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Wes Montgomery
Born in Indianapolis, Indiana, United States (where he also died of a heart attack in 1968), Montgomery came from a musical family, in which his brothers, Monk (string bass and electric bass) and Buddy (vibraphone, and piano), were jazz performers. Although Wes was not skilled at reading music, he could learn complex melodies and riffs by ear. Montgomery started learning guitar in his late teens, listening to and learning recordings of his idol, the guitarist Charlie Christian.
Along with the use of octaves (playing the same note on two strings one octave apart) for which he is widely known, Montgomery was also an excellent "single-line" or "single-note" player, and was very influential in the use of block chords in his solos. His playing on the jazz standard "Lover Man" is an example of his single-note, octave and block chord soloing. ("Lover Man" appears on the Fantasy album THE MONTGOMERY BROTHERS.) Instead of using a guitar pick, Montgomery plucked the strings with the fleshy part of his thumb, using downstrokes for single notes and a combination of upstrokes and downstrokes for chords and octaves. This technique enabled him to get a mellow, expressive tone from his guitar. George Benson, in the liner notes of the Ultimate Wes Montgomery album, wrote that "Wes had a corn on his thumb, which gave his sound that point. He would get one sound for the soft parts, and then that point by using the corn. That's why no one will ever match Wes. And his thumb was double- jointed. He could bend it all the way back to touch his wrist, which he would do to shock people."
He generally played a Gibson L-5CES guitar. In his later years he played one of two guitars that Gibson custom made for him. In his early years, Montgomery had a tube amp, often a Fender. In his later years he played a Standel. Montgomery toured with vibraphonist Lionel Hampton's orchestra from July 1948 to January 1950, and can be heard on recordings from this period. Montgomery then returned to Indianapolis and did not record again until December 1957 (save for one session in 1955), when he took part in a session that included his brothers Monk and Buddy, as well as trumpeter Freddie Hubbard, who made his recording debut with Montgomery.
Most of the recordings made by Montgomery and his brothers from 1957-1959 were released on the Pacific Jazz label. From 1959 Montgomery was signed to the Riverside Records label, and remained there until late 1963, just before the company went bankrupt. The recordings made during this period are widely considered by fans and jazz historians to be Montgomery's best and most influential. Two sessions in January 1960 yielded The Incredible Jazz Guitar of Wes Montgomery, which was recorded as a quartet with pianist Tommy Flanagan, bassist Percy Heath and drummer Albert "Tootie" Heath. The album featured one of Montgomery's most well-known compositions, "Four on Six." Almost all of Montgomery's output on Riverside featured the guitarist in a small group setting, usually a quartet or quintet, playing a mixture of hard- swinging uptempo jazz numbers and quiet ballads.
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Wes Montgomery: Maximum Swing: The Unissued 1965 Half Note Recordings
by Mario Calvitti
La Resonance Records, etichetta californiana legata a un'organizzazione non-profit dedita a preservare l'arte e l'eredità della musica jazz, prosegue instancabile la sua attività di archeologia musicale pubblicando questo doppio CD di Wes Montgomery col trio del pianista Wynton Kelly al famoso club di New York Half Note nel 1965, all'incirca nello stesso periodo delle esibizioni raccolte nell'album Smokin' at the Half Note. I brani contenuti in questa raccolta provengono da cinque diverse date comprese tra il 24 Settembre e la ...
read moreWes Montgomery: The Complete Full House Recordings
by Mark Sullivan
Wes Montgomery's original Full House album (Riverside, 1962) comprised six tracks; the 1987 CD edition had nine tracks, with alternate takes plus the addition of Born to be Blue"; the 2007 reissue was expanded to eleven tracks. This complete edition has fourteen tracks, including all of the previously released alternate takes as well as the completely unedited master take of the title tune, with Montgomery's original guitar solo restored. That restoration is the big news for completists but, for everyone ...
