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Brilliant Corners 2025: Days 5-8
by Ian Patterson
Brilliant Corners 2025 Black Box/Various Venues jny:Belfast, N. IrelandFebruary 28-March 8, 2025 If the first four days of Brilliant Corners 2025 leaned towards long-form contemporary composition and free improvisation, the music of the last four days had a more spiritual tone, and a more heavily African-accented character. Many would say that ...
Brilliant Corners 2025: Days 1-4
by Ian Patterson
Brilliant Corners 2025 Black Box/Various Venues jny:Belfast, N. IrelandFebruary 28-March 8, 2025 Thirteen is young for most things, smartphones, cars and your average household pet aside. Thirteen is young for jazz festivals too, but as jazz festivals go, Brilliant Corners qualifies as a precocious youth. Its programming, whilst musically inclusive and ...
Kinan Azmeh: Berlin and Beyond
by Katchie Cartwright
Syrian-born jny: New York-based clarinetist and composer Kinan Azmeh and his CityBand released Live in Berlin on March 1, 2025 (recorded in 2021), dedicating the project to the people of Syria with this statement: “It moves me profoundly to be sharing this album with the world as my Syrian people are able to sing again after ...
Ariane Racicot: Danser avec le feu
by Dan McClenaghan
The piano trio is a tried and true jazz format. Art Tatum, Erroll Garner, Red Garland and Ahmad Jamal made their marks there. Also Bill Evans, Marc Copland and Brad Mehldau, and so many others. And let us not forget Fred Hersch and a hundred or so more. Some artists, feeling constrained by the ...
Joe Robson: Home
by Neil Duggan
Many artists draw inspiration from their homeland's folk traditions, which are often reflected in their compositions and playing style. This fusion is particularly evident in Scottish jazz, where prominent performers like Fergus McCreadie, Norman Willmore and Stephen Henderson incorporate strong folk elements. Guitarist Joe Robson advances this blend in his ambitious project Home, achieving a complete ...
Felipe Senna & Câmaranóva: Overture
by Katchie Cartwright
Felipe Senna's expansive oeuvre defies genre, encompassing popular, classical, jazz, folkloric, abstract and narrative elements. Music, as he put it, “needs no excuses to thrill and move us...that's why I believe genre and style are not an end--they're just tools with which we take music to wherever we want it to go." Overture is ...
Natsuki Tamura / Satoko Fujii / Ramon Lopez: Yama Kawa Umi
by Dan McClenaghan
In a nearly thirty-year career, Satoko Fujii (pianist, bandleader, composer, provocateur, sonic experimenter in the first degree) has shown herself to be one of the most daring and uncompromising artists in music. In a way, she is like Thelonious Monk in that--upon an initial experience with Monk's music (and Fujii's)--the uninitiated may not know quite what ...
Renee Rosnes: Crossing Paths
by Katchie Cartwright
In the course of a career that began in the 1980s and continues to flourish, Renee Rosnes has developed an extraordinary sound, both as a composer and as a pianist, one that is readily recognizable whatever the context. With Crossing Paths, she taps into longstanding affinities and affection for Brazilian music, illuminating elements and flavors that ...
Bill Evans: In Norway
by Dan McClenaghan
Pianist Bill Evans' career lasted from the late 1950s until his passing in 1980, but beginning around about 20 years into the 21st century CD releases under Evan's name have been rolling along at a brisk clip, thanks to the Resonance, Elemental and Ess- thetics Record labels. Zev Feldman, often called “The Jazz Detective," has played ...
Collin Sherman: Noir
by Dan McClenaghan
Making music is most often a collaborative affair. Big bands, duos, trios, quartets and quintets--take your pick. Miles Davis (or any other of your favorites) calls his guys into the studio or to the stage where they bump elbows and trade riffs, drawing their individual personalities out to form a collection of sound waves to craft ...
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