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Russ Freeman
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Jazz pianist Russ Freeman, was a key figure in the career of Chet Baker in the 1950s, when the trumpeter was making some of his most distinctive music. Though his contribution was eclipsed by Baker's relationship with the charismatic Gerry Mulligan, he was an ideal collaborator, imparting focus and narrative shape to Baker's sound. Born in Chicago, Freeman studied classical piano in Los Angeles. By the 1940s, when bebop was taking over New York's hip clubs, there were few west coast pianists who understood its harmonic complexities - and pianists, with their more sophisticated theoretical awareness, were often crucial to helping other instrumentalists get to grips with how the new idiom worked. With his training, and a spare but flexible technique, Freeman grasped bebop's mechanics fast
Jazz From The Pacific Northwest
By Shelly Manne
Label: Reel to Real
Released: 2024
Track listing: Side A: Stop, Look and Listen; The Vamp's Blues.
Side B: Quartet (Suite in Four Movements).
Side C: Softly, As In A Morning Sunrise; Summertime; Dearly Beloved.
Side D: Funny; Secret Love; Surrey With The Fringe On Top.
Shelly Manne & His Men: Jazz From The Pacific Northwest
by Pierre Giroux
Shelly Manne & His Men are presented in two iterations in never-before-released live recordings from the 1958 Monterey Jazz Festival and from a 1966 date at The Penthouse in Seattle entitled Jazz From The Pacific Northwest. In this deluxe limited edition 180-gram 2LP set, co-produced for release by the estimable Zev Feldman and Cory Weeds, the ...
Record Store Day 2024 Jazz Releases
by Kyle Simpler
Every year, Record Store Day (RSD) promises limited edition vinyl releases for all tastes in music. From the latest popular artists to the most obscure archival releases, RSD drops try to cover a lot of musical territory. Practically all genres of music are represented and, of course, jazz is no exception. Fortunately, the April 2024 drop ...
Late-Period Art Pepper Box Sets
by C. Michael Bailey
In his essay, “Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: “Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...
The Pacific Jazz Group: Pacific Jazz Group
by Jack Bowers
West Coast jazz from the mid-twentieth century makes a comeback on this earnest album by the Pacific Jazz Group, whose music owes its genesis to the Pacific Jazz label, which recorded many of the Coast's best and brightest stars during that historic and bounteous era. The idea was set in motion by pianist Dred Scott, one ...
Stan Kenton: Salute!
by Jack Bowers
Stan Kenton, one of the most renowned and influential bandleaders of the twentieth century, died on August 25, 1979. Fortunately—for the sake of history in general and creative music in particular—Kenton's remarkable legacy lives on, and in a perceptive and open-minded world would endure forever. Even to this day, small but devoted groups of enthusiasts share ...
Bill Goodwin: Not Less Than Everything
by Victor L. Schermer
Bill Goodwin is like a breath of fresh air blowing through jazz. From the time around 1954 when he was in jny: Los Angeles and just learning the drums, and inspired by Shelly Manne, to today, around his 80th birthday, he has loved jazz and the musicians unconditionally. He has befriended and worked with so many ...
John Di Martino: Passion Flower: The Music of Billy Strayhorn
by Dan Bilawsky
When esophageal cancer took Billy Strayhorn's life in 1967, his work and legacy rested squarely in the shadow of Duke Ellington's world. More than half a century later, though the two figures remain inextricably linked, Strayhorn's genius has moved past the penumbra of his legendary collaborator and employer, occupying its own clear place in the jazz ...
Brazilian Jazz Quartet: Pepper Pot
Last week, I was listening to early Brazilian bossa nova albums from the late 1950s when I came across an obscure one from 1958. The album was by a Rio group known as the Brazilian Jazz Quartet. Recorded in 1958 for Columbia, Coffee and Jazz featured alto saxophonist José Ferreira Godinho Filho (better known as Casé), ...
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