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Richie Beirach

Richard Alan Beirach was born on 23 May 1947 in Brooklyn, New York City. Having a sheltered childhood, he started playing the piano at the age of 5. From age 6 to age 18, Beirach was given lessons by the pianist und composer James Palmieri. "James Palmieri showed me everything that I know about music,...he made me understand the deeper meaning of music."

Palmieri's lessons were strictly classic and until age 13, Beirach exclusively dealt with classical music.When, at the age of 13, he stayed at a friend's place, he heard Red Garland's version of "Billy Boy" from Miles Davis' album "Milestones": "I could hardly believe it. This was exactly what I was looking for, what I needed. Until then, I had only had a classical musical education: Mozart, Beethoven, no improvisation. I took the album to my teacher. He hated it, he hated it a lot…"Beirach realized that he wanted to devote himself to improvisation and Jazz. He tried and got in touch with Jazz musicians, while continuing to take lessons with Palmieri.

In the middle of the 1960s, Richard Beirach entered the New York club scene, played innumerable gigs and jam sessions, with, among others, Freddie Hubbard and Lee Konitz, while, at the same time occasionally working as a longshoreman at the docks of New York.In 1967, he went to Boston in order to study at the Berklee College Of Music, where Keith Jarrett, Miroslav Vitous and John Abercrombie were enrolled as well at that time. But he only stayed for one year and returned to New York in 1968, where he started a composition degree with Ludmilla Ulehla at the Manhattan School Of Music, from which he graduated in 1972 with a "Master Of Music".

Soon afterwards, he played in the band of Stan Getz, together with bass player Dave Holland and drummer Jack deJohnette. The band largely went on worldwide tours.In 1973, he joined the group "Lookout Farm" of the saxophone player Dave Liebman. "Lookout Farm" became one of the most outstanding groups of the Fusion movement and the cooperation between Beirach and Liebman beyond the group, which broke up in 1976, developed to a close musical partnership. Together, as a duo, they recorded "Forgotten Fantasies", "Omerta" and "Chant"". In 1976, the first album under Beirach's own name was released: "Eon", recorded with drummer Eliot Zigmund and bass player Frank Tusa. For the label ECM, Beirach worked as a leader, e.g. on the albums "Eon" in 1976, "Elm" in 1979, "Elegy for Bill Evans", and as a sideman respectively (for John Abercrombie and George Adams) from the middle of the 1970s until the beginning of the 1980s.

His first solo album "Hubris" was released in 1977. At that time, he went on tour a lot with, among others, Chet Baker, John Scofield and John Abercrombie.

In the 1980s, Richie Beirach focused increasingly on the solo piano and, parallel to that, on the cooperation with David Liebman in their duo and in the band "Quest", which they founded together in 1981, with drummers Billy Hart and Al Forster and George Mraz or Ron McClure on the bass, respectively. Until their break-up in 1991, the band recorded six albums: "Quest", "Quest 2", "Midpoint: Live at the Montmartre", "Natural Selection", "N.Y. Nites: Standards" and "Of one mind", and went on tours throughout Europe, Asia and South and North America. Stylistically, the quartet did not set any limits and thus played both standards and original compositions with the same intensity and freedom. Beirach then devoted himself increasingly to playing solo. The album "Live in Tokyo" (1981) was recorded during a Japan tour. Following albums were "Ballads" and "Ballads 2", which dealt intensely and in a contemporary manner with the Jazz standard repertoire. Records, which are characterized by non-musical influences, from "Waterlilies", compositions impressed by the paintings of Claude Monet, and "Breathing of Statues", after texts by Rilke, to the completely improvised "Self Portraits", "Sunday Songs" and "Live at Maybeck Recital Hall", were created at the beginning of the 1990s. "Inspiration", recorded in 1991 as a member of the RonMcClure Trio, and "Trust", recorded in 1993 under his own name with Dave Holland and Jack deJohnette, showed Beirach in a trio again. As a co-leader and sideman, he recorded several albums with the trombonist Conrad Herwig, e.g. the duo record "Intimate Conversation", and, with a bigger band, "The Amulet" and "The Latin Side of John Coltrane". Since the middle of the 1990s, Beirach has mostly worked with two different trios; together with his musical fellows George Mraz (bass) and Billy Hart (drums), Beirach recorded the album "The Snow Leopard" in 1996. That was followed by "Romantic Rhapsody" and "What is this thing called love", which showed a fresh view on standards and some own compositions. "No borders" (2002) focuses on classical pieces as a basis for improvisation, and, on the other hand, also contains a completely composed original composition by Beirach: "Steel Prayers", a piece for the victims of 9/11. To take classical pieces and open them for improvisation, without depriving them of their character, is also the basic principle in the cooperation with violinist Gregor Hübner. The trio with Beirach, Hübner and again George Mraz on the bass has released three albums with the label ACT. "Round about Bartok", "Round about Federico Mompou" and "Round about Monteverdi" are each dedicated to the respective composer and try and approach them via improvisation.

