicians (2017) and The Living Jazz Tradition: A Creative Guide to Improvisation and Harmony (CMA Press, 2014), used in music schools worldwide.

Treseler graduated from New England Conservatory with a distinction in performance and was named “Outstanding Jazz Soloist” in the DownBeat Student Music Awards. He holds a Master of Music in Jazz Studies and Improvised Music from the University of Washington where he was a teaching assistant for groundbreaking trumpeter Cuong Vu.

Treseler is a Conn Selmer performing artist.

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38
Album Review

Pony Boy All-Star Big Band: This Is Now

Read "This Is Now" reviewed by Jack Bowers


This Is Now is a venturous and engaging concert date by the Pony Boy All-Star Big Band, taped in May 2024 at Boxley's jazz club in North Bend, Washington. Pony Boy refers to the band's label, Pony Boy Records, while the term All-Star is, as always, in the eye (and ear) of the beholder. Clearly, there are some stars in this firmament, not least of which is drummer and music director Greg Williamson. Trumpeter Jay Thomas has long been a ...

25
Album Review

Jim Knapp Orchestra: It's Not Business, It's Personal

Read "It's Not Business, It's Personal" reviewed by Jack Bowers


The Jim Knapp Orchestra's CD It's Not Business, It's Personal, recorded in February 2009, was set to be released on November 19, 2021—six days after Knapp died at age eighty-two in Kirkland, Washington. Apart from his role as bandleader, Knapp was a trumpeter, composer, arranger and longtime faculty member at Cornish College of the Arts in Seattle. Described by Grammy-winning composer/pianist Jim McNeely as “a brilliant musician, great teacher and a humble, sweet [and] generous man," Knapp was widely recognized ...

20
Album Review

Phil Parisot: Inventions

Read "Inventions" reviewed by Jack Bowers


Even at a time when jazz has broadened its horizons to encompass music from a wide variety of sources, it is not often that one happens upon a jazz album inspired by the life and music of Johann Sebastian Bach. However, that is the premise animating drummer Phil Parisot's sunlit Inventions, an astute post-bop session wherein Bach's muse may be present but whose point of view, exemplified by Parisot's stylish compositions, is decidedly contemporary. The truth is, if ...

4
Album Review

Ryan Burns: Postponed Parade

Read "Postponed Parade" reviewed by Dan McClenaghan


Keyboardist Ryan Burns' Postponed Parade happened, in large part, because of the Covid-19 pandemic. The vexing virus that hit us in 2020 made getting together difficult and dangerous--for music-making or anything else. So here is what Burns did: During Covid-19 times he recorded and released a single tune each month, from May to October 2020. These sessions took place in his contributing musicians' houses, with the exception of “Shoreline," recorded in a studio, but with everyone in a separate room. ...

2
Album Review

Steve Treseler Group: Center Song

Read "Center Song" reviewed by Vincenzo Roggero


Sono due direzioni molto diverse tra loro a contrassegnare (in base alle intenzioni espresse dall'autore nelle note di copertina) Center Song, secondo album a proprio nome del sassofonista e clarinettista Steve Treseler. Da una parte la scena alternative rock e grunge di Seattle--città nella quale il leader di questo gruppo è cresciuto--omaggiata con il brano dei Sunny Day Real Estate “Days Were Golden," dall'altra la frequentazione del New England Conservatory con infatuazione per la musica di Lennie Tristano, Warne Marsh ...

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2
Recording

Saxophonist Steve Treseler Releases Center Song Featuring Ingrid Jensen

Saxophonist Steve Treseler Releases Center Song Featuring Ingrid Jensen

Source: Fully Altered Media

Saxophonist Steve Treseler's new release, Center Song, is a portrait of the Pacific Northwest cultural scene. Joined by B.C.-born, New York-based trumpeter Ingrid Jensen, Center Song reunites the rhythm section of Treseler's 2008 album, Resonance — pianist Dawn Clement, guitarist Chris Spencer, bassists Jon Hamar (on double bass) and Dean Schmidt (electric) and drummer Steve Korn — with guests Dan Kramlich on piano and cellist Meg Risso. Treseler grew up in the midst of Seattle's grunge and alternative rock scene ...

"A firebrand of the tenor saxophone"
– Earshot Jazz

"A diverse set of beautifully crafted ensemble pieces—whether free, through-composed or somewhere in between ★★★★”
– DownBeat

"Lyrical and songlike, whether moving at a quick clip or drifting as slowly as cloud cover."
– New York Times

 

 

Jerry Bergonzi
saxophone, tenor
John Coltrane
saxophone
Rich Perry
saxophone, tenor
Kenny Wheeler
flugelhorn
Lester Young
saxophone

Photos

Music

Recordings: As Leader | As Sideperson

The Grind

SpooM Music
2025

buy

This Is Now

Pony Boy Records
2024

buy

Inventions

OA2 Records
2021

buy

It's Not Business,...

Origin Records
2021

buy

Postponed Parade

Odd Bird Records
2020

buy

Center Song

Self Produced
2014

buy

Forward Motion a.k.a. The Grind

From: The Grind
By Steve Treseler

Gray Skies

From: It's Not Business, It's Personal
By Steve Treseler

From the Ancestors

From: Inventions
By Steve Treseler

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