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Musician

Jimmy Lyons

Born:

Imagine what Sonny Stitt might have sounded like had he embraced free jazz after mastering bebop, and one can probably conjure a pretty good mental impression of Jimmy Lyons. Like Stitt, Lyons was enamoured of Charlie Parker's style, particularly in terms of phrasing. Lyons' slippery, bop-derived rhythms and melodic contours lent his improvisations a Charlie "Bird" Parker-like cast, even as his performance contexts were more harmonically free. Lyons made his reputation playing with pianist Cecil Taylor, with whom he became inextricably linked. He was a near-constant presence in Taylor's bands from 1960 until the saxophonist's death in 1986

Album

Live At Fat Tuesday's February 9,1980 First Visit

Label: Ezz-thetics
Released: 2024
Track listing: February 9, 1980 I; February 9, 1980 II; February 9, 1980 III.

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Article: Jazz Raconteurs

James Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction

Read "James Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction" reviewed by Dave Kaufman


The contemporary jazz world is currently witnessing an artistic renaissance, characterized by an upsurge in creativity and innovation. This movement is fueled in part by rising stars such as Joel Ross, Immanuel Wilkins, and Isaiah Collier, as well as seasoned veterans like Charles Lloyd, David Murray, William Parker, Joe Lovano, and Bill Frisell, whose creative passion ...

Album

More Lost Performances Revisited

Label: Ezz-thetics
Released: 2023
Track listing: Our Prayer; Japan (Traditional) Universal Indians; Truth Is Marching In / Omega; Love Cry / Truth Is Marching In / Our Prayer; Four.

11

Article: Album Review

Albert Ayler: More Lost Performances Revisited

Read "More Lost Performances Revisited" reviewed by Chris May


A state-of-the-art sonic restoration of obscure but historically important Albert Ayler material by Switzerland's ezz-thetics label, which with its parent label, Hat Hut, has been creating an audiophile archive of Ayler recordings with the support of his estate since 1978. All too often, “more" in an album title means “Beware: barrel scraping in ...

1

Article: Album Review

Andrew Cyrille: Music Delivery / Percussion

Read "Music Delivery / Percussion" reviewed by Mark Corroto


If Andrew Cyrille were a painter, he'd be Georges Seurat. If he were a poet, E. E. Cummings; a Tour de France Champion, Jacque Anqutiel; or a writer, Ian McEwan. The above masters are mentioned because Cyrille shares a command of colors, efficiency, grace, and language with his instrument equal to doyens in other disciplines. His ...

4

Article: Album Review

Patrick Brennan: Tilting Curvaceous

Read "Tilting Curvaceous" reviewed by John Sharpe


In spite of being active on the NYC scene since the mid-'70s, alto saxophonist and composer patrick brennan (he prefers his name spelled entirely in lowercase letters) has a relatively sparse discography, to which tilting curvaceous constitutes a splendid addition. It constitutes the seventh release by his S0nic 0penings band since Introducing S0UP (Deep Dish, 1981), ...

Album

The Complete, Legendary, Live Return Concert

Label: Oblivion Records
Released: 2022
Track listing: Autumn/Parade; Spring of Two Blue J's.

Album

With (Exit) To Student Studies Revisited

Label: Ezz-thetics
Released: 2022
Track listing: With (Exit); Student Studies 1; Student Studies 2; Amplitude; Niggle Feuigle.

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Article: Year in Review

Troy Dostert's Best Releases of 2022

Read "Troy Dostert's Best Releases of 2022" reviewed by Troy Dostert


Did 2022 represent a return to “normal" in the jazz world? Perhaps, although it might be more valuable to keep our eyes focused on the shifting trajectories and stylistic heterodoxies that make this music as unpredictable and surprising as ever. Releases from Steve Lehman and Eve Risser were especially noteworthy, involving pan-continental strivings that are always ...


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