Since 2000, Richie Beirach lives in Leipzig and holds a professorship for Jazz piano at the Leipzig conservatory "Felix Mendelssohn-Bartholdy Show less

Richie Beirach: Leaving

by Chris May
April 11, 2023

On Leaving, recorded in France in 2022, Richie Beirach revisits thirteen evergreen standards, seven of them grouped together in two medleys, and two of his own compositions ("Leaving," “Sunday Song") written in the 1970s. The album is Beirach's first live solo recording since 1981. All of the material is more than familiar to Beirach and will be equally well known to seasoned jazz fans. In his liner note, Beirach says that this was intentional. He wanted to ...

Liner Notes

John Abercrombie: The First Quartet

by John Kelman
February 9, 2023

With the release of Arcade (1979), Abercrombie Quartet (1980) and M (1981), John Abercrombie's entire ECM discography as a leader is finally available on CD. Looking back at these albums and their position in his oeuvre, they are revealed as seminal documents of Abercrombie's arrival as a distinctive writer, improvising guitarist and bandleader, delivering on the promise of his first two ECM recordings under his own name, Timeless (1975) and Characters (1977). Abercrombie's subsequent career has, in many ways, been ...

Album Review

John Moulder: Metamorphosis

Read "Metamorphosis" reviewed by Jack Bowers

by Jack Bowers
October 30, 2021

As approximately fifty of the sixty-eight minutes on Chicago-based guitarist John Moulder's new CD, Metamorphosis, are devoted to the seven-part “Metamorphosis Suite," that seems an appropriate point at which to start any appraisal of its contents and purpose. First and foremost, it is clear that considerable thought was given to mapping the structure of the suite, and that Moulder's quartet came well-prepared to accept and conform to his frame of mind. Whether the end result is worthy of approval is ...

History of Jazz

Richie Beirach: Exploring Who Matters Most Among the Jazz Pianists

by Victor L. Schermer
September 23, 2020

[The following is a commentary on pianist Richie Beirach's 2020 e-book The Historical Lineage of Modern Jazz Piano: The 10 Essential Players (Conversations between Richie Beirach and Michael Lake), downloadable for free here.] Jazz piano has always garnered (no intended reference to Erroll Garner) special interest among the instruments because it is truly an orchestra in itself. Its keys cover the full range from low bass to highest soprano, and it is tailored (no allusion to Dr. Billy ...

Interview

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2

by Victor L. Schermer
August 14, 2019

Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as one of the most accomplished masters. While the aforementioned have developed a signature style, emotional power, and virtuosic technique, Beirach, above and beyond those ...

Interview

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 1

by Victor L. Schermer
August 13, 2019

Album Review

Richie Beirach-Gregor Huebner Duo and the WDR Big Band: Crossing Borders

Read "Crossing Borders" reviewed by Jack Bowers

by Jack Bowers
July 1, 2019

The “borders" that are earmarked to be crossed in this new album by pianist Richie Bierach, violinist Gregor Huebner and Germany's superb WDR Big Band are both geographic and musical. The collaborative effort is intended, on the one hand, to bridge the gap between people of various ethnicities and backgrounds and help bring them together, and, on the other, to minimize the borders between classical music and jazz by allowing ample room for both genres to be heard, cross-referenced and ...