read moreWes Montgomery: The NDR Hamburg Studio Recordings
by Chris May
Recorded in spring 1965, during Wes Montgomery's sole European tour, The NDR Hamburg Studio Recordings presents the guitarist as part of an all-star international octet assembled for a one-off appearance on German television station NDR. The programme was part of a series presenting musicians who did not regularly work together in informal rehearsal" performances. Montgomery's tour, on which he appeared with both his own quartet and local rhythm sections, has been well documented on official and unofficial recordings. But this ...
read moreThe Soul Jazz Guitar of Montgomery, Burrell and Green (1960 - 1965)
by Russell Perry
Hard bop created a comfortable setting for a suite of great blues-influenced guitar players who led the way toward soul jazz. Several of these players were from the mid-west -Wes Montgomery from Indianapolis, Grant Green from St. Louis and Detroit's Kenny Burrell. The next three hours of Jazz at 100 will present music from the 1960s that combined the heavy beat and blues-influenced phrasing of R&B with the harmonic discoveries of bebop to create a style loosely called Soul Jazz, ...
read moreZev Feldman: The Jazz Detective Speaks
by Leo Sidran
In this podcast conversation, record producer Zev Feldman explains how he got started in the jazz business as a young man (in his early 20s) and came up through the ranks of sales ("schlepping a bag of CDs"), merchandising, marketing, distribution -all of the pieces of the business as it existed at the end of the last century. Over time he came to settle comfortably in an area of the jazzosphere that focuses on locating, unearthing and releasing previously unknown ...
read moreMark Werlin's Notable Hi-Res Releases in 2018
by Mark Werlin
2018 has been a good year for jazz music in hi-res audio formats. ECM, Songlines, Intakt, ACT Music, Firehouse 12, Foné, Mack Avenue, TRPTK, and other independent labels released newly-recorded and recent catalog albums in high resolution through download vendors, Bandcamp, and the labels' own websites. One US music vendor lists more than 300 jazz titles that became available as hi-res downloads in 2018. High resolution audio has become increasingly affordable and widespread, with hi-res DACs included in portable and ...
read moreWes Montgomery: In Paris: The Definitive ORTF Recording
by Maurizio Comandini
27 marzo 1965. Parigi, Teatro dei Champs--Élysées. Il quartetto di Wes Montgomery si esibisce per gli appassionati parigini e conferma di essere uno dei gruppi più interessanti del momento. Il sassofonista Johnny Griffin si aggiunge in tre brani e si alterna al chitarrista per assoli scoppiettanti e carichi di guizzi improvvisi e colpi d'ala maestosi. Il chitarrista di Indianapolis era nel pieno della sua maturità artistica, aveva 42 anni (compiuti ventun giorni prima) e sfortunatamente gli restavano solo tre anni ...
read moreBackgrounder: Wes Montgomery - Incredible Jazz Guitar
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JazzWax by Marc Myers
The Incredible Jazz Guitar of Wes Montgomery remains one of jazz's finest guitar albums. Recorded for Riverside in January 1960 and released in April, the album came out just one month after Montgomery's first album for the label, A Dynamic New Sound. It's highly unusual for any producer to release two albums by a new artist on top of each other. That's because one is sure to win over record buyers while the other founders. It's unclear why Riverside's Orrin ...
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Documentary: Wes Montgomery Turns 100
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JazzWax by Marc Myers
Today is the centenary of guitarist Wes Montgomery's birth. Born in 1923, he would die in 1968 at age 45. What better way to celebrate the impact Montgomery has had on the jazz guitar than with a new documentary directed by Kevin Finch. To view Wes Bound: The Genius of Wes Montgomery, you must go here. I cannot embed the video. The best I can do is give you five YouTube clips. Here's So Do It!... Here's Gone With the ...
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Jazz Musician of the Day: Wes Montgomery
Source:
Michael Ricci
All About Jazz is celebrating Wes Montgomery's birthday today!
Born in Indianapolis, Indiana, United States (where he also died of a heart attack in 1968), Montgomery came from a musical family, in which his brothers, Monk (string bass and electric bass) and Buddy (vibraphone, and piano), were jazz performers. Although Wes was not skilled at reading music, he could learn complex melodies and riffs by ear. Montgomery started learning guitar in his late teens, listening to and learning recordings of ...
