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Billy Strayhorn
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If you are familiar with the jazz composition, "Take the A Train," then you know something about not only Duke Ellington, but also Billy "Sweet Pea" Strayhorn, its composer. Strayhorn joined Ellington's band in 1939, at the age of twenty-two. Ellington liked what he saw in Billy and took this shy, talented pianist under his wings. Neither one was sure what Strayhorn's function in the band would be, but their musical talents had attracted each other. By the end of the year Strayhorn had become essential to the Duke Ellington Band; arranging, composing, sitting-in at the piano
String Planes
by Dan McClenaghan
Collin Sherman takes the 'A' train to his day job in Manhattan. Billy Strayhorn, the writer of the tune Take the 'A' Train" that was made famous by the Duke Ellington Orchestra, must be smiling. Do the seeds of Sherman's compositions germinate during these forty-five-minute rides? Possibly, though his music has no resemblance to Ellington's or ...
Mercer Hassy Orchestra: Duke's Place
by Jack Bowers
If much of the music on Duke's Place seems only vaguely familiar, that is probably because composer-arranger Mercer Hassy has taken more than a dozen songs written and/or made popular by Duke Ellington and his orchestra and turned them, for better or worse, inside out and upside down, playing with melody, harmony and rhythm but always ...
Fred Hersch: Silent, Listening
by Mike Jurkovic
Like many of Fred Hersch's haunted, focused recordings--2017's Grammy nominated Open Book(Palmetto Records), Solo (Palmetto Records, 2015) or In Amsterdam: Live at the Bimhuis (Palmetto Records, 2006)--the short story of Silent, Listening, Hirsch's first solo foray for ECM, is this: Stay for the rich, orchestral novel and the full reward is yours. On his ...
Dave Douglas: Gifts
by Glenn Astarita
Dave Douglas' Gifts emerges not merely as a collection of tracks but as an opulent gala in honor of the eternal essence of music, welcoming audiences across the spectrum of generations to partake in its celebration. This project is akin to a masterfully blended concoction of shared human emotions and experiences, articulated through the universal dialect ...
Ian Shaw & Tony Kofi: An Adventurous Dream (At PizzaExpress Live In London)
by Chris May
The trouble with live albums recorded in venues that are, essentially, eateries, is that the musicians may have to go large to grab the audience's attention, sometimes too large for the material which they are performing. This is abundantly the case with An Adventurous Dream (At PizzaExpress Live In London): The Music Of Billy Strayhorn And ...
Roberto Magris: Love Is Passing Thru
by Jack Bowers
Love Is Passing Thru, by Italian pianist Roberto Magris and his quartet, was actually recorded almost two decades ago, in January and February 2005, shortly after a concert tour in the Far East, and was to be released on the Black Saint/Soul Note label before it was sold and went under. Fast forward to 2024, and ...
James Emery: Inside Outlier
by Glenn Astarita
Emerging in the 1970s, renowned guitarist James Emery quickly became a name to drop in the jazz scene, synonymous with that 'new jazz smell' of innovation. A founding member of the String Trio of New York, his career has been an outstanding potluck of collaborations, bringing to the table dishes seasoned with the genius of Anthony ...
Artemis at Finney Chapel
by C. Andrew Hovan
Artemis Finney Chapel Artist Recital Series Oberlin, OH March 13, 2024 Much like society in general, women in the jazz arena have historically had a hard road to travel in a space that is clearly dominated by males. In recent years, the pendulum has thankfully shifted towards acknowledging the talents ...
Charles Lloyd: Defiant Warrior Still On Song
by Chris May
As fool's errands go, few compare with selecting a Top Ten Albums collection from Charles Lloyd's extensive top-drawer output. But here goes. Lloyd newbies could consider the list a launch pad, and seasoned fans can compare the choices with their own... Anyone going to jazz festivals in summer 1966, and lucky enough to ...