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Ivie Anderson
Born in California, young Ivie received vocal training at her local St. Mary's Convent and later spent two years studying with Sara Ritt in Washington, DC. Returning home she found work with Curtis Mosby, Paul Howard, Sonny Clay, and briefly with Anson Weeks at the Mark Hopkins Hotel in Los Angeles. She also found work in vaudeville, touring the country as a dancer and vocalist in the Fanchon and Marco revue, starring Mamie Smith, and with the Shuffle Along revue. She was featured vocalist at the Culver City Cotton Club before leaving to tour Australia in 1928 with Sonny Clay. Returning after five months down under she organized her own show and toured the U.S. In 1930 she found work with Earl Hines.It was while appearing with Hines that Ellington first heard her sing. He hired her in February 1931, and she quickly became a fixture of the orchestra's sound.
“The Voice of Ellington,” the beautiful and stylish Anderson was with the bandleader for eleven years, a term longer than any other of his vocalists. With a relaxed style, light tone and superb diction she would competently perform blues, ballads, and novelty songs with both enthusiasm and ease. “It Don’t Mean a Thing” was the first of her many recording hits with Duke Ellington and His Orchestra which include: “I’m Satisfied,” (1933) “Cotton,” (1935) “Isn’t Love the Strangest Thing?” (1936) “Love Is Like a Cigarette,” (1936) “There’s a Lull in My Life,” (1937) “All God’s Children Got Rhythm,” (1937) “If You Were in My Place,” (1938) “At a Dixie Road Diner,” (1940) and “I Got It Bad (and That Ain’t Good)” (1941).
Retiring in August 1942 due to chronic asthma, she opened her own Chicken Shack restaurant in Los Angeles. Though continuing to sing regularly in West Coast nightclubs her medical condition kept her from recording or touring extensively and ultimately led to her early death. Ivie Anderson passed away in December of 1949.
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Ivie Anderson: Early Jazz Voice
![Ivie Anderson: Early Jazz Voice](https://s3.amazonaws.com/allaboutjazz/photos/profile/musician/42fa426bc4289d7cbf86379264a18060.jpg)
Source:
JazzWax by Marc Myers
Like Mildred Bailey, Ivie Anderson was an early female vocalist who pioneered the jazz idiom in dance bands. She joined Duke Ellington's orchestra in 1931and for the next 12 years she toured and recorded with the band. Anderson's voice was more pointed and huskier than Bailey's and featured a mild tremolo. She also had a slinkier quality, especially on mid-tempo numbers such as I'm Satisfied and Did Anyone Ever Tell You. One can hear a quite a bit of Anderson ...
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