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Wes Montgomery Live in Europe, 1965
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JazzWax by Marc Myers
Fortunately for us, guitarist Wes Montgomery went over to Europe in the spring of 1965 and toured. We're lucky, because Montgomery wound up on European TV shows during many of his stops, resulting in lots of video clips. Yesterday, I decided to string together all the live 1965 dates I could find on YouTube, giving you an opportunity to hear and see him on the road. Here's Montgomery on tour in Europe in March, April and May 1965. Here's Montgomery ...
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Jazz Musician of the Day: Wes Montgomery
Source:
Michael Ricci
All About Jazz is celebrating Wes Montgomery's birthday today!
Born in Indianapolis, Indiana, United States (where he also died of a heart attack in 1968), Montgomery came from a musical family, in which his brothers, Monk (string bass and electric bass) and Buddy (vibraphone, and piano), were jazz performers. Although Wes was not skilled at reading music, he could learn complex melodies and riffs by ear. Montgomery started learning guitar in his late teens, listening to and learning recordings of ...
read more
Jazz Musician of the Day: Wes Montgomery
Source:
Michael Ricci
All About Jazz is celebrating Wes Montgomery's birthday today!
Born in Indianapolis, Indiana, United States (where he also died of a heart attack in 1968), Montgomery came from a musical family, in which his brothers, Monk (string bass and electric bass) and Buddy (vibraphone, and piano), were jazz performers. Although Wes was not skilled at reading music, he could learn complex melodies and riffs by ear. Montgomery started learning guitar in his late teens, listening to and learning recordings of ...
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YouTubers Dig Wes Montgomery
Source:
JazzWax by Marc Myers
In 2019, I posted on YouTube clips of students working out on transcriptions by guitarist Barry Galbraith. In 2018, I did the same with piano students playing Red Garland. Yesterday, I stumbled onto videos of guitar students playing Wes Montgomery. Here are eight videos plus a cover by a professional trio: Here's Audrey playing Four on Six... Here's Dearly Beloved... Here's Mr. Walker... Here's Alex Baird signing a vocalese on Montgomery's recording of The Days of Wine and Roses... Here's ...
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Jazz Musician of the Day: Wes Montgomery
Source:
Michael Ricci
All About Jazz is celebrating Wes Montgomery's birthday today!
Born in Indianapolis, Indiana, United States (where he also died of a heart attack in 1968), Montgomery came from a musical family, in which his brothers, Monk (string bass and electric bass) and Buddy (vibraphone, and piano), were jazz performers. Although Wes was not skilled at reading music, he could learn complex melodies and riffs by ear. Montgomery started learning guitar in his late teens, listening to and learning recordings of ...
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Wes Montgomery: 1964-65
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JazzWax by Marc Myers
Yesterday I found two fantastic videos of guitarist Wes Montgomery at YouTube, one in Hamburg in 1964 and the other in Belgium in 1965 (from the Jazz Icons DVD). In both cases, dig Montgomery's thumb. Here's an exciting five-song rehearsal captured on tape featuring Montgomery with a powerhouse reed-driven group: Hans Koller (as), Johnny Griffin and Ronnie Scott (ts), Ronnie Ross (bs), Martial Solal (p), Michel Gaudry (b) and Ronnie Stephenson (d)... And here's Montgomery in Belgium in 1965 playing ...
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Wes Montgomery: Back on Indy
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JazzWax by Marc Myers
Back in 2012, Resonance producer Zev Feldman was contacted by Brook Reindollar, who worked with Carroll DeCamp, an Indianapolis pianist and self-taught arranger. Reindollar said he had digital audio tapes (DAT) of guitarist Wes Montgomery recorded in Indianapolis. Reindollar was passed along to Zev by Lewis Porter, a jazzz historian, professor of music at Rutgers University and pianist. Reindollar said part of the DAT was recorded in a studio while the balance was live. Fortunately for us, DeCamp in the ...
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