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Barney Bigard
His mellow tone, graceful finger work and smooth sustain graced countless recordings during the peak of the Swing craze, including some of his own compositions. In 1936, Helen Oakley, the wife of journalist Stanley Dance, was the A & R (artist and repertoire) manager for Irving Mills’ new Variety label. She suggested to Mills that they try some small group recordings using musicians from the Ellington Orchestra. Given the go ahead Oakley arranged for a number of sessions, including a few led by Bigard under the name Barney Bigard and His Jazzopaters. Their December 19, 1936 session introduced the jazz standard “Caravan.”
After leaving Ellington, Bigard did sound track work in California, played with Freddie Slack and Kid Ory, and then joined the Louis Armstrong All-Stars in 1947, where he found a home until 1955 when he tired of touring. In the late ‘50s he played in Cozy Cole’s big band, rejoining Armstrong in 1960 for another year. He semi-retired in 1962 but played with a Dixieland band at Disneyland.He also found time to record with Earl Hines in the late '60's. From 1970-1973 he was a featured performer at Dick Gibson’s jazz parties in Vail, Colorado.
Bigard wrote several other songs with Ellington, some performed, some not, although Oscar Brown, Jr. recorded their “Ducky Wucky.” Bigard also co-composed “Lament for Javanette” with Billy Strayhorn, performed by the Ellington band. His autobiography is entitled With Louis and The Duke.
Barney Bigard passed in 1980.
Bio by Sandra Burlingame.
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Barney Bigard is one of the outstanding jazz clarinetists of the twentieth century. His bluesy, sensual tone and extraordinary agility graced the albums of the King Oliver, and Jelly Roll Morton before he became Duke Ellington’s regular clarinetist from 1927 to 1942. To top off this incredible career, after the second world war he became Louis Armstrong’s clarinetist from 1947 to 1956. Few musician’s could point to as illustrious a line of employers.
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