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Sonny Sharrock
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The career of the late Sonny Sharrock is unique in modern jazz. He first aspired as a doo-wop singer, determined to take music as his vocation after listening to Miles Davis' "Kind of Blue." Aspired to play saxophone but instead took up guitar in his early 20's due to asthmatic conditions, nonetheless he emulated his guitar styling after the energy players such as Coltrane and Pharaoh Sanders. He appeared as a cameo in Mile Davis' "Jack Johnson" album and Wayne Shorter's "Super Nova" album as well. His most notable appearance was his duel with Sanders on "Taulid" and "Izipho Zam." His primal tone with gusto was indeed a one-of-a-kind
Dave Harrington - Max Jaffe - Patrick Shiroishi: Speak Moment
by Glenn Astarita
This trio, co-led by guitarist Dave Harrington, drummer Max Jaffe and saxophonist Patrick Shiroishi, embarks on a sonic journey that defies conventions and invites listeners to explore extraterrestrial territories. Speak, Moment is a collection of five group improvisations, captured in a single afternoon. Imagine these three remarkable musicians huddled together, instruments in hand, weaving ...
Evan Parker 80th Birthday Celebration
by John Sharpe
On 6 April, the day after his 80th birthday, North London's Cafe Oto hosted a virtually sold out two-day celebration in honor of groundbreaking saxophone icon Evan Parker, bringing together a host of colleagues from across his career. Contingents from North America and Europe swelled the ranks of local well-wishers and were rewarded by some marvelous ...
James Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction
by Dave Kaufman
The contemporary jazz world is currently witnessing an artistic renaissance, characterized by an upsurge in creativity and innovation. This movement is fueled in part by rising stars such as Joel Ross, Immanuel Wilkins, and Isaiah Collier, as well as seasoned veterans like Charles Lloyd, David Murray, William Parker, Joe Lovano, and Bill Frisell, whose creative passion ...
Pharoah Sanders: Upper Egypt & Lower Egypt
by Chris May
This little beauty, all sixteen minutes of it, is the opening track of Pharoah Sanders' first own-name masterpiece, Tauhid (Impulse!), recorded in 1966, released in 1967, and the blueprint for Sanders' style of astral jazz. Remarkably, many jazz enthusiasts, including Sanders fans, seem not to have heard Tauhid--and one leading tenor saxophonist on London's alternative jazz ...
The Electric Years Box Set
By Miles Davis
Label: Columbia Records / VMP Anthology
Released: 2023
James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz
by Angelo Leonardi
Da circa un decennio il jazz statunitense e britannico vede l'emergere di giovani protagonisti che spezzano i confini tra i generi “colti" e popolari, operando una sintesi sfaccettata tra le molte espressioni della black music. Un torrente tumultuoso che viene alimentato dalle spinte politico-identitarie della comunità afroamericana (la rinascita dell'Afrofuturismo, il movimento Black Lives Matter), che ...
Wayne Shorter: An Essential Top Ten Albums
by Chris May
At the start of September 2021, trumpeter Terence Blanchard released Absence (Blue Note), dedicated to saxophonist and composer Wayne Shorter, who for health reasons had recently been obliged to retire from performing, at least temporarily. Some people celebrating their eighty-eighth birthday, as Shorter did the previous month, might not welcome being the dedicatee of an album ...
Dave Burrell: Harlem Rhapsody
by Mark Corroto
It would be an error to characterize pianist Dave Burrell as a witness to history. Avant-garde jazz history that is. The octogenarian was heard in the 1960s groups of Marion Brown, Pharoah Sanders, Noah Howard, Archie Shepp, Sonny Sharrock, Sunny Murray, and Grachan Moncur III, while also exchanging ideas in New York with Albert Ayler, Sam ...
Wayne Shorter: Adam's Apple To Super Nova Revisited
by Chris May
In the three and a half years which separate the recording of the Blue Note albums Adam's Apple, in February 1966, and Super Nova, in August and September 1969, jazz went through a paradigm shift going on profound identity trauma. In 1966, though it was already past peak popularity, hard bop was still an important soundtrack ...
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