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Pharoah Sanders

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Pharoah Sanders possesses one of the most distinctive tenor saxophone sounds in jazz. Harmonically rich and heavy with overtones, Sanders’ sound can be as raw and abrasive as it is possible for a saxophonist to produce. Yet, Sanders is highly regarded to the point of reverence by a great many jazz fans. Although he made his name with expressionistic, nearly anarchic free jazz in John Coltrane’s late ensembles of the mid-’60s, Sanders’ later music is guided by more graceful concerns.
The hallmarks of Sanders’ playing at that time were naked aggression and unrestrained passion. In the years after Coltrane’s death, however, Sanders explored other, somewhat gentler and perhaps more cerebral avenues — without, it should be added, sacrificing any of the intensity that defined his work as an apprentice to Coltrane.
Billy Hart: Just

by Jack Kenny
"Just" is an elegant album calculated to please. More than any earlier releases on ECM, it is Billy Hart's album, The quartet has been working together for over twenty years and has rightly morphed from a collective to the one steered by Hart. The drummer has supplied his sinewy rhythmic mastery to albums across the years ...
James Brandon Lewis: Remember Brooklyn & Moki

by Carl Medsker
"Chasing Energy, and that energy can be any type" is how James Brandon Lewis describes his multifaceted musical journey (Jazzwise, November 2024). That journey has taken him through gospel, punk, chamber, blues, reggae, hip-hop, soul, post-bop and free jazz. Along the way, he made a detour to Morocco to study Gnawa music. Lewis integrates all of ...
Alina Bzhezhinska & Tony Kofi: Tabula Rasa-Blank Slate

by Ian Patterson
Having played together since 2015, harpist Alina Bzhezhinska and saxophonist Tony Kofi have developed a keen musical understanding. In 2024 they released the gorgeous duo album, Altera Vita (BBE Records), which moved the late Chris May to write: This ineffably beautiful and restorative disc succeeds resoundingly in its mission statement. This is, say the duo, to ...
Brilliant Corners 2025: Days 5-8

by Ian Patterson
Brilliant Corners 2025 Black Box/Various Venues jny:Belfast, N. IrelandFebruary 28-March 8, 2025 If the first four days of Brilliant Corners 2025 leaned towards long-form contemporary composition and free improvisation, the music of the last four days had a more spiritual tone, and a more heavily African-accented character. Many would say that ...
The 1,400th Edition Of One Man’s Jazz

by Maurice Hogue
When you're older than dirt like I am, each show completed is a milestone, and happily, I'm still around to arrive at 1,400 in the life of this show. For some of these milestones, I try to do something a little different. I always say this show is about the music and the people who make ...
Pharoah Sanders, Anthony Joseph, Femi Kuti, New Jazz Underground, Mama Terra, Tom Teasley, & More

by Tony Poole
Your weekly journey into the freshest worldwide jazz grooves from around the globe. Join Tony Poole for more enticing rhythms and cutting-edge sounds, no filler, just the finest jazz to move your mind and your feet. Playlist All tracks released in 2025, unless otherwise stated.Pharoah Sanders Prince Of Peace" (featuring Leon Thomas) from Izipho ...
Kenny Garrett Speaks Through The Soul of His Jazz

by Dean Nardi
Mental bungee-jumping may not be their sport of choice, but a cerebral ledge exists that sooner or later every jazz musician must leap off. One day, ready or not, tuning up or shaking down their instrument, they will glance in a mirror, hug a pregnant mother-to-be, second-line a funeral, walk in the deepest, dark woods, chance ...
Mack Avenue Music Group Announces Partnership with Strata-East Records

The digital-only anthology Strata-East: The Legacy Begins, available February 21, 2025, celebrates the revolutionary spirit of one of the most influential artist-owned independent jazz labels in history. This anthology, a partnership between Mack Avenue Music Group and Strata-East, brings together iconic tracks that embody Strata-East’s commitment to artistry and creative freedom. Featuring the explosive brilliance of ...
Kris Davis: Run the Gauntlet

by John Sharpe
While Kris Davis hews close to the hallowed piano trio format on Run The Gauntlet, her first return to the set-up since Waiting For You To Grow (Clean Feed, 2014), she inevitably gives it a few intriguing twists. By recruiting bassist Robert Hurst, alumni of Tony Williams, Steve Coleman and Wynton and Branford Marsalis, and drummer ...