Recording

Laurie Antonioli's "Varuna," A Duo Session With Pianist Richie Beirach, To Be Released By Origin Records Sept. 18

Source: Terri Hinte Publicity
August 26, 2015

Since returning to her native Bay Area in 2006 from a period of living and working in Europe, vocalist Laurie Antonioli has concentrated her creative energies on her American Dreams band, which backed her on last year’s breakthrough Origin Records release Songs of Shadow, Songs of Light. For her new Origin CD, Varuna, Antonioli returns to an important chapter in her musical life by recording intimate sessions with her collaborator of more than 25 years, the esteemed pianist Richie Beirach. ...
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Video / DVD

See The Music Of Laurie Antonioli and Richie Beirach

Source: Laurie Antonioli
January 12, 2014

A short improvisational piece from master pianist Richie Beirach and song stylist Laurie Antonioli taken from their Duo Session recording is a gorgeous series of brush strokes and images that capture the feeling and sound of this song. Laurie is the Director of the Jazzschool Institute Vocal program and her student, Susana Pineda created this video as a gift for her teacher. It turns out that her intuition was stunning as Richie Beirach's favorite artist is Paul Klee. Young Susana, ...
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Recording

Rad Jazz Music Introduces "The Tip Of The Sword"--The Latest Release From Conrad Herwig Featuring Richie Beirach and Jack DeJohnette

Source: hubtone PR
February 27, 2012

AVAILABLE NOW AS CD OR DOWNLOAD EXCLUSIVELY THROUGH conradherwig.com NEW YORK,NY—Trombonist Conrad Herwig, known for “Latinizing" the classic compositions of jazz greats John Coltrane, Miles Davis, Herbie Hancock and Wayne Shorter, among others, presents The Tip of the Sword, a vital new release featuring Richie Beirach and Jack DeJohnette. It is a courageous recording—freely interactive, oftentimes fierce—that focuses on daring improvisation within a trio context. It showcases seven originals and it couples Herwig with one of jazz's legendary figures (pianist ...
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Recording

Hubris (ECM 1104)

Source: Between Sound and Space - An ECM Records Resource
January 25, 2011

Richard Beirach Hubris Richard Beirach piano Recorded June 1977 at Tonstudio Bauer, Ludwigsburg Engineer: Martin Wieland Produced by Manfred Eicher Classically trained pianist Richie Beirach has created some of ECM's most melodically engaging music. His first solo album is a keepsake to be treasured for its melodic detail and structure. “Sunday Song" embraces the album at either end with heartache and never lets go, even in silence. Within its fibrous interior, Beirach spins thematic ...
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331

Recording

Mosaic Select: Pendulum Featuring Dave Liebman, Randy Brecker, Richie Beirach, Frank Tusa and al Foster

Source: All About Jazz
July 25, 2008

Explosive Post-Bop Jazz By Five Master Musicians In February 1978, saxophonist Dave Liebman assembled Pendulum, a formidable quintet with trumpeter Randy Brecker, pianist Richie Beirach, bassist Frank Tusa and drummer Al Foster. The group was assembled for a one-week engagement at the Village Vanguard in New York City. Sadly, its lifespan was that one gig, but fortunately John Snyder of Artists House Records and engineer David Baker were on hand to record the last two nights of the run. The ...
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142

Recording

David Liebman, Richie Beirach, Ron McClure, Billy Hart, Redemption: Quest Live in Europe on Hatology 642

Source: All About Jazz
April 8, 2007

Redemption: Quest Live in Europe on Hatology 642

David Liebman: soprano & tenor saxophones & flute, Richie Beirach: piano, Ron McClure: double bass, Billy Hart: drums

Recorded 2005 in Paris and Baden/Switzerland.

“To be back on tour with Quest after fifteen years was like going home. We are peers with a common language that traverses the past several decades of music; experience and commonality are intangibles which when present create a sum much greater than the individual parts. What a ...
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Richie Beirach

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