Terje Rypdal

Terje Rypdal, Raoul Bjorkenheim and Graham Costello

by Len Davis
October 20, 2023

Some progressive music from Norway with Terje Rypdal, Italian guitarist Raoul Bjorkenheim, and from the UK Graham Costello from Obelisk . Progressive rock from Derek Sherinian, Antoine Fafard, The Aristocrats, French guitarist Renaud Louis Servais with Virgil Donati and the album Ruination from Virgil Donati.Playlist Terje Rypdal “Conspiracy" from Conspiracy (ECM) 00:00 Raoul Bjorkenheim “Tools" from Blixt (Cuneiform)06:36 Graham Costello “Obelisk" from Obelisk (Self Produced) 13:04 Derek Sherinian “Empyrean Sky" from The Phoenix (Inside Out) 19:34 Antoine Fafard “Cape ...

Terje Rypdal: Odyssey: In Studio and In Concert

by John Kelman
January 31, 2023

To achieve confluence, an artist must first demonstrate multiplicity. With the benefit of hindsight, the meeting of disparate concepts might appear inevitable when reassessing a decades-long career, but few artists actually possess not only the building blocks but the intuition and acumen to achieve what is, in Sanskrit, called Sangam. That ECM has two recordings using that very name—Trygve Seim's sublime 2004 meshing of rigorous form and controlled freedom, and Charles Lloyd's similarly successful 2006 marriage of cross-cultural concerns--is but ...

Terje Rypdal: Conspiracy

by Mike Jurkovic
September 21, 2020

Given what we're going through hour after battered hour in summer 2020, any artistic endeavor entitled Conspiracy just might be the last thing you'd want to get involved with. But Terje Rypdal, a true master for reaching beyond troubled layers and into the beating heart, offers a conspiracy of open anticipation and expansive terrains. When was the last time you heard that emanating from whatever your audio set up or streaming device of choice? Like Whenever I Seem ...

Terje Rypdal: Bleak House

by Karl Ackermann
September 15, 2017

Psychedelic rock was hardly a recognized genre in 1967 Norway, but it was where a self-taught guitarist, barely out of his teens, made a brief stop on his way to becoming a global force in music. Terje Rypdal recorded a single album with a group called The Dream that year. The group subsequently signed with Polydor Records and disbanded before recording again. It proved to be an open door for Rypdal as he stayed with the label under cover of ...

Terje Rypdal: If Mountains Could Sing

by John Kelman
January 9, 2015

Terje RypdalIf Mountains Could Sing ECM Records1995 Today's Rediscovery is If Mountains Could Sing, an album that stands out in Terje Rypdal's career for its marriage of his two seemingly (but clearly not necessarily) divergent paths: one, the rock-edged improvising guitarist; the other, the classical composer of contemporary music first inspired when he heard the music of microtonal groundbreaker György Ligeti in Stanley Kubrick's similarly innovative 1978 film, 2001: A Space Odyssey. It ...

Terje Rypdal: Melodic Warrior

by John Kelman
August 30, 2013

Some albums are worth the wait, even if that wait is a full decade. The lion's share of guitarist Terje Rypdal's Melodic Warrior is devoted to the nine-movement title suite, a 2003 recording with the Bruckner Orchester Linz and, most importantly, the Hilliard Ensemble, the vocal ensemble that leapt to greater fame with Officium (ECM, 1993), the first of three recordings with Rypdal's fellow countryman, Norwegian saxophonist Jan Garbarek. The four-movement “And the Sky was Coloured with Waterfalls and Angels," ...

Very Much Alive

by John Kelman
September 30, 2010

[NOTE]: This review is being republished as a celebration of just one aspect of the life of drummer Paolo Vinaccia, who passed away after a lengthy battle with cancer on July 5, 2019. Best-known in Norway, where he emigrated from Italy in 1979, enjoying a busy career with artists including Arild Andersen, Terje Rypdal, Mike Mainieri, Bendik Hofseth, Bugge Wesseltoft and Palle Mikkelborg, amongst many others. Vinaccia's big heart and warm concern for others made him everybody's best friend, and ...

Rypdal/Vitous/DeJohnette: S/T (ECM 1125)

Source: Between Sound and Space - An ECM Records Resource
March 21, 2011

Terje Rypdal/Miroslav Vitous/Jack DeJohnette

Terje Rypdal guitar, guitar synthesizer, organ Miroslav Vitous double-bass, electric piano Jack DeJohnette drums Recorded June 1978 at Talent Studio, Oslo Engineer: Jan Erik Kongshaug Produced by Manfred Eicher

Terje Rypdal/Miroslav Vitous/Jack DeJohnette joins its eponymous crew in a one-off trio date for the ages. Although billed as something of a Rypdal venture, the album is primarily a canvas for Vitous, who bubbles forth ...
read more

Waves (ECM 1110)

Source: Between Sound and Space - An ECM Records Resource
January 30, 2011

Terje Rypdal Waves

Terje Rypdal electric guitar, keyboard, synthesizer Palle Mikkelborg trumpet, fluegelhorn, RMI, tac piano, ring modulator Sveinung Hovensjø basses Jon Christensen drums, percussion Recorded September 1977 at Talent Studio, Oslo Engineer: Jan Erik Kongshaug Produced by Manfred Eicher One is often tempted to appreciate Terje Rypdal through the lens of some icy Nordic mystique that, while certainly supported by the sleeves that adorn his ...
read more

Terje Rypdal - Crime Scene (2010)

Source: Something Else!
July 16, 2010

By PicoIf you're a big ECM Records fan like I am, then you'd probably even remember your first ECM record. For a lot of those types, this one is most likely their first ECM. For me, though, it was Terje's Rypdal's Waves, which I picked up just a few years after its 1977 release because I once caught the opening tune “Per Ulv" on college radio and became entranced by it's hypnotic rhythms and suspended melodies. Since then, ...
read more

Terje Rypdal Interviewed at AAJ

Source: All About Jazz
March 6, 2006

Norwegian guitar legend Terje Rypdal has been a mainstay of the ECM label nearly since its inception. His latest release, Vossabrygg, finds him returning to, but expanding on, the music of early albums like What Comes After (ECM, 1974). He makes no bones about the impact Miles Davis' electric music has had on him, and AAJ contributor R.J. DeLuke encourages Terje to speak about the early fusion years and the vibrant performing scene back then, as well as what it ...
read more