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Frank Wright
Born:
Reverand Frank Wirght is one of the most underrated musical geniuses of the 20th century. He was born on July 9th 1935 in Grenada Mississippi but grew up in Cleveland. As a young man he was an electrical bassist in R and B bands in both Memphis and Cleveland. He switched to tenor sax and embraced the free jazz movement after meeting Albert Ayler and being greatly influenced by him. In the mid 60s he moved to New York City and played with some of the big names in the Avant Garde movement including, briefly, John Coltrane. His first sessions as a leader were recorded for the small ESP label. Not finding an appreciative audience for his music he moved to Europe in 1969 and except for a brief return to New York in the 1970s he spent the rest of his life in Europe
James Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction
by Dave Kaufman
The contemporary jazz world is currently witnessing an artistic renaissance, characterized by an upsurge in creativity and innovation. This movement is fueled in part by rising stars such as Joel Ross, Immanuel Wilkins, and Isaiah Collier, as well as seasoned veterans like Charles Lloyd, David Murray, William Parker, Joe Lovano, and Bill Frisell, whose creative passion ...
Damon Smith, Peter Kowald, Joëlle Léandre & Bertram Turetzky: Bass Duos 2000-2007
by Jeff Schwartz
One function of recordings is to document a performer's development. Damon Smith's Bass Duos 2000-2007 not only captures his artistic and technical evolution, his choice of duet partners represents the expanded options for the bass in creative music since the 1960s. Two of the three discs in this set were previously released, but ...
La Cave Live-Cleveland 1966-Revisited
By Albert Ayler
Label: Ezz-thetics
Released: 2022
Track listing: CD1: Spirits Rejoice; Prophet/Ghosts/Spiritual Bells; Our Prayer/Spirits Rejoice; Untitled Truth Is Marching In; Spirits; Zion Hill. CD2: Spirits; Spiritual Bells; Untitled (F# tune); Spirits Rejoice; D.C.; Untitled (minor waltz); Our Prayer; Untitled (F# tune); Ghosts.
Albert Ayler: La Cave Live-Cleveland 1966-Revisited
by Chris May
Cleveland club La Cave, a grungy cellar which could accommodate around two hundred people, opened as a folk venue in 1962, transitioned into rock mid-decade, and closed in 1969. Along the way, in amongst such counterculture flagbearers as the Velvet Underground and The Fugs, La Cave booked a few of the bad boys of so-called “new ...
A Tribute to Bobby Few
by Bob Osborne
A tribute to pianist, composer and improviser Bobby Few, who died in January 2021 aged 85. Whilst not well known outside of the jazz world he has a CV which many would envy working with some of the leading names in the business. There is music featured from across his career and impressive discography.
James Blood Ulmer: Baby Talk
by Mark Corroto
It was a predestined meeting. This collaboration between the legendary guitarist James Blood Ulmer and the band The Thing. Ulmer, who cut his teeth with the soul jazz organists Hank Marr, Larry Young and Big John Patton before collaborating with Ornette Coleman's electric free jazz/funk harmolodic music, expanded upon Coleman's ideas, incorporating rock music with players ...
Steve Swell: Appreciating the Avant Garde Today
by Victor L. Schermer
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the third of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, ...
Charles "Bobo" Shaw 1947-2017
Charles Wesley “Bobo" Shaw, a St. Louis drummer who helped found the Black Artists Group, co-led the Human Arts Ensemble, and played with many prominent jazz and creative musicians of the past half-century, has died at a nursing care facility in St. Louis. He was 69 years old. St. Louis trumpeter, arts administrator and impresario George ...
Three New Releases from Peter Kuhn
by Dave Wayne
Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste and—if you include the bass clarinet—Michel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...
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