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Musician

Omar Hakim

Born:

From playing in his father's band at age ten to selling out stadium shows with Madonna, Omar Hakim has done it all. His talent and unique style have made him a favorite among drummers and musicians worldwide. A graduate of the New York School of Music and Art, Omar began his career recording with various pop and soul groups. His father, Hasan Hakim, had played trombone for Duke Ellington and Count Basie and that influence helped to warm the younger Hakim's ear up for the part he would play in one of the most famous jazz fusion acts ever, Weather Report. "I had a natural affinity for drums and rhythm very young," says Hakim

Album

Sensual

Label: Dot Time Records
Released: 2024
Track listing: Save My Soul; What I Fear; Bodhisattva; Forgive Me; What About the Kids; Inamorata; Shepard’s Lullaby; Sensual; These Days.

12

Article: Interview

Peter Erskine: Revisiting Weather Report

Read "Peter Erskine: Revisiting Weather Report" reviewed by C. Andrew Hovan


A standout drum prodigy of his generation, Peter Erskine began playing at the age of four. After honing his skills at Interlochen, he launched his professional career in 1972 with Stan Kenton. Four years later, he joined Maynard Ferguson before making a pivotal move, replacing Alex Acuña in Weather Report. In the spring ...

Album

Two Roads

Label: Ridgeway Records
Released: 2024
Track listing: Yarak; The Sound of Ice Melting; Pros and Cons; Two Roads; A Revolution of One; Streams of Dreams; East Bay Punk; Prayer Again.

5

Article: Album Review

Dann Zinn: Two Roads

Read "Two Roads" reviewed by Chris May


Bliss. Here is a tenor saxophonist to file next to the great New York-based Israeli tenor saxophonist Oded Tzur. The two players are far from interchangeable: each has their distinct sound and each has their distinct style. But both bring intimacy and solace to the soul, and both beam out a vibe of positivity. Tzur and ...

5

Article: Jazz in Long Form

Roots to Branches: Broadway, Jazz, and David Bowie?

Read "Roots to Branches: Broadway, Jazz, and David Bowie?" reviewed by Kurt Ellenberger


In 10th grade, I had a classmate in my French class named Morvan, whom I didn't know at all (in fact, I doubt I ever ever talked to her). She was quiet and introverted but also somewhat defiant and aloof. She always dressed in what was quite outlandish fashion at the time. She was somewhere in ...

3

Article: Radio & Podcasts

David Sanborn: Here and Gone

Read "David Sanborn: Here and Gone" reviewed by Ludovico Granvassu


This week we pay tribute to David Sanborn selecting projects from his extensive discography, which showcase both his versatility and his signature, sweetly blistering sound. In this hour we will hop back and forth between some of his more forward looking projects and some of his best collaborations with pop, funk and rock stars.

3

Article: Album Review

Rachel Z: Sensual

Read "Sensual" reviewed by Mike Jurkovic


Whatever her impetus--be it the loss of her parents or peans to a shared sense of hearth, home and heaven--pianist/composer Rachel Z's thirteenth full length album, Sensual, bares a sincere, hopeful humanity. Buoyed by a sense of survival, Sensual opens as if it were a letter, closing with the Foo Fighters' crotch-kick raise-the-roof-'n-rile-'em-up “These ...

3

Article: Radio & Podcasts

Japanese band Prism, Argentinian guitarist Juan Cortes and French band Masal

Read "Japanese band Prism, Argentinian guitarist Juan Cortes and French band Masal" reviewed by Len Davis


Omar Hakim, Japanese band Prism, guitarist Juan Cortes, French band Masal, Alex Acuna, the latest from Dhafer Youssef, plus Greg Spero, Erik Escobar, and Polish band Quartado.Playlist Omar Hakim “Walk The Walk" from We Are One (OzMosis) 00:00 Prism “Tornado" from Memorial—Live Tracks (Vivid Japan) 06:18 Juan Cortes “Cyborg King" from Wameru (Self Produced) ...

28

Article: The Big Question

How Do You Rate Miles Davis’ Music, On Record and Live, In The 1980s?

Read "How Do You Rate Miles Davis’ Music, On Record and Live, In The 1980s?" reviewed by Ian Patterson


The release of The Bootleg Series Vol. 7: That's What Happened 1982-1985 invites renewed reflection on Miles Davis' music in the 1980s. A few tracks aside, these studio outtakes from the recording sessions that produced Star People (Columbia, 1983), Decoy (Columbia, 1984) and You're Under Arrest (Columbia, 1985) don't amount to a whole heap of beans, ...


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