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Roy Ayers

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Roy Ayers was during the 1960s one of the most prominentand leading jazz vibraphone players in America. During the1970s and 80s he came to change his focus and becameone of the leading figures in R&B and jazz/funk. The 1990shas once again brought him into a new direction and he isnow regarded being one of the greatest innovators of theacid jazz movement. His music has often been described asbeing years ahead of it's time.
Ayers was born on September 10, 1940, in Los Angeles,California. Thanks to the influence of his mother, a pianoteacher, and his father, a trombone player, Ayers was amusical child. His introduction to the vibraphone came at theage of six, when his parents took him to a Lionel Hamptonconcert. After the show, Hampton handed Ayers a pair ofmallets, sealing the youngster's musical destiny with thatsimple gesture. It was not until he was 17 years old thatAyers finally got a chance to play the vibraphone, which heclaims had been his favorite instrument all along.
The Empress, 3 Cohens/WDR Big Band, Nnenna Freelon, Sylvie Courvoisier/Mary Halvorson and Kaisa's Machine

by Mary Foster Conklin
This broadcast includes new releases from The Empress (Pureum Jin, Lauren Sevian, Erena Terakubo, Chelsea Baratz), 3 Cohens/WDR Big Band, Nnenna Freelon, Sylvie Courvoisier/Mary Halvorson and Kaisa's Machine, with birthday shoutouts to Shirley Scott, Carol Sloane, Jeanie Bryson, Anne Mette Iversen, Mark Murphy, Tomoko Ohno, Arooj Aftab and Bobby McFerrin. Happy listening and please support the ...
Roy Ayers, John Ellis, Ben Markley & Jazz Sabbath

by Joe Dimino
Welcome to the 898th episode of Neon Jazz, where we dive deep into the heartbeat of jazz--past, present, and future. We kick things off with the legendary Jazz Sabbath, helmed by the seasoned Adam Wakeman, bringing their signature blend of jazz-infused reinvention. Then, we take a moment of reverence for the late, great Roy Ayers, a ...
Roy Ayers, Kwashibu Area Band, Red Snapper, Calibro 35, Manu Dibango, John Lamkin, & More

by Tony Poole
The show opens with a brief tribute to the late Roy Ayers and a special moment from my 1990 interview for BBC Essex with Roy during his first residency at Ronnie Scott's. In a jovial mood, he recalls the time he felt like a Beatle"--a wild night at the Hammersmith Odeon, London, in 1978 when the ...
Vijay Iyer and Wadada Leo Smith

by Hobart Taylor
New music from Vijay Iyer and Wadada Leo Smith, Kneebody, Claire Cope and Ensemble C, and remembering Roy Ayers. Playlist Roy Ayers Hey Lover" from Jazz Is Dead #1 (Jazz Is Dead) 0:00 Roy Ayers Ubiquity We Live In Brooklyn, Baby" from He's Coming (Verve) 2:24 Chien Chien Lu We Live In Brooklyn, ...
Roy Ayers (1940-2025)

Roy Ayers, a vibraphonist, record producer and composer who created a new jazz sound in the mid-1970s that combined electronic jazz, trippy funk and soothing soul that rested heavily on mellow chord sequences and lyrical melodies, died on March 4. He was 84. Ayers began by recording hard bop in 1962 with Curtis Amy and recorded ...
Phil Raskin: Songs Of The Fathers

by Sammy Stein
Introduction The eye-catching artwork on Songs of The Fathers by Satya (Resonant Artists 2024) is the work of photographer Peter Koppenaal. The image features layer upon layer of people figures outlined against a fiery backdrop of African colors. The picture is, in fact, more representative of the label that might at first be apparent because Resonant ...
Isaiah Collier: Parallel Universe

by Gareth Thompson
The direct-to-disc recording equipment in Haarlem's Artone studio resembles a vintage control room for time travel, or maybe the record deck in a cyberpunk loft. And yes, that's Haarlem, not Harlem, though one could be excused for mixing them up here. This is where Isaiah Collier came to record Parallel Universe, a valiant and affirmative album ...
Roy Ayers: A Retrospective

by Jason Elias
Vibraphonist, singer and producer Roy Ayers is a master of many musical styles and genres, from acid-jazz, jazz-funk to romantic ballads and dance tracks. While many of his contemporaries seemed to fail when they tried different sounds, Ayers always made sure a certain of musicality and identity was apparent in all of his work.
Color Red Records: A Label, Sound, and Vision

by Chris M. Slawecki
When Eddie Roberts, leader of The New Mastersounds, moved to Denver, Colorado, in 2015, he discovered a local music scene that contributed to his vision for a new type of music organization: a label that would be more than a label, producing and releasing music that would be more than (good) music--music that would establish a ...