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McCoy Tyner

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It is not an overstatement to say that modern jazz has been shaped by the music of McCoy Tyner. His blues-based piano style, replete with sophisticated chords and an explosively percussive left hand has transcended conventional styles to become one of the most identifiable sounds in improvised music. His harmonic contributions and dramatic rhythmic devices form the vocabulary of a majority of jazz pianists. Born in 1938 in Philadelphia, he became a part of the fertile jazz and R&B scene of the early ‘50s. His parents imbued him with a love for music from an early age. His mother encouraged him to explore his musical interests through formal training. At 17 he began a career-changing relationship with Miles Davis’ sideman saxophonist John Coltrane

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Article: Album Review

Antonio Flinta: Anger, Commitment and Love

Read "Anger, Commitment and Love" reviewed by Dan McClenaghan


Chilean-born pianist Antonio Flinta, based now in Italy, catches the ear with his solo piano presentations. His alone-at-the-keyboard albums include Secret Of A Kiri Tree (2022) and 2023's marvelous Peripheral Songs's--both self-produced discs that make a great argument for self-production; they can sit on a serious listening shelf with Keith Jarrett, Kenny Werner or Marc Copland. ...

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Article: Interview

Albert "Tootie" Heath: Class Personified

Read "Albert "Tootie" Heath: Class Personified" reviewed by R.J. DeLuke


This article was first published on All About Jazz on March 9, 2015. Albert “Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...

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Article: Radio & Podcasts

Jose James Makes Music For 'Party And Politics'

Read "Jose James Makes Music For 'Party And Politics'" reviewed by Leo Sidran


Singer Jose James has been a consistent and insistent musical presence ever since he released his first album, The Dreamer in 2008 on British dj Gilles Peterson's newly formed Brownswood Recordings label. Since then he's made a dozen albums, recorded for iconic record labels like Impulse! and Blue Note, and eventually formed his own label Rainbow ...

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Article: Album Review

Blewitt: Exploring New Boundaries

Read "Exploring New Boundaries" reviewed by Neil Duggan


Formed with the intent of making a synthesis between classical music and jazz, Blewitt are an Italian trio, with Exploring New Boundaries being their debut album. That combination may have been their original intent, but along the way, they have added rock, avant-garde rhythms, jazz standards and strands of Mediterranean folk music to make an intriguing ...

Article: Live Review

MetJazz 2024

Read "MetJazz 2024" reviewed by Neri Pollastri


MetJazz 2024 Prato Teatro Metastasio, Teatro Fabbricone, Scuola di Musica Verdi 26.2--25.3.2024 Ventinovesima edizione del festival MetJazz, che anche quest'anno, sotto la direzione artistica di Stefano Zenni, per un mese ha disseminato di eventi la città di Prato, con gli spettacoli principali --tutti in doppio concerto--collocati come sempre il lunedì e ...

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Article: Album Review

Ahmad Jamal: Live in Paris (1971)

Read "Live in Paris (1971)" reviewed by Joshua Weiner


The pianist Ahmad Jamal, who passed away in 2023 at the age of 92, needs no introduction. Suffice it to say that this NEA Jazz Master and Lifetime Grammy Award recipient was one of the most popular pianists, small group leaders and hit recording artists of his time. One might be forgiven for thinking everything was ...

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Article: Interview

A Conversation with Brad Mehldau

Read "A Conversation with Brad Mehldau" reviewed by AAJ Staff


This article was first published at All About Jazz in 2002. All About Jazz: Do you recall your first jazz record? Brad Mehldau: I think the first real jazz record I listened to was an Oscar Peterson and Joe Pass duo album, one of those Pablo things. A friend of my father's ...

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Article: Album Review

John Esposito: Blues For Outlaw Hearts

Read "Blues For Outlaw Hearts" reviewed by Dan McClenaghan


Pianist John Esposito, the head honcho at Sunjump Records, has made part of his life's mission to feature underappreciated musicians. Guitarist Sangeeta Michael Berardi, who passed in 2024, was one of them. Berardi owed a big debt to saxophonist John Coltrane. This can be heard--leaving no doubt--on his Sunjump outing Earthship, released in 2008. In the ...

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Article: Album Review

David Liebman, Jeff Williams: In Duo

Read "In Duo" reviewed by Neil Duggan


There is a wonderful hidden treasure trove of jazz recordings which keep being unearthed from old radio broadcasts, forgotten corners of attics or, in this case, boxes of old cassette tapes. Drummer Jeff Williams was delving through some old cassettes made during his extensive career. He found a recording from an improvisational session he made in ...


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