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About Benny Golson
Instrument: Saxophone, tenor
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Benny Golson
Born:
Multitalented and internationally famous jazz legend, - a composer, arranger, lyricist, producer - and tenor saxophonist of world note, Benny Golson was born in Philadelphia, PA on January 25, 1929. Raised with an impeccable musical pedigree, Golson has played in the bands of world famous Benny Goodman, Dizzy Gillespie, Lionel Hampton, Earl Bostic and Art Blakey. Few jazz musicians can claim to be true innovators and even fewer can boast of a performing and recording career that literally redefines the term "jazz". Benny Golson has made major contributions to the world of jazz with such jazz standards as: Killer Joe, I Remember Clifford, Along Came Betty, Stablemates, Whisper Not, Blues March, Five Spot After Dark, Are you Real? Benny Golson is the only living jazz artist to have written 8 standards for jazz repertoire
Joel Frahm Trio At Scott's Jazz Club
by Ian Patterson
Joel Frahm Trio Scott's Jazz Club jny:Belfast, N. Ireland April 12, 2024 Another sold-out gig. It is not an uncommon occurrence at Scott's Jazz Club. Yet this was no ordinary occasion for Ballyhackamore's award-winning venue. For starters, the Joel Frahm Trio was in the house. Scott's Jazz Club has attracted ...
James Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction
by Dave Kaufman
The contemporary jazz world is currently witnessing an artistic renaissance, characterized by an upsurge in creativity and innovation. This movement is fueled in part by rising stars such as Joel Ross, Immanuel Wilkins, and Isaiah Collier, as well as seasoned veterans like Charles Lloyd, David Murray, William Parker, Joe Lovano, and Bill Frisell, whose creative passion ...
Charles Chen: Charles, Play!
by Jack Bowers
Pianist Charles Chen makes his recorded debut and confidently answers the command on Charles, Play!, a splendid quartet date on which he is ably supported by veteran tenor saxophonist Ralph Moore and the peerless rhythmic tandem of bassist Peter Washington and drummer Kenny Washington. Chen wrote four of the album's nine engaging numbers ...
Sahib Shihab and the Danish Radio Jazz Group
by Joshua Weiner
Many jazz fans will know saxophonist and flautist Sahib Shihab primarily for his stint in the 1940s with Thelonious Monk, and his playing captured on Monk's Genius of Modern Music Blue Note sets. Keen-eyed perusers of liner notes, however, will know him as an able sideman on classic albums by John Coltrane, Quincy Jones, Art Blakey, ...
Paul Kendall: Whisper Not
by Jack Bowers
An organ trio led not by the organist, Dan Kostelnik, but by tenor saxophonist Paul Kendall. Makes no difference, as the music on Whisper Not is delightful, and Kostelnik and Kendall sound like they've been playing together for years instead of for the first time on this impressive studio date, recorded in March 2023.
Chris Keefe: Opening
by Geannine Reid
Chris Keefe may be new to the jazz recording scene as a leader, but his debut album, aptly titled Opening (Zugzwangbebop Records, 2023), reflects his lifetime commitment to the intricate art of jazz. With an academic background from the New England Conservatory and Manhattan School of Music and performance credits alongside Joe LaBarbera and Antonio Sanchez, ...
Joe Farnsworth: Straight From The Soul
by Steven Roby
One of the most highly regarded jazz drummers today, Joe Farnsworth, is known for his blazing speed, precision, and musical and melodic playing. Born in South Hadley, Massachusetts, in 1968, Joe grew up in a musical family; his father was a music educator, and he has four older brothers, two of whom became professional ...
Howard University Jazz Ensemble 2023: Nefertiti
by Jack Bowers
The Howard University Jazz Ensemble was formed almost half a century ago, in 1975, by Fred Irby III, its first--and, so far, only--music director. Every year since 1976, the ensemble has recorded and released an album to showcase its prowess and growth under Irby's baton. This year's entry, Nefertiti, is a tribute to ...
Joe Magnarelli: Hoop Dreams
by C. Andrew Hovan
As Duke Ellington would often remind us, music comes in two varieties, that which is good and that which is bad. This suggests that genre and category are really of little concern and that overall quality is really the defining factor in considering the validity of any musical expression. Taking this axiom one step further, let ...
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