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Musician

Nat Adderley

Born:

Nat Adderley may have spent a significant part of his career in the shadow of his better known older brother, the alto saxophonist Julian 'Cannonball' Adderley, but he was always a major contributor to their shared projects, and achieved a great deal in his own right after his brother's death in 1975. He was born Nathaniel Adderley, and took up trumpet as a teenager in 1946. He began playing in local bands in Florida, and made what became a career long switch to the smaller cornet in 1950. He did so against the prevailing tide. Cornet had been the horn of choice for New Orleans trumpet players in the early days of jazz, but had fallen out of fashion in favour of trumpet by the bop era

Album

Poppin In Paris: Live At L'Olympia 1972

Label: Elemental Music
Released: 2024
Track listing: Black Messiah; Autumn Leaves; Soli Tomba; Walk Tall (Baby, That's What I Need); Doctor Honoris Causa; Hummin'; Directions; Mercy, Mercy, Mercy; The Scene.

Album

Live in Montreal May 1975

Label: Liberation Hall
Released: 2024
Track listing: Five Of A Kind; First Trip; Mercy, Mercy, Mercy; The Scene; Cannonball Intro to Waban; Waban; Cannonball Intro To Country Preacher; Country Preacher.

Album

Burnin’ in Bordeaux: Live in France 1969

Label: Elemental Music
Released: 2024
Track listing: The Scavenger; Manhã De Carnaval; Work Song; Somewhere; Why Am I Treated So Bad; Experience In E; Blue ‘n’ Boogie; Come Sunday; Walk Tall (Baby, That's What I Need); Mercy, Mercy, Mercy; The Scene; Oh Babe.

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Article: Album Review

Cannonball Adderley: Poppin In Paris: Live At L'Olympia 1972

Read "Poppin In Paris: Live At L'Olympia 1972" reviewed by Mike Jurkovic


In his most natural setting--onstage alongside brother Nat Adderley--and accompanied by pianist George Duke, bassist Walter Booker and the trusty Roy McCurdy on drums, Cannonball Adderley pops and bops to all heart's content on Poppin' In Paris: Live at the Olympia 1972 . Appearing as part of the Paris Jazz Festival, the band holds ...

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Article: Interview

Albert "Tootie" Heath: Class Personified

Read "Albert "Tootie" Heath: Class Personified" reviewed by R.J. DeLuke


This article was first published on All About Jazz on March 9, 2015. Albert “Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...

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Article: Journey into Jazz

Record Store Day 2024 Jazz Releases

Read "Record Store Day 2024 Jazz Releases" reviewed by Kyle Simpler


Every year, Record Store Day (RSD) promises limited edition vinyl releases for all tastes in music. From the latest popular artists to the most obscure archival releases, RSD drops try to cover a lot of musical territory. Practically all genres of music are represented and, of course, jazz is no exception. Fortunately, the April 2024 drop ...

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Article: Liner Notes

Jordan VanHemert: Deep in the Soil

Read "Jordan VanHemert: Deep in the Soil" reviewed by C. Andrew Hovan


Born in Korea and raised in Michigan, Jordan VanHemert counts himself among those youngsters that got involved in his school music program by starting out on the alto saxophone. Also like many of his fellow saxophonists, VanHemert eventually moved away from the smaller horn to devote his full energies to the tenor sax, an instrument emblematic ...

1

Article: Radio & Podcasts

Eleven is the Loneliest Number

Read "Eleven is the Loneliest Number" reviewed by Patrick Burnette


Many years ago, bastard Mike suggested that our anniversary shows feature groups comprised of as many members as the anniversary was of years. How's that for a mouthful (mindful?) Anyway, good idea until right about now. Eleven is an awkward number unless you're fielding a footie team, and the boys have some issues finding albums that ...

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Article: Bailey's Bundles

Late-Period Art Pepper Box Sets

Read "Late-Period Art Pepper Box Sets" reviewed by C. Michael Bailey


In his essay, “Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: “Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...


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