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Nat Adderley
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Nat Adderley may have spent a significant part of his career in the shadow of his better known older brother, the alto saxophonist Julian 'Cannonball' Adderley, but he was always a major contributor to their shared projects, and achieved a great deal in his own right after his brother's death in 1975. He was born Nathaniel Adderley, and took up trumpet as a teenager in 1946. He began playing in local bands in Florida, and made what became a career long switch to the smaller cornet in 1950. He did so against the prevailing tide. Cornet had been the horn of choice for New Orleans trumpet players in the early days of jazz, but had fallen out of fashion in favour of trumpet by the bop era
Poppin In Paris: Live At L'Olympia 1972
Label: Elemental Music
Released: 2024
Track listing: Black Messiah; Autumn Leaves; Soli Tomba; Walk Tall (Baby, That's What I Need); Doctor Honoris
Causa; Hummin'; Directions; Mercy, Mercy, Mercy; The Scene.
Live in Montreal May 1975
Label: Liberation Hall
Released: 2024
Track listing: Five Of A Kind;
First Trip;
Mercy, Mercy, Mercy;
The Scene;
Cannonball Intro to Waban;
Waban;
Cannonball Intro To Country Preacher;
Country Preacher.
Burnin’ in Bordeaux: Live in France 1969
Label: Elemental Music
Released: 2024
Track listing: The Scavenger; Manhã De Carnaval; Work Song; Somewhere; Why Am I Treated So Bad; Experience
In E; Blue ‘n’ Boogie; Come Sunday; Walk Tall (Baby, That's What I Need); Mercy, Mercy, Mercy; The
Scene; Oh Babe.
Cannonball Adderley: Poppin In Paris: Live At L'Olympia 1972
by Mike Jurkovic
In his most natural setting--onstage alongside brother Nat Adderley--and accompanied by pianist George Duke, bassist Walter Booker and the trusty Roy McCurdy on drums, Cannonball Adderley pops and bops to all heart's content on Poppin' In Paris: Live at the Olympia 1972 . Appearing as part of the Paris Jazz Festival, the band holds ...
Albert "Tootie" Heath: Class Personified
by R.J. DeLuke
This article was first published on All About Jazz on March 9, 2015. Albert “Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...
Record Store Day 2024 Jazz Releases
by Kyle Simpler
Every year, Record Store Day (RSD) promises limited edition vinyl releases for all tastes in music. From the latest popular artists to the most obscure archival releases, RSD drops try to cover a lot of musical territory. Practically all genres of music are represented and, of course, jazz is no exception. Fortunately, the April 2024 drop ...
Jordan VanHemert: Deep in the Soil
by C. Andrew Hovan
Born in Korea and raised in Michigan, Jordan VanHemert counts himself among those youngsters that got involved in his school music program by starting out on the alto saxophone. Also like many of his fellow saxophonists, VanHemert eventually moved away from the smaller horn to devote his full energies to the tenor sax, an instrument emblematic ...
Eleven is the Loneliest Number
by Patrick Burnette
Many years ago, bastard Mike suggested that our anniversary shows feature groups comprised of as many members as the anniversary was of years. How's that for a mouthful (mindful?) Anyway, good idea until right about now. Eleven is an awkward number unless you're fielding a footie team, and the boys have some issues finding albums that ...
Late-Period Art Pepper Box Sets
by C. Michael Bailey
In his essay, “Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: “Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...
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