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KALI Trio: The Playful Abstract
by David Bruggink
Nik Bärtsch's Ronin Rhythm Records has become a go-to label for hypnotic groove enthusiasts. Established in 2006, its artists share a focus on uncommon time signatures and post-minimalist composition but interpret them in strikingly different ways. For example, Blaer leans towards the more restrained, stately and steady, building to powerful catharsis, similar to the Colin Vallon Trio; ...
Sigurd Hole ensemble: Extinction Sounds
by David Bruggink
Sigurd Hole has proven himself a composer to watch with a string of releases blurring the lines between chamber jazz, modern classical composition and experimentation, often feeling more like organic transmissions than conventional songs. His solo double album Lys / Mørke (Self Produced, 2020) was recorded on the isolated Norwegian island of Fleinvær, and brings the intonations ...
Rhythms Meet Algorithms: Sparks Fly When Jazz Musician Oded Tzur Partners With Engineer Vansh Makh
by David Bruggink
Jazz and mobile apps may not be typically mentioned in the same breath, but saxophonist Oded Tzur, celebrated by All About Jazz for a string of albums merging jazz with Indian classical music, is changing that perception. Vansh Makh, a Bay area-based engineer, joined forces with Tzur to create Timeseer, described as “the first and only ...
Mette Henriette: Drifting
by David Bruggink
With her self-titled double album debut in 2015, Norwegian saxophonist Mette Henriette arrived on ECM Records, and the international jazz scene, with an impressively assured artistic statement. On it she introduced her versatile technical skills, running the gamut from untamed skronk to near-silent breathing, all presented with her wintry perspective--a perfect fit for the chilly atmospheres that ...
Jon Balke: Siwan: Hafla
by David Bruggink
A large appeal of ECM Records has always been its encouragement of cross-cultural collaboration. Across countries and genres, listeners and critics alike have reveled in records from Codona (1979) to Le Pas du Chat Noir (2001), Chants, Hymns and Dances (2004) and Arco Iris (2011). There is joy in seeing musicians from diverse backgrounds come together to have their compositions treated with ...
Oded Tzur: Isabela
by David Bruggink
Saxophonist Oded Tzur burst onto the jazz scene in 2012 with a remarkable approach to his instrument that drew upon his studies with Hariprasad Chaurasia, a master of Hindustani Classical music. Joining pianist Shai Maestro, bassist Petros Klampanis, and drummer Ziv Ravitz, he formed a New York-based quartet that began performing locally and ultimately released a ...
Tord Gustavsen Trio: Opening
by David Bruggink
After 2018's stellar The Other Side, Tord Gustavsen again graces listeners with a trio format. On this outing, ecologically-minded double bassist Sigurd Hole is replaced by ECM newcomer Steinar Raknes. A prolific recording artist with everything from dusky alt-country and americana to post-bop and free jazz to his name, Raknes introduces new flavors to the trio's palette. Gustavsen, ...
Sigurd Hole: Roraima
by David Bruggink
Norwegian upright bassist Sigurd Hole has stood out in the recent past as both a contributor (with his elegant performance on Tord Gustavsen's 2018 ECM album, The Other Side) and bandleader (through his 2018 Elvesang album Encounters). His solo explorations are equally noteworthy, as on the wide-ranging double album Lys / Mørke (Elvesang, 2020). Recorded on ...
Triosence: Hidden Beauty
by David Bruggink
Triosence may not yet be a household name among jazz aficionados in the United States, but since the turn of the millennium, they have become a fixture of the German jazz scene. In addition to performing internationally, they take a distinctly cosmopolitan approach to their sound. Past albums have shown the trio intermingling aromas of Asia, ...
Nils Okland Band: Kjølvatn
by David Bruggink
A seasoned solo performer, sideman and leader, Nils Økland is a frequent ECM Records contributor capable of playing expressively across multiple styles. His hardanger fiddle and violin can range from poised and elegant—see Lysøen -Hommage à Ole Bull (2011), his collaboration with pianist Sigbjørn Apeland—to raucous, as on the Dirty Three-esque Lumen Drones (2014